Sept hommes armés du vieil ouest se réunissent pour aider un village pauvre contre des voleurs sauvages.Sept hommes armés du vieil ouest se réunissent pour aider un village pauvre contre des voleurs sauvages.Sept hommes armés du vieil ouest se réunissent pour aider un village pauvre contre des voleurs sauvages.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 12 nominations au total
Avis à la une
Finally another great western movie!
To be sure, all the western clichés are found in this movie; and I don't have a problem with that! One of the things I liked best about this western was the pacing, sometimes I find westerns to be a little too slow (for my personal taste - subjective, I know) but I felt this movie nailed it, even with a run time a little over 2 hours.
The action scenes are great, very well done. The casting and acting was great - Denzel does a great job as the leader of this rag tag group of guys. Pratt, of course, nails the comedic relief role.
The movie carried a surprising amount of "heart" throughout it all the way to the end.
Here is the bottom line: Yes, this movie is worth your hard earned money to go see in the theater.
To be sure, all the western clichés are found in this movie; and I don't have a problem with that! One of the things I liked best about this western was the pacing, sometimes I find westerns to be a little too slow (for my personal taste - subjective, I know) but I felt this movie nailed it, even with a run time a little over 2 hours.
The action scenes are great, very well done. The casting and acting was great - Denzel does a great job as the leader of this rag tag group of guys. Pratt, of course, nails the comedic relief role.
The movie carried a surprising amount of "heart" throughout it all the way to the end.
Here is the bottom line: Yes, this movie is worth your hard earned money to go see in the theater.
Come on now. If you're going to re-make "The Magnificent 7" let's do it magnificently. Where was that great music? Where is the superlative cast that include Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson, James Coburn, and Vladimir Sokoloff? You might argue that Denzel Washington and Chris Pratt are on a level with Brynner and McQueen, but I wouldn't. Pratt certainly has potential, but he doesn't yet have McQueen's star power. The rest are pale imitations, except perhaps for an unbelievably fat Vincent D'Onofrio who is certainly entertaining.
This is a modern re-telling. You might call it the Diversity 7. The producers threw in just about every minority you can think of – Mexican, Asian, Black, Woman. The only thing missing was a "little" person .
Personally I liked the idea of the woman, played very well by Haley Bennett who has been with Washington before ("The Equalizer").
An action film like this works only when the villain is villainous. Eli Wallach was terrific. Peter Sarsgaard wouldn't scare a fly.
Don't get me wrong. I enjoyed it. It's OK, but it's not magnificent.
This is a modern re-telling. You might call it the Diversity 7. The producers threw in just about every minority you can think of – Mexican, Asian, Black, Woman. The only thing missing was a "little" person .
Personally I liked the idea of the woman, played very well by Haley Bennett who has been with Washington before ("The Equalizer").
An action film like this works only when the villain is villainous. Eli Wallach was terrific. Peter Sarsgaard wouldn't scare a fly.
Don't get me wrong. I enjoyed it. It's OK, but it's not magnificent.
A remake of a great film that is a remake of an even greater film (Akira Kurosawa's 'Seven Samurai'), there are worse remakes out there than 2016's 'The Magnificent Seven'. Primarily 'Psycho', 'The Wicker Man', 'Rollerball', 'Ghostbusters' and 'Stepford Wives'.
'The Magnificent Seven' has its strengths but fails to live up to its title and one does question the point of it. It is well made visually, with an atmospherically gritty look and an evocative setting. Some of the action excites and the direction has a dark grit that is typical of Antoine Fuqua. While it is nowhere near as unforgettable or as iconic as one of film's all time great scores, James Horner's score here is demonstrative of what a great talent he was and how his tragic far too early death is still a sad loss.
Casting is very variable, some of the acting is very good, some of it doesn't work. The best performances come from Denzel Washington, charismatic as ever, Ethan Hawke excelling in an atypical role and Haley Bennett mixing toughness and vulnerability adeptly. The most interesting character relationship is between Washington and Hawke and gives the film the few glimpses of realism and substance. Lee Byung-hun is also good fun.
Others don't fare so well, not helped by that most of the characters are not that interesting and sketchily developed. Didn't think either Chris Pratt or Vincent D'Onofrio, both decent and more in other things, fitted particularly well, Pratt especially jarred and his humorous lines lack wit and don't gel. Faring the worst is Peter Sarsgaard, who just isn't sinister or intense enough, even in a severely underwritten role he looks like he's sleepwalking.
While there's a lot of blood and violence, there is little soul or heart underneath and some of it is gratuitous. The dialogue is awkward, particularly the humour which falls flat and often feels misplaced. The story suffers from an overlong length, a sluggish pace, a lack of tension or suspense and heavy-handed and pointless political elements. Won't carp about the political correctness like some have but it doesn't add anything. The illogical and anaemic ending underwhelms drastically as well.
In summary, has its strengths but not so magnificent and one does question the point of it. 5/10 Bethany Cox
'The Magnificent Seven' has its strengths but fails to live up to its title and one does question the point of it. It is well made visually, with an atmospherically gritty look and an evocative setting. Some of the action excites and the direction has a dark grit that is typical of Antoine Fuqua. While it is nowhere near as unforgettable or as iconic as one of film's all time great scores, James Horner's score here is demonstrative of what a great talent he was and how his tragic far too early death is still a sad loss.
Casting is very variable, some of the acting is very good, some of it doesn't work. The best performances come from Denzel Washington, charismatic as ever, Ethan Hawke excelling in an atypical role and Haley Bennett mixing toughness and vulnerability adeptly. The most interesting character relationship is between Washington and Hawke and gives the film the few glimpses of realism and substance. Lee Byung-hun is also good fun.
Others don't fare so well, not helped by that most of the characters are not that interesting and sketchily developed. Didn't think either Chris Pratt or Vincent D'Onofrio, both decent and more in other things, fitted particularly well, Pratt especially jarred and his humorous lines lack wit and don't gel. Faring the worst is Peter Sarsgaard, who just isn't sinister or intense enough, even in a severely underwritten role he looks like he's sleepwalking.
While there's a lot of blood and violence, there is little soul or heart underneath and some of it is gratuitous. The dialogue is awkward, particularly the humour which falls flat and often feels misplaced. The story suffers from an overlong length, a sluggish pace, a lack of tension or suspense and heavy-handed and pointless political elements. Won't carp about the political correctness like some have but it doesn't add anything. The illogical and anaemic ending underwhelms drastically as well.
In summary, has its strengths but not so magnificent and one does question the point of it. 5/10 Bethany Cox
Hate to be cliché voting this 7/10 but thought it was appropriate for a film of this nature.
I was sceptical, like I imagine many were, when I first heard they were remaking The Magnificent Seven since the original is such a classic. Being a fan of westerns in particular, I will jump at the chance to see a western in the cinema.
I really don't think this was a bad movie by any stretch of the imagination. It upholds some originality rather than just blindly following the original script and attempts a more modern and socially aware approach. This approach I do not necessarily agree with as it comes across far too forced at times, like they were attempting to recognise as many different races or even 'minorities' as possible.
It was cheesy at times, there is no doubt about this, but classically westerns were styled this way, being melodramatic at times and maybe one too many standoffs with intense close ups of characters staring at each other. In a way I like this though. I thought it paid almost tribute to the classic westerns of the 1950s and 60s. The famous lighting another mans cigar' scene was a pretty neat addition, and instantly reminded me of 'The Good, The Bad & The Ugly'.
The build up was worth it too was an awesome showdown and shootout, lots of well delivered performances and cleverly directed fight scenes. Not a bad film at all but definitely not a masterpiece. Worth your time if you're a fan of the genre.
I was sceptical, like I imagine many were, when I first heard they were remaking The Magnificent Seven since the original is such a classic. Being a fan of westerns in particular, I will jump at the chance to see a western in the cinema.
I really don't think this was a bad movie by any stretch of the imagination. It upholds some originality rather than just blindly following the original script and attempts a more modern and socially aware approach. This approach I do not necessarily agree with as it comes across far too forced at times, like they were attempting to recognise as many different races or even 'minorities' as possible.
It was cheesy at times, there is no doubt about this, but classically westerns were styled this way, being melodramatic at times and maybe one too many standoffs with intense close ups of characters staring at each other. In a way I like this though. I thought it paid almost tribute to the classic westerns of the 1950s and 60s. The famous lighting another mans cigar' scene was a pretty neat addition, and instantly reminded me of 'The Good, The Bad & The Ugly'.
The build up was worth it too was an awesome showdown and shootout, lots of well delivered performances and cleverly directed fight scenes. Not a bad film at all but definitely not a masterpiece. Worth your time if you're a fan of the genre.
Don't misunderstand.
Both Liam Neeson and Denzel Washington are in their 60s, both have defied the laws of Physics by starting brand-new careers as Action Heros late in life. and both are charismatic and talented enough to pull it off.
(Neeson with the Taken series plus a few other assorted action roles recently; Denzel with the Equalizer franchise and this strange oater.)
Frankly, I would be happy to buy a ticket buyer for all the action roles they both can dish up. If both these gentlemen want to continue to make these sorts of pictures for the next 20 years, I promise to keep watching.
However, leaving aside the star power of the lead in this production, overall this film is a borderline remake.
The original had a better ensemble cast, better music, and better acting.
This is an "OK" remake (as many other members have opined here) with arguably better pistol-handling skills.
And still a very nice way to spend a rainy afternoon.
Both Liam Neeson and Denzel Washington are in their 60s, both have defied the laws of Physics by starting brand-new careers as Action Heros late in life. and both are charismatic and talented enough to pull it off.
(Neeson with the Taken series plus a few other assorted action roles recently; Denzel with the Equalizer franchise and this strange oater.)
Frankly, I would be happy to buy a ticket buyer for all the action roles they both can dish up. If both these gentlemen want to continue to make these sorts of pictures for the next 20 years, I promise to keep watching.
However, leaving aside the star power of the lead in this production, overall this film is a borderline remake.
The original had a better ensemble cast, better music, and better acting.
This is an "OK" remake (as many other members have opined here) with arguably better pistol-handling skills.
And still a very nice way to spend a rainy afternoon.
Le saviez-vous
- AnecdotesAccording to director Antoine Fuqua, Martin Sensmeier was cast as Red Harvest because he auditioned with luxuriant, almost knee-length hair. Sensmeier wasn't told his hair was a selling point, and he cut his hair soon after. Fuqua was upset, then got the idea for Sensmeier to have his hair cut into a Mohawk.
- GaffesDespite hundreds of shots and explosions, only men's bodies are on the ground, no dead or wounded horses.
- Citations
Sam Chisolm: What we lost in the fire, we found in the ashes.
- Crédits fousPart of the closing credits are a montage of the Magnificent Seven and their actor credits, which ends with a big red seven that contains the faces of the seven. The theme from Les 7 mercenaires (1960) plays over this montage.
- ConnexionsFeatured in Double Toasted: THE MAGNIFICENT SEVEN 2016 MOVIE REVIEW (2016)
- Bandes originalesTheme from The Magnificent Seven
Written by Elmer Bernstein
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- How long is The Magnificent Seven?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Los siete magníficos
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 93 432 655 $US
- Week-end de sortie aux États-Unis et au Canada
- 34 703 397 $US
- 25 sept. 2016
- Montant brut mondial
- 162 360 695 $US
- Durée2 heures 12 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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