Malavita

When I received the premier passes to see "The Family", I was really expecting with such great actors/actresses, that this movie would be good; but more-so expecting it to fall flat like so many before it. I was greatly surprised.

The Movie is based on the French author Tonino Benacquista's novel Malavita, which is know as Badfellas in America. And "BadFellas" is an interesting way to view this film. It does have all the wonderful elements of the great Mobster movies, but with a touch more humor. The family dynamic is a refreshing one that invokes what a modern mob family would probably be going through. You found yourself "going" for the family as a whole and not singling out one for their idiocy.

The movie starts off fast to quickly usher you thorough the character introductions and development, which is a good thing, because it allows you to experience their personality and growth throughout the film. You watch the stupid mistakes of a teenage girl, a boy who's intuitive yet still flawed. A mother who's trying to do the best she can to hold her family together, and a remorseful (somewhat) father.

If you are wanting Goodfellas or Casino, this isn't it. What this IS is DEFINITELY what "Analyze This" could have been if it was a better movie. There is plenty of action, and the previews don't give away the best of the movie. It is definitely a must see and Smush Approved.

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"Like Al Capone said, asking polite with a gun in your hand is better than asking polite with nothing." Giovanni

Family values in The Family are not your father's values unless, like me, your grandfather ran a numbers business in the basement of his barbershop. All of Kodak Park enjoyed that true color.

The Giovanni Manzoni/Fred Blake (Robert De Niro) family has a paterfamilias who is a notorious Mafia don in the FBI witness protection plan. (De Niro as a mobster is the fall's most unimaginative casting but he's funny.) His values are ratting on his fellow Mafiosi to save his legal hide, forcing him to hide with a $20 million reward dogging him. The family's love for each other is unconditional and treats challenges with a baseball bat rather than diplomacy. If a Frenchman disrespects Americans, he might find his supermarket in flames.

If this sounds like a story to turn the nuns' heads completely around, don't worry; it's ultra "black comedy," equal parts Italian-American gangster satire and laughable domestic shenanigans. That midway in the film Fred gets to speak on the merits of GoodFellas before a French crowd in Normandy is one of the nice meta-critical-comedic turns followed by carnage we've come to expect from Mob films. It's pretty much territory owned by Scorsese and De Niro. Additionally, the use of the "f" word has never been so deftly played in a comedy.

Besides the joy of seeing De Niro have a good time with the many tough characters he has played in his career, you get to see Tommy Lee Jones play a gruff FBI agent, Robert Stansfield, who can trade barbs with his charge, Fred, who has such a propensity for violence (he beats up the only plumber within 20 miles of town) that Fred is a full time job for Robert. If Jones's face can't scare Fred into being a good boy, then the threat of losing witness protection does the trick.

Directed with wicked tongue in cheek by La Femme Nikita's stylish Luc Besson, The Family sports an accomplished supporting cast: Michelle Pfeiffer as mom Maggie is gritty Brooklyn with her famous beauty well preserved. The two kids played by Diana Argon and John D'Leo are spot on sweetly dangerous as you might expect.

It's all in GoodFellas fun, a mildly amusing and unusual story that beats many mainstream comedies this year.

The Family (2013)

* 1/2 (out of 4)

Luc Besson returns to the director's chair for this "comedy" about a former Mafia member (Robert DeNiro) who rats out his friends and must take his family into the Witness Protection Problem. When he starts to write his life story this sets the Mafia boys off to try and track him down and put an end to him and his family. THE FAMILY has so much talent involved that we should have been given a great film but sadly just about everything that you could do right with the concept is turned into a complete disaster and in the end we're left with a really bad and disappointing film. The film is bad on many levels including the fact that this "comedy" simply isn't all that funny. The idea of a Mafia guy having to get used to a small, unknown place should have made for some laughs but the only thing the screenplay offers is him throwing a fit about his water not being clear. We get some fantasy violence scenes but these aren't funny either. The stuff dealing with the wife (Michelle Pfeiffer), daughter (Dianna Agron) and son (John D'Leo) also add up to very little. This is especially true with the daughter's subplot dealing with her relationship with a teacher. Even worse is the relationship between DeNiro and his FBI guy played by Tommy Lee Jones. I never would have thought these two actors in the same scene could lead to such boredom. The performances are okay but with this much talent you just expect so much more. DeNiro can be a master at comedy but the screenplay just never allows his character to do anything. Agron, as the daughter, certainly steals the picture. What's strong is that this "comedy" doesn't come to life until the end when it turns into a violent thriller. This "thriller" aspect is directed with some style and real energy. Had the comedy scenes been handled this well then we would have been left with a much better film. The entire film has an uneven mix and in the end it's just a complete mess that never pays off.

Very few actors into their old age have been able to resist the temptation to play out their end years like the last five overs in a 50 over cricket match- keep featuring in any movie that pays decent money. Of late, industry stalwart Rober De Niro has been guilty of the same, but once in a while he does bring out the old sparkle, and more often than not, that is generally in a mobster themed movie. Ditto for The Family- a zany comedy about a family of criminals, who come in all genders and ages.

Robert De Niro is Giovanni Manzoni, a crime boss on the run from his gang, who he tattled on. Put under witness protection, he and his family have a hard time sticking to their given identities as Giovanni is unable to rein in his sadistic urges, leading to a murder here, and a bashing there. His family is not far behind though- Michelle Pfeiffer is one bad closet pyromaniac of a mother, Dianne Aragon is the beautifully dangerous daughter, and John D'Leo is the young wheeler dealer gun, waiting to make a name in the business. The kids are a chip off the old block - brave and shrewd, with extremely practical, no nonsense attitudes. Tommy Lee Jones is the FBI agent who has to help these lunatics maintain a low profile. But all they keep doing, in different doses of hilarity, is making a war-zone out of a mofussil town.

Luc Besson makes a fine comeback with this funny gangster comedy- the script is witty, the pace is fast, there are sudden scenes of shocking violence, and equal doses of laugh out moments. All the actors do a great job. This is a role meant for De Niro- he is a career don (Goodfellas, The Godfather, Casino) and this is right up his alley, a walk in the park. His interactions with his family are awesome, and at the end i was left wanting more of this family- a sequel on the cards? Michelle Pfeiffer's beauty has not dimmed one bit, and Tommy Lee Jones maintains a straight face throughout the antics.

The Family is as much about a real family as it is about thugs. Growing up pains, romance, responsibility, will to survive- all of it is nicely packaged into a decent entertainer which has loads of laughter, guns, hammers, baseball bats, explosions, and everything else you love about the gangster movie genre- 7/10

I vaguely remember when this movie was in the cinemas. I didn't go see it and I didn't even see a trailer, but I remember seeing the poster on the wall at the theater. Once it was up on Netflix, I wanted to see it.

I was expecting some kind of weird mixture between crime drama and a "unusual family" comedy like the Addams Family and We're The Millers. Not the best examples but they are the first ones I can think of. The Family wasn't exactly close to my expectation. The Family is way more refreshing the way it is. Still, it's hard to say what is the main type of this film. It's partially a comedy, it's hilarious and clever and all that. But then again it seems like a deep drama, because it's about a family who is trying to adjust to the new situation, and everyone is facing their own challenges. But of course it's also a crime thriller.

While it's hard to say which one of these mostly defines the movie, the thing is, the elements of all those types are used so wonderfully, that as the story goes on, it doesn't matter. The story and the characters are intriguing and it's exciting to see what is going to happen. That shows what an excellent writer Tonino Benacquista is. While I don't know the differences between his book and the screenplay by Besson and Caleo, but I'm guessing his Benacquista's writing involved a lot of the stuff I loved about this movie.

The Family is intriguing, thrilling and fun. It has excellent casting and excellent writing. While this movie doesn't really stand out, it's not astounding in anyway, it's still a good film and definitely worth seeing.