Kamikaze: Le dernier assaut

A brother and sister initiate a personal project to find out more about their grandfather, a World War II kamikaze pilot. When they discover their grandfather was universally regarded as a coward, their enthusiasm begins to wane. But the brother persists, discovering there is more to the story.

This is a subtle film, foregrounding the personal consequences of war for rounded, authentic characters. In the process, the film astutely stays away from either justifying or apologising for Japan's war actions. Jun'ichi Okada is a revelation as the pilot instructor who attempts to save his young charges from the excesses of his superiors, often at great personal sacrifice. He makes a promise to his wife, but then seems to compromise it in order to be loyal to his men. The resolution of this conflict makes for a powerful and well-plotted storyline.

The flashbacks to the war are engaging and dramatic, but the film's weak point is the bland Haruma Miura guiding us through the story. In a scene conspicuous for its shallow clunkiness, he berates his friends for equating tokkutai with modern-day suicide bombers. No real camaraderie seems to exist between the friends, and the whole scene seems designed merely to relay the point that modern-day fanaticism and historical Japanese 'heroism' cannot be equated. It is a fop to present-day rightist revisionism that is unworthy of the rest of the film.

Eien no Zero shows ordinary people living extraordinary lives in extraordinary circumstances. A thoughtful, emotional film that, casting flaws aside, proves cathartic and thought-provoking in equal measure.

This is an involved and engaging love story using Japan's involvement in WW2 as a back drop. It starts and ends with I believe a replicated scene that was based on actual footage that I remember seeing when I studied the history of the Second World War in the Pacific.

There was nothing I didn't like about the film. I liked the characters, the plot and the CGI. Nothing overpowered any other part of the film.

It is a long film at nearly 2.5 hours but I found it totally engrossing.

A week after I saw it I watched it again with my daughter (who knows very little if anything of the Japanese involvement in WW2) and she enjoyed it also. She rated it 8/10

I found it to be a refreshingly different portrayal of the other side in that conflict.

Last Friday night a group of friends came around for dinner. During the meal I was asked if I had seen any good films lately. So after dinner we watched The Eternal Zero. Harry gave it 7/10, Vicky 8/10. If anyone else rates it then I will update this post.

Eien no Zero was a big thing in Japan, basically everywhere you went you saw a trailer or a commercial for it, people at movie theatres cried during the movie. From a gaijins point of view, it was a interesting war movie, that showed so-called Japanese spirit, that went way overboard during the war.

Before the movie I read the book so I knew what to expect and the movie was way better than I could have expected. Everything felt authentic, moments in modern days didin't feel too long or jarring. People next to me were crying during the movie and I can see why. People who are nowadays called "terrorists" or "cowardly suicide bombers" were people fighting for their country, for their ancestors and their future. most of them knew that they would die during the battles, but they had to continue or they would be traitors.

I really recommend this movie, If you are interested in Asian drama or war movies, this movie is for you.

I would put this in one of my top favorite films. It's as good as "Letters from Iwo Jima"

Was the lives worth it for the future of Japan?

It's kind of like "The Notebook" meets "Pearl Harbor". (well, better than those two films!) If you had to choose love between your own family and country/men; many had to face the same dilemma. People can have different perspective whether one is a coward or a real hero.

I'm not sure how I missed this film when it first came out, but I recently watched it and I was engaged throughout the whole film.

The director Takashi Yamazaki also makes really large scale Hollywood-like production quality.

There's many war films out there, but this one is actually refreshing and meaningful. It really hits hard on the impact and value of life - how precious it really is.

I really liked how it brought up the controversy/showed and compared how people/kids of modern Japan also judged the way they saw the kamikaze pilots who fought for them. Some people argue they were just crazy brainwashed terrorists, but not everything is just simply black and white.

The film stars Juichi Okada, a famous former Japenese boy band group member called V6, who plays the main pilot. I was surprised he could act so well, as he was amazing in the film.

I liked how the film had that small subtle connection/twist of the old man with the security cameras in his home/samurai sword; you'd only get it if you were paying attention.

I highly recommend this film. It's definitely one of the quality war films made.

Despite being one of the better films hiding among the titles on Netflix, 'The Eternal Zero' doesn't seem to have attracted much attention in the west. Given that it's a film that casts a sympathetic look at Japan's kamikaze pilots though that's not exactly surprising. It's already been subject to a wealth of controversy by critics in Japan and abroad, especially as there's one pivotal scene that compares them (favourably) to modern day suicide bombers.

This is a shame because at it's heart, 'The Eternal Zero' is a defiantly anti-war movie and a genuinely moving one. Beginning at a funeral, it focuses on siblings Kentaro and Keiko Oishi and their quest to find out more about the Grandfather they never knew. They soon discover that their relative Kyuzo Miyabe was a fighter pilot that died in a kamikaze attack on an aircraft carrier but throughout the war, he was almost universally hated by his fellow pilots. They meet with several veterans who all accuse Miyabe of cowardice for avoiding combat at any cost and after being shouted at by several angry old men, are understandably keen to throw in the towel. Then they decide to go for one last interview and things start to get more complex.

From there, the film unfolds Citizen Kane-style through interviews and flashbacks. It turns out Oishi was in truth a brilliant pilot, but one who also desperately wanted to live and return home to his wife. This made him thoroughly unpopular in a culture which at the time venerated the honourable sacrifice, but it also makes him something of a cypher character. Nobody in their right mind would want to smash themselves into a warship in a burning jet plane after all, so how does someone come to be persuaded to do that? And could it happen to any of us or was it something that only Imperial Japan could convince it's people to do?

What follows is a moving story of courage disguised as cowardice and a man who firmly believed in life at all cost rather than pointless deaths. There's a few brilliant scenes where characters juggle certain death against uncertain life, not least where Oishi convinces a fellow pilot not to turn back for a suicide run, only to wind up suffering an even worse fate because of it.

On a technical level too the film does a great job in recreating aerial combat through CGI (a practical necessity given the lack of functioning Zeros nowadays). The focus isn't on the combat though and anyone expecting constant dogfights will be disappointed. The Battle of Midway scene for example ends all too soon and often, we see the aftermath of battle rather than the battle itself. It makes up for it though in the human drama and when Oishi finds himself flying escort to his own students and has to watch them squander their lives pointlessly, it's both visually impressive and moving.

Anyone who still harbours resentment for the Japanese and their actions during WW2 however will still hate this movie. There's no mention of the atrocities of Nanking or the mistreatment of POWs for example, but then they're not the focus of the film. This is about impressionable young men being brainwashed into throwing their lives away and their ancestors struggling to come to terms with it. In that sense, Kentaro and Keiko are representative of modern Japan itself; they don't have to approve of their own history in order to sympathise with it. This is a great film, but it'll provoke a heated argument or two, a fact which it foreshadows in a night out that goes disastrously wrong.