Graceland

Where to start? Everyone lies to everyone else about everything, which is fine as long as they stay focused on their cases, but when their lies and romantic entanglements interfere with their ability to maintain plot structure, we're all screwed. I'm one of those people who enjoys marathoning where TV shows are concerned. I stay focused for a few days or week and it's over. I move from scene to scene without commercial interruption and see if everything holds together. In Graceland, it's a study in human entropy. Everything is in a state of complete and utter chaos with little resolution without massive bloodshed, both physically and metaphorically. The price the audience pays for restitution is far too steep for the time one spends pushing through it. The series was a great concept, and I am completely convinced that had it not gotten so incredibly off track with the sub-plotting tied to, you guessed it: lies! it would have had a long run. The premise of inter-agency people working under one roof is way out there cool, but not at the expense of melodrama on a grand mal scale. I wish i could rewrite the entire damn thing from the moment it got off track and see what would have happened to all those viewers who decided to look elsewhere.

I've read somewhere about this TV show and I just couldn't wait to see the pilot episode. All I can say after watching this episode could've been said in these three words: intriguing, exciting and unpretentious! But, I'm not going to stop only with that. This is a story about seemingly ordinary people and their work: FBI agents who enforce the law by arresting the people who break the law, as they've been taught in school. Hence, this job is much more complicated by the criminal mind learned to hide, to connect with all parts of society, only to avoid justice. Because of that, the ordinary people of the law have to work undercover, to look like criminals, to talk like them, to lie and do everything to arrest them. All that lying and erasing themselves could be very dangerous and who knows where could lead. I can't wait another episode, to see all the good and the bad in these characters that will come up!

Graceland is so much better than I was expecting! This show isn't talked about nearly as much as it should be. If you're looking for a fun show that will keep you entertained from the first episode to the last then give this a try. It had me hooked right away. What makes it even more interesting is that it's based off real events. The entire cast does such a great job that you really come to care for each of their characters and what happens to them. It ended a season too early but I'm just glad that we got three great seasons for a show that wasn't promoted the way it should've been while it was on. It's good enough where I can see myself watching it again in the future.

I have thoroughly enjoyed the show up till this point in the series. It began similar to other series in which, like the negative reviews have said, has all the clichés we've seen before, delivering an idea we've seen before. After the first couple of episodes I would have given it about a 5 compared to other USA shows like Psych and Suits which are strong 8 or 9s. But after these few episodes, the series begins to flip the clichés on their head. Without spoiling anything, the roles perceived at the beginning of the show are switched up with many of the characters holding a secret over their heads. The one secret that has began to shift the story line really has changed the structure of the show using dramatic irony to really give the show an interesting and dramatic twist. The twist and turns as well as the cliffhangers at the end of the episodes really hooked me and even if you don't appreciate the acting( which I still think is good enough) you should at least be able to appreciate the unpredictably towards the end of the series. In summary, I feel like the negative reviews are slightly justified but don't judge this series on the first episode as it really just sets the scene rather than beginning to further the story line of the show.

Despite the title (the show is only in the most tangential sense Elvis related, thank goodness), we felt we had to watch at least the pilot because of the presence of admirable Broadway actors Aaron Tveit (NEXT TO NORMAL & CATCH ME IF YOU CAN), Daniel Sunjata (TAKE ME OUT) and Courtney Vance (SIX DEGREES OF SEPARATION).

Vance, as the head of the FBI at Tveit's character's graduation, may not prove an ongoing character (inexplicably for a personality of his calibre, IMDb doesn't even mention him in the Pilot Episode at present!), but he SHOULD be as he serves as a solid grounding for a location and character heavy tale of young cross-agency enforcement agents living and working out of a luxurious beach front headquarters seized from an Elvis-fanatic drug lord (hence the name for the house and series) before the series ever begins.

The true leads in the story about drug enforcement and possibly the investigation of the enforcers are Tveit as the young hotshot just out of training academy with top scores and unlimited potential and Sunjata as the experienced but still charismatically young agent (one of the few with Academy scores exceeding Tveit's own) who is to field train Tveit. The hour and 15 minute pilot was languorously paced but ultimately got in its share of moments of excitement among the hot locations (was the opening shot really intended to evoke the opening shot of THE USUAL SUSPECTS?) and potentially enjoyable cross currents of character relationships in the unusually large ensemble.

The USA Network has made a name for itself with quirky character "mysteries" which entertain on many levels and, despite an unfortunate European-style preference for ultra-short "seasons," allowing the well ensembles time to develop followings. Given that time, with slightly tighter story telling, GRACELAND should be another in a popular line-up of lightly challenging USA entertainment. It has something for everyone between beach skin, vicarious luxury, post collegiate kidding, an underlying frisson of mistrust and dark underpinnings and the promise of developing character interplay among the large cast (who will turn out to be bad guys beyond stealing from the communal refrigerator? Who will mate with whom?).

In some ways GRACELAND looks like it wants to be a cross between the BIG BROTHER HOUSE and TRAFFIC. If they can get the mix to gel, and they seem to be off to a good start despite one or two moments which strain credibility - but which may actually be parts of the story supposedly "based on fact," they could have something very special. At the very least it's worth a second look.