Bill a du mal à essayer de rassembler sa psyché brisée, dans cette nouvelle version de long métrage de la trilogie de courts métrages d'animation de Don Hertzfeldt.Bill a du mal à essayer de rassembler sa psyché brisée, dans cette nouvelle version de long métrage de la trilogie de courts métrages d'animation de Don Hertzfeldt.Bill a du mal à essayer de rassembler sa psyché brisée, dans cette nouvelle version de long métrage de la trilogie de courts métrages d'animation de Don Hertzfeldt.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Doctor
- (voix)
- Narrator
- (voix)
Avis à la une
Don Hertzfeldt, a director I had never heard of until this day tells the story of a man named Bill, who struggles to put together his shattered psyche. All this is done with very simple, but heartwarming drawings mixed with some live action moments.
Like Mary and Max (2009), this animated feature relies heavily on the narrator, who's voice is the only one you hear. We listen to simple stories about life itself, with some very dark humor intended. You'll laugh, you'll cry, but most of all you'll only spend 62 minutes of your life on something that was quite clearly worth it...
The story that is told in the series of shorts will make you laugh, cry and consider why you are even living. The way that the simple animation style is composited on screen is unique, and also works seeing as it is told from Bill's perspective. The main character, Bill, is a lonely, confused stickman, who suffers from depression and a mental disorder. The things he dreams up or the hallucinations he sees show Hertzfeldt's absurd humour, which will confuse you and also make you laugh. The questions that he asks will stay in your head for a very long time.
The fact that this masterpiece was produced entirely one person with no help from computers makes the film stand out even more.
I don't know whether I'll ever watch a film the same again.
Despite Bill's erratic state of mind, ostensibly from his family history, he's an incredibly relatable character from his fears, dreams and insecurities. The film is so on point that it's hard to shake a disorientating sense of anxiety from watching it due to its existentialism. The film is a remarkably abrasive experience from its density, firing off small vignettes of Bill's life in just a few seconds at a time, paired with an unnerving use of classical music. But with its absurdist take on life, the grounded sense of humour comes from its irreverent and idiosyncratic observations of trivial social faux pas. However, the only aspect that holds the film back is that it gets too nihilistic at times especially during the family flashbacks without purpose, often forgetting the theme of the title.
What's most powerful about the film is the way it approaches mortality. Among all the morbid cruelty of life, it manages something deeply poignant and profound in its casualness. It suggests death as a dumb, awkward stupid moment and in its irony it finds comfort. The final passage explores the consequence of immortality taking a common fantasy on a grand scale. The unbridled creativity, insight and ambition of Hertzfeldt is unparalleled. Both hilarious and gut-wrenching in equal measure, it's a thoroughly inspirational film as Hertzfeldt probably made this on one desk maybe in his bedroom. I implore everyone to spare an hour of their life to watch this. I'll definitely be watching It's Such a Beautiful Day many, many more times.
9/10
"It's Such a Beautiful Day" is a tragicomic combination of fantasy and reality, portraying the life and death of a seemingly normal man named Bill, a relatable extension of ourselves who lives a confusing yet mundane life that seems to have been wasted by year after year of nothing. Featuring a deadpan and often hilarious narration by Hertzfeldt himself, Bill's psychological and physical collapse is portrayed through the unique usage of flashbacks, dream sequences, absurdist gags, surrealist science fiction imagery, etc. All of these fragments of memories and crises and sad moments and happy moments and funny moments and stream of consciousness style musings on existentialist concepts of death and love and life all culminate to form something inexplicably beautiful. This is the story of a fragile man taking place over the course of his most fragile days as life seems to vanish in his socially awkward grasp. Of course, this is not a conventionally sad work, although it IS extremely tragic and heartbreaking throughout, for Hertzfeldt's often dark and occasionally even slightly juvenile and slyly bawdy sense of humor shines through even the most melancholic of moments.
The result of this brilliant philosophical tale is a work of both intellectual and emotional mastery crafted by an underrated and unbelievably talented artist whose works can combine elements of comedy and tragedy and poetry using bland, almost poorly drawn stick figures. This filmmaker and this films are both movie miracles and prove that even in this modern age of repetitive corporate media cinema is not dead and can still be excellent and original!
At the surface it's a somewhat comically told story of a stickman, Bill, and his struggles in life. Don Hertzfeldt (the animator) narrates Bill's life through what seems like a series tiny excerpts plucked out from a bigger picture. It mirrors the animation style, which at times also seems to consist of excerpts; tiny portions roughly cut out from bigger scenes. All this is accompanied by classical music.
At the core of this simple exterior though, is an emotional roller-coaster that will make you think about the big questions. It will make you laugh at dark jokes amidst a sea of tears. It will reduce any hard man into a soft mushy pulp. And in the end, Bill the stickman will have a real impact on your life.
Le saviez-vous
- AnecdotesShot on 35mm, all of the visuals for the film were captured in-camera with experimental optical effects and trick photography.
- Citations
Narrator: The next thing you know you're looking back instead of forward. And now, at the climax of all those years of worry, sleepless nights, and denials, Bill finally finds himself staring his death in the face, surrounded by people he no longer recognizes and feels no closer attachment to than the thousands of relatives who'd come before. And as the Sun continues to set, he finally comes to realize the dumb irony in how he had been waiting for this moment his entire life, this stupid awkward moment of death that had invaded and distracted so many days with stress and wasted time.
- ConnexionsEdited from Everything Will Be Ok (2006)
- Bandes originalesVltava (Moldau)
(from Má Vlast)
Composed by Bedrich Smetana
[Bill awkwardly meets someone he half remembers]
Meilleurs choix
- How long is It's Such a Beautiful Day?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- It s Such a Beautiful Day
- Lieux de tournage
- Austin, Texas, États-Unis(Everything Will Be OK)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro