Le Chasseur et la Reine des glaces

I want to say at the very beginning that at the base of this prequel/sequel is a false premise, or a logical fallacy. If one does remember the first movie, there's no way this one can be truly connected to the same story and characters. This is simply a story line that was stretched and contorted so another movie could be created with Charlize Theron as the evil queen and Chris Hemsworth as the huntsman, everything else didn't matter, the producers thought they could get some more money from the struggle between these two and the rest simply had to fit in. I knew that before I went to see this one, and I was practically ready to hate it. I didn't. And once again, the main reason is the acting. To be more precise, it's the three actresses pulling this unlikely story from start to end. Charlize Theron, once again menacing and chilling as the evil queen, with less fragility and less humanity. Which is, in my book the worst fault of this movie: if one does decide to further develop the characters of the first movie, the starting point should've been the origins of Ravena's hate for all men, and of human emotions. The creative team didn't go this way, this in fact made Ravena a two dimensional cartoon. Only Charlize Theron brilliance manages to make her somewhat relatable. Then there's Jessica Chastain as Sara with a performance filled with subtleties and nuances, managing to look like a fierce warrior and still make us feel she has a beating heart in her chest. But both Jessica Chastain and Charlize Theron pale in front of the real standout performance of this film, that's the one of Emily Blunt. The truth is, she does have the best written role in the film, and she carries it and in fact the entire movie all the way through. If only they could do the same for Charlize Theron, this could've been a real something to see. But even as is, the movie is surprisingly engaging and entertaining.

Some people really need to get over themselves, judging by some of the reviews for this film. It is a fantasy based on children's stories - what the hell were they expecting, Hamlet or Henry V?

It was a fun ride with plenty of action, plenty of humour, and a great cast - Chris Hemsworth brings his usual cheery action hero to the mix, Jessica Chastain was a good addition as The Huntsman's wife, and Emily Blunt played the fragile Ice Queen wonderfully well. The Dwarfs were comic relief as always, but it worked well with fewer of them and a couple of females in the mix.

The story wasn't overcomlicated but if I want that, I'll go watch Memento. Chill out a little, folks.

The Huntsman: Winter's War is great fodder for fans of the genre; the slenderly plotted film moves along at a nice pace and the cast do a decent job with what they're given. Although it's undoubtedly a cash-grab sequel (do not believe the "before Snow White" marketing), it manages to argue its case for existing fairly well. Contractual obligations aside, Hemsworth and Theron resume their roles with great gusto, with Hemsworth arguably vastly improving on his performance in the first film. Throw in Emily Blunt and Jessica Chastain and you're confronted with a pretty enviable - if surprising - cast for a film of this level.

The basic driving plot of the film is centred on Eric's (the previously anonymous Huntsman from the first outing) dubiously arranged quest to locate and return the powerful magic mirror, before it falls into the wrong (icy) hands. Accompanied by some foul-mouthed dwarfs, the scenes in the forests and fields are probably some of the better sequences in the film, if only for their tonal consistency rather than their originality. These portions of the film focus on action and comedy, and the camaraderie comes across well enough.

This quest is framed at both the start and end of the film by a strange and rather hastily delivered - yet nonetheless enjoyable - story of two sisters and a sad betrayal. Ravenna (Theron) and Freya (Blunt) are supposedly the closest of siblings who become parted by a very dark event that awakens a great power within Freya. Fleeing her sister's kingdom in a mix of despair, anger and confusion, Freya sets up home in the mysterious "North" and uses her new strength to gather children to train as her army. It is here that the two stories are tied together, with stolen children Eric and Sara (Chastain) growing to become two of her trusted Huntsmen. The scenes in the North are mostly effective and judiciously used; the muted colour palette here isn't allowed to become boring, and this mini saga is undoubtedly uplifted by Blunt's delicate performance.

If you have seen the trailers for this film and are keen to experience the full thing, go in with realistic expectations and you'll have a fun two hours; I am certain that the vast majority of prominent critics will despise this film, but it wasn't made for them. Yes, it's a patchwork production of popular elements from other sources and is generally a rather campy affair, but that's what makes it such an inoffensive and entertaining film. There is plenty to like here, if you give it a chance.

Good movie for what it is. It had more humour than the original. Hemsworth is a cheeky gorgeous actor and Charlize Theron chews up the scenery nicely. Jessica Chastain is a good actress although I don't find her particularly engaging in this role. I liked Emily Blunt's understated performance, she was quite compelling. The best actress was the lusty female dwarf with the bad ass lines - she added real spark. Overall I missed Kristin Stewart and wish she could have played Chastain's role. I thought she and Hemsworth had better chemistry.

'Snow White and the Huntsman' from personal opinion was neither a good or awful film. It was visually stunning and had a terrific Charlize Theron, but suffered from a badly miscast Kristen Stewart, a clunky script and muddled story.

'Huntsman: Winter's War' was at times enjoyable, but uneven prequel/sequel. It has elements that are superior, but also some inferior elements too. The best asset is the production values. The film is very beautiful to look at, with luscious but also atmospheric photography, Gothic but also elegant and rustic set and scenery design and lavish costumes, particularly Ravenna and Freya. Most of the special effects are fine, especially the ones for the golden mirror liquid and ice. There is an exception and that was the forest beast, which had a cheaply rendered video game look and didn't mesh with the background.

Once again, James Newton Howard's score complements very well, it's beautifully orchestrated, rousing, elegiac, atmosphere-enhancing and very involving. This said, the one for 'Snow White and the Huntsman' is better and more inspired, the score here also has a few forgettable moments and doesn't really stand out among other fantasy-adventure scores and occasionally derivative. There are good performances here, Emily Blunt's sinister and moving Freya standing out. Another standout is Charlize Theron, Ravenna is far less developed (Freya is a much more interesting character here, and the only one that's developed well) and somewhat one-dimensional as a villain, but Theron makes the most of her limited screen time, bringing great energy, an at times camp edge (though mostly there is more subtlety) and menace.

Rob Brydon, Nick Frost and Sheridan Smith bring some welcome comic relief, this could have easily jarred but was actually a breath of fresh air. The final twenty minutes are thrilling, and the action is slickly edited and choreographed.

Other elements are mixed. Cedric Nicolas-Troyan's direction has solid moments and shows a mastery of visual style, more so than Rupert Sanders for 'Snow White and the Huntsman', but he isn't quite so good stopping the pace flagging or smoothing over narrative cracks. Was mixed on Chris Hemsworth and Jessica Chastain. Hemsworth does have brooding charisma and looks more comfortable, but has a tendency to slur his words and his accent sounds like three different ones constantly changing. Chastain is a great actress and does bring pathos and nuances to her character, but again her accent is unconvincing, with a mix of Scottish and Irish. Their chemistry is much stronger than Hemsworth's and Stewart in 'Snow White and the Huntsman', due to that there actually is some.

Elements here underwhelm drastically. The script is underwritten, simplistic and clunky, with many awkward parts and only properly shining with the dwarfs. The story has some exciting moments, but the pace badly flags too often with a rambling beginning, over-explanatory narration and stretches that feel meandering and muddled. Again the forest beast is poorly done, only Freya is developed well, there are continuity errors meaning that the film just doesn't fit within the storytelling and time-line of 'Snow White and the Huntsman' (while it was a good idea not having Stewart's dead-weight presence in the film, the absence of Snow White- mentioned only in passing fleetingly- does leave a gaping hole in the plot) and Sam Claflin is both underused and out of place.

All in all, uneven film with things that are both good and bad. 5.5-6/10 Bethany Cox