Le Chasseur et la Reine des glaces
Titre original : The Huntsman: Winter's War
Eric et sa co-guerrière Sara, élevés dans l'armée de la reine des glaces Freya, tentent de cacher leur vie amoureuse interdite en se battant pour survivre aux mauvaises intentions de Freya e... Tout lireEric et sa co-guerrière Sara, élevés dans l'armée de la reine des glaces Freya, tentent de cacher leur vie amoureuse interdite en se battant pour survivre aux mauvaises intentions de Freya et sa soeur Ravenna.Eric et sa co-guerrière Sara, élevés dans l'armée de la reine des glaces Freya, tentent de cacher leur vie amoureuse interdite en se battant pour survivre aux mauvaises intentions de Freya et sa soeur Ravenna.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 nominations au total
Avis à la une
The Huntsman: Winters War doesn't work well as a prequel to 'Snow White and the Huntsman' due to a number of anomalies pointed out by others, mainly relating to the lack of Ravenna's brother Finn in her past and the presence of a new sister. However, treat it as a separate film and it's pretty good. Chris Hemsworth plays his part well and Charlize Theron is the fairest of them all, if not the nicest. The special effects are well wrought and the adventure keeps you watching. As in the previous film, the dwarfs provide light entertainment. Enjoyable hokum and great escapism. I enjoyed it.
The cast is nice , Chris Hemsworth , Charlize Theron , Jessica Chastain and Emily Blunt are all accomplished actors and they did their roles well. The story had an obvious ending and an obvious twist but then that's not what the movie was all about. If you want to watch an action packed fantasy drama with some decent CGI effects and decent acting , well you cant discount this film . I personally found this better than the first one as the first one was tad slower and seemed to drag on a bit perhaps more so because of snow white and her frozen acting . Here the frost queen acted more fluidly . I did enjoy the CGI as well because it was not over used and the colouring of the gold with black in contrast with the ice queens blue and white went really well. In my opinion its definitely worth a watch.
The Huntsman: Winter's War is not too unlike the first movie in one key way: it doesn't really stick too long in the consciousness once it's finished. It's not that there is a lack of quality in the craft in this (sigh) franchise - the first Snow White from 2012 got Oscar nominations for the costume design and visual effects departments, and it's easy to see why: the work put into the mirror on its own, this gold thing that can unfold in liquid on the floor is in the same ball-park as the T-1000 from decades past, and there is attention paid to all of the aesthetics in these 'kingdoms'. But with the stories, especially in the case of Winter's War, there is the sense of sensing a dearth of original plots. It's not even really a full plot in this film but plot points: this happens and then this happens and then and then and so on, and it cribs from Frozen so much that it's hard to ignore.
It's not that everything from the Disney movie is here, but when you start to describe what this story is about - two sisters in royalty are split apart when one of them (Emily Blunt this time as the sister to Charlize Theron's Wicked Queen) loses her son and takes over her kingdom... which is made of ice since she is the Ice Queen, and she decrees there can no longer be love because her love is lost, so then when two people (Hemsworth, returning as the Huntsman, and Jessica Chastain) fall in love, she splits them apart through trickery and then... it's actually not a prequel but a sequel which involves finding the mirror from the last movie (stolen/taken away, I forget which, it's explained in an exposition dump), and when a big reveal happens for Hemsworth that (spoiler! not really) Chastain is alive, they decide to go after the Ice Queen herself.
So there's a lot of plot here, a lot of twists and turns that do occur, but that main spine isn't too engaging. The Frozen element comes mostly with the Ice Queen and other characters having a love story happen where you don't expect it to (or, I should say, they *do* love each other, but things happen that makes one of them question again if it's possible and, oh, nevermind). What does still work is the humor; Nick Frost returns as one of the dwarfs from the last movie (the late Bob Hoskins is sorely missed though) along with Rob Brydon (remember him from The Trip movies), and both are spot-on with their comic timing, their deliveries, just finding the things in the scenes to naturally liven things up. Some of it's from the dialog, but a good deal of it feels improvised and when lady dwarfs get introduced into the film there's some fun stuff there as well.
All the actors are here to work, and I didn't see them exactly bored during this; Blunt does her best to give her Ice Queen Freya conviction and villainy (and, later on, some sense of true confusion and betrayal), but it's hard to go up against Theron when she owns this role once again of Ravenna. She's not on screen too long, and it feels just slightly contrived how she returns, but she makes her mark as a conniving, devilish presence with aplomb. Curiously Kirsten Stewart is out of this movie, though there are points where it feels like she *should* be in this, even as a cameo (there is one scene where technically Snow White is featured, but it's a double of course). This absence gets felt in a narrative that is all about the other characters, which is fine, except that the script lets them down with an adventure-cum-quest-cum-revenge story that feels watered down or half-baked. And there are even some moments, like with a creature that the characters come across to find the mirror, that isn't a terribly convincing special effect.
I almost feel like I need to write this so I don't forget most of the movie in a few days; it's not *bad* in the sense of it being too stupid or too illogical (though there are certainly points where you think 'yeah, that's a bad idea to, say, make that jump and hope to connect with that building even when you know and acknowledge that it's a bad idea'). If it's bad in any way it doesn't have really any artistic reason to exist aside from it being another check box for Universal studio's current Snow White universe property. To put it another way, when you have Liam Neeson narrating and delivering lines about fairy tales that felt hackneyed 60 years ago, you know there's an issue with something that should be made vs could. It's got entertaining bits but isn't worth rushing out to see unless you're a die-hard fantasy fan, and even with that there's the sense of derivation (if not from Frozen there's Game of Thrones as well).
It's not that everything from the Disney movie is here, but when you start to describe what this story is about - two sisters in royalty are split apart when one of them (Emily Blunt this time as the sister to Charlize Theron's Wicked Queen) loses her son and takes over her kingdom... which is made of ice since she is the Ice Queen, and she decrees there can no longer be love because her love is lost, so then when two people (Hemsworth, returning as the Huntsman, and Jessica Chastain) fall in love, she splits them apart through trickery and then... it's actually not a prequel but a sequel which involves finding the mirror from the last movie (stolen/taken away, I forget which, it's explained in an exposition dump), and when a big reveal happens for Hemsworth that (spoiler! not really) Chastain is alive, they decide to go after the Ice Queen herself.
So there's a lot of plot here, a lot of twists and turns that do occur, but that main spine isn't too engaging. The Frozen element comes mostly with the Ice Queen and other characters having a love story happen where you don't expect it to (or, I should say, they *do* love each other, but things happen that makes one of them question again if it's possible and, oh, nevermind). What does still work is the humor; Nick Frost returns as one of the dwarfs from the last movie (the late Bob Hoskins is sorely missed though) along with Rob Brydon (remember him from The Trip movies), and both are spot-on with their comic timing, their deliveries, just finding the things in the scenes to naturally liven things up. Some of it's from the dialog, but a good deal of it feels improvised and when lady dwarfs get introduced into the film there's some fun stuff there as well.
All the actors are here to work, and I didn't see them exactly bored during this; Blunt does her best to give her Ice Queen Freya conviction and villainy (and, later on, some sense of true confusion and betrayal), but it's hard to go up against Theron when she owns this role once again of Ravenna. She's not on screen too long, and it feels just slightly contrived how she returns, but she makes her mark as a conniving, devilish presence with aplomb. Curiously Kirsten Stewart is out of this movie, though there are points where it feels like she *should* be in this, even as a cameo (there is one scene where technically Snow White is featured, but it's a double of course). This absence gets felt in a narrative that is all about the other characters, which is fine, except that the script lets them down with an adventure-cum-quest-cum-revenge story that feels watered down or half-baked. And there are even some moments, like with a creature that the characters come across to find the mirror, that isn't a terribly convincing special effect.
I almost feel like I need to write this so I don't forget most of the movie in a few days; it's not *bad* in the sense of it being too stupid or too illogical (though there are certainly points where you think 'yeah, that's a bad idea to, say, make that jump and hope to connect with that building even when you know and acknowledge that it's a bad idea'). If it's bad in any way it doesn't have really any artistic reason to exist aside from it being another check box for Universal studio's current Snow White universe property. To put it another way, when you have Liam Neeson narrating and delivering lines about fairy tales that felt hackneyed 60 years ago, you know there's an issue with something that should be made vs could. It's got entertaining bits but isn't worth rushing out to see unless you're a die-hard fantasy fan, and even with that there's the sense of derivation (if not from Frozen there's Game of Thrones as well).
This film tells the story of a fierce huntsman who goes on a quest to stop the evil ice queen from getting the magical mirror that will make her invincible.
I am positively surprised by how much I enjoyed watching "The Huntsman: Winter's War". The visuals are stunningly beautiful. I find myself in awe of the marvels of the ice palace. The hairstyles and costumes of the queens, Ravenna and Freya, are super beautiful too. I was amazed by the scene where Charlize Theron has gold on her eyes, the whole image is stunning.
Seeing Emily Blunt as an emotionless icy queen is very interesting as well. After watching her in "Edge of Tomorrow" and "Sicario", I could hardly imagine her as a royally beautiful and majestic queen. Yet, she is perfect as the queen who is deeply hurt and hence deeply cruel.
I enjoyed every minute of "The Huntsman: Winter's War".
I am positively surprised by how much I enjoyed watching "The Huntsman: Winter's War". The visuals are stunningly beautiful. I find myself in awe of the marvels of the ice palace. The hairstyles and costumes of the queens, Ravenna and Freya, are super beautiful too. I was amazed by the scene where Charlize Theron has gold on her eyes, the whole image is stunning.
Seeing Emily Blunt as an emotionless icy queen is very interesting as well. After watching her in "Edge of Tomorrow" and "Sicario", I could hardly imagine her as a royally beautiful and majestic queen. Yet, she is perfect as the queen who is deeply hurt and hence deeply cruel.
I enjoyed every minute of "The Huntsman: Winter's War".
The Huntsman: Winter's War is great fodder for fans of the genre; the slenderly plotted film moves along at a nice pace and the cast do a decent job with what they're given. Although it's undoubtedly a cash-grab sequel (do not believe the "before Snow White" marketing), it manages to argue its case for existing fairly well. Contractual obligations aside, Hemsworth and Theron resume their roles with great gusto, with Hemsworth arguably vastly improving on his performance in the first film. Throw in Emily Blunt and Jessica Chastain and you're confronted with a pretty enviable - if surprising - cast for a film of this level.
The basic driving plot of the film is centred on Eric's (the previously anonymous Huntsman from the first outing) dubiously arranged quest to locate and return the powerful magic mirror, before it falls into the wrong (icy) hands. Accompanied by some foul-mouthed dwarfs, the scenes in the forests and fields are probably some of the better sequences in the film, if only for their tonal consistency rather than their originality. These portions of the film focus on action and comedy, and the camaraderie comes across well enough.
This quest is framed at both the start and end of the film by a strange and rather hastily delivered - yet nonetheless enjoyable - story of two sisters and a sad betrayal. Ravenna (Theron) and Freya (Blunt) are supposedly the closest of siblings who become parted by a very dark event that awakens a great power within Freya. Fleeing her sister's kingdom in a mix of despair, anger and confusion, Freya sets up home in the mysterious "North" and uses her new strength to gather children to train as her army. It is here that the two stories are tied together, with stolen children Eric and Sara (Chastain) growing to become two of her trusted Huntsmen. The scenes in the North are mostly effective and judiciously used; the muted colour palette here isn't allowed to become boring, and this mini saga is undoubtedly uplifted by Blunt's delicate performance.
If you have seen the trailers for this film and are keen to experience the full thing, go in with realistic expectations and you'll have a fun two hours; I am certain that the vast majority of prominent critics will despise this film, but it wasn't made for them. Yes, it's a patchwork production of popular elements from other sources and is generally a rather campy affair, but that's what makes it such an inoffensive and entertaining film. There is plenty to like here, if you give it a chance.
The basic driving plot of the film is centred on Eric's (the previously anonymous Huntsman from the first outing) dubiously arranged quest to locate and return the powerful magic mirror, before it falls into the wrong (icy) hands. Accompanied by some foul-mouthed dwarfs, the scenes in the forests and fields are probably some of the better sequences in the film, if only for their tonal consistency rather than their originality. These portions of the film focus on action and comedy, and the camaraderie comes across well enough.
This quest is framed at both the start and end of the film by a strange and rather hastily delivered - yet nonetheless enjoyable - story of two sisters and a sad betrayal. Ravenna (Theron) and Freya (Blunt) are supposedly the closest of siblings who become parted by a very dark event that awakens a great power within Freya. Fleeing her sister's kingdom in a mix of despair, anger and confusion, Freya sets up home in the mysterious "North" and uses her new strength to gather children to train as her army. It is here that the two stories are tied together, with stolen children Eric and Sara (Chastain) growing to become two of her trusted Huntsmen. The scenes in the North are mostly effective and judiciously used; the muted colour palette here isn't allowed to become boring, and this mini saga is undoubtedly uplifted by Blunt's delicate performance.
If you have seen the trailers for this film and are keen to experience the full thing, go in with realistic expectations and you'll have a fun two hours; I am certain that the vast majority of prominent critics will despise this film, but it wasn't made for them. Yes, it's a patchwork production of popular elements from other sources and is generally a rather campy affair, but that's what makes it such an inoffensive and entertaining film. There is plenty to like here, if you give it a chance.
Jessica Chastain Through the Years
Jessica Chastain Through the Years
Take a look back at Jessica Chastain's movie career in photos.
Le saviez-vous
- AnecdotesIn the weeks following the Sony e-mail hacks, which made public thousands of privately circulated messages relating to the studio and its practices, it was revealed that Charlize Theron was to be paid substantially less to reprise her role in this film than her returning co-star, Chris Hemsworth. Theron, herself a proven box-office draw, refused to sign on to the film unless Universal agreed to pay her the same salary as Hemsworth. The studio accepted her terms, and both Theron and Hemsworth were paid just over $10 million each for the film.
- GaffesIn the previous film, Queen Ravenna had a very close, somewhat mystical bond with her brother Finn, who was her head enforcer. He is also seen during a flashback to when Ravenna received her magic powers. This film, however, makes absolutely no mention of him in either the scenes set prior to the first film or the ones set afterward. In addition, there is no indication in the first film of Ravenna having any other siblings besides her brother.
- Crédits fousThe world in the Universal logo turns to gold and morphs into a mirror.
- Versions alternativesIn Singapore, the film was edited for a PG13 rating. The distributor chose to remove the sex scene between Sara and the Huntsman. The uncut version was classified NC16.
- Bandes originalesCastle (The Huntsman: Winter's War Version)
Written by Halsey (as Ashley Frangipane) and Lido (as Peder Losnegård)
Performed by Halsey
Orchestral Arrangements by James Newton Howard
Courtesy of Astralwerks
Under license from Universal Music Enterprises
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- How long is The Huntsman: Winter's War?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Les Chroniques de Blanche-Neige: Le Chasseur et la Reine des glaces
- Lieux de tournage
- Wells Cathedral, Wells, Somerset, Angleterre, Royaume-Uni(exterior scenes, interior scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 115 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 48 390 190 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 445 035 $US
- 24 avr. 2016
- Montant brut mondial
- 164 989 338 $US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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