Compulsion

I see why it gets bad reviews as this aims to a very limited audience. If you thought this was going to be a fun and wacky chick flick with traditionally sympathetic characters, you were horribly, horribly wrong.

Everything but the script is damn near perfect, and the script is not terrible either. Not fantastic, but hand in hand with the good acting, fitting soundtrack and beautiful cinematography; it's a very enjoyable film.

IF you're the target audience.

If you're looking for something that dares be different from the rest of the lot, this movie is for you! Also, Joe Mantegna plays a detective in this. If you're a Criminal Minds fan you could watch it just to get a kick out of thinking of it as a crossover between this film and CM.

This movie will probably stay with me for a while. Heather Grahm was beautiful in the movie and really made me feel for her characters. I was dreading that the movie was going to turn into a predictable girl gone crazy movie because I really like the characters of Amy. Luckily this film had more depth. One of the most disturbing things about the film is the cards that Amy is dealt in her life. I may be a bit biased because I'm a huge foodie like the characters so I really enjoyed that aspect of it as well.. The one thing I will say is this movie may not be for everyone. Hardcore horror fans may not appreciate the slow paced drama but at the same time drama lovers may not appreciate the macabre aspect of the film. I won't say much more but if you like simple yet disturbing movies is recommend this one

Aren't you just sick of all those cooking shows on TV? I'm not, because I never watch 'em. "Compulsion" parodies these gourmet splurges. If you think overdone parody could be fun, then you might enjoy this movie - if you don't, then maybe you won't. Heather Graham can handle the heat in the kitchen. She works this role hard, a tour de force. In fact, rather too much of the movie depends on her performance. One of the most loving things you can do is feed someone. You're holding the spoon, and you're actually putting the food into the mouth of a baby, or a helpless old person, or someone severely disabled. But people who have tried to get an anorexic to eat know that this can be a heartbreaking exercise. And Amy's reclusive and depressed neighbour (whose careers are slipping away) is anorexic. So the "feeding" begins to look rather sinister. But is Amy living in a dream world? Is this TV cooking show she's planning ever going to happen? And her partner seems to be losing interest in her brilliant culinary achievements. Perhaps he's losing interest in her. He'll need to be taught a lesson. She is heterosexual, right? Viewers will need to have patience. There are flashbacks, so pay attention. You have to accept the conventions of the genre. I liked it.

The story of two disturbed women whose lives end up intertwining. Or to be precise, one obsessive and possibly delusional woman and another who simply has had a hard life. When the psychotic of the two, Amy, develops a fascination with her reclusive neighbour, Saffron, she shows it through trying to push her love of food on to her. What follows is a rather bizarre but intriguing series of events.

A great aspect of this film is that I believe it's open to interpretation. Amy clearly doesn't have the tightest grip on reality, in fact we are often shown glimpses into her head where an imaginary audience is cheering her on. Combine this with the plot and characters going in the strangest of directions and the sceptical comments of a particular other character and the film raises the question of how much of it is in Amy's head and how much of it is simply events going in such a unique way.

Admittedly, this film is probably a bit of an acquired taste(ha, get it). It's labelled a thriller, which is partly true but the vast majority of it is a character study. If you like analysing the mindsets of flawed characters, this film is for you. Worth re-watching if you want to look at things from a different angle.

This is really two movies which have been hacked apart and sewn back together--like Frankenstein's monster, but with vital parts left out. It could have been a pretty funny black comedy if it had simply played out the character of Amy (Heather Graham). Or it could have been a darkly tragic story of a ruined life with Saffron (Carrie-Anne Moss). Instead, it can't decide what it wants to be, tries to do both, and fails at both. It never strikes any sort of real balance, lurching from low-key comedy to emotionally wrenching child abuse. Near the end, the characters' alliance seems grafted together, rather than natural, relying upon what I can only call a denouement gimmick to close things out. All of the actors do well with their parts. I particularly enjoyed Heather Graham when her character was indulging in her flights of fancy. Carrie-Anne Moss gives everything, but really ought to be in a better movie than this. I know nothing of the Korean original, but surely it was better done than this remake. I give as many as 5 stars because the actors try hard, Heater Graham is a feast for the eyes, and there is some yummy food preparation.