Compulsion

'Compulsion' focuses on Heather Graham's character 'Amy', a woman obsessed with cooking, who gets by seducing wealthy men with her looks and her food. It could sound like a typical Heather Graham role, but it's not. This is a Graham we have not seen before, and she is altogether delightful. The plot is simple: a detective is investigating the disappearance of Amy's next door neighbor 'Saffron' played by Carrie-Anne Moss a reclusive former child star, and we see the relationship of Amy and Saffron develop in retrospect.

It is not a fast paced film, but like a fine meal the performances are there to be savored, in small bites, taken in slowly to relish each nuance.

Aren't you just sick of all those cooking shows on TV? I'm not, because I never watch 'em. "Compulsion" parodies these gourmet splurges. If you think overdone parody could be fun, then you might enjoy this movie - if you don't, then maybe you won't. Heather Graham can handle the heat in the kitchen. She works this role hard, a tour de force. In fact, rather too much of the movie depends on her performance. One of the most loving things you can do is feed someone. You're holding the spoon, and you're actually putting the food into the mouth of a baby, or a helpless old person, or someone severely disabled. But people who have tried to get an anorexic to eat know that this can be a heartbreaking exercise. And Amy's reclusive and depressed neighbour (whose careers are slipping away) is anorexic. So the "feeding" begins to look rather sinister. But is Amy living in a dream world? Is this TV cooking show she's planning ever going to happen? And her partner seems to be losing interest in her brilliant culinary achievements. Perhaps he's losing interest in her. He'll need to be taught a lesson. She is heterosexual, right? Viewers will need to have patience. There are flashbacks, so pay attention. You have to accept the conventions of the genre. I liked it.

An enjoyable little film full of the kind of intense and intimate relationships that you normally only find on a stage. Hopefully that will be enough to set the scene as Compulsion is not really a film, its a theater production put on to film.

Compulsion is two stories that unravel and then combine to become one as you really only get the second story after being fully immersed in the fervor and passion of Amy (Heather Graham). Heather Graham appears to have added more a little Nigella Lawson (Youtube her) to her depiction of a voluptuous gastronome desperately seeking acknowledgement and love.

So too does the other leading character Saffron bring a fine set of hang ups and issues played by Carrie Anne Moss.

Both lead actresses set the movie apart from ennui with excellent portrayals of their characters and through their selling of the story. They also looks fantastic (which can't be bad!).

If you take the movie for the play that it is, rather than the blockbuster you might be hoping for, then you should get on fine.

This is really two movies which have been hacked apart and sewn back together--like Frankenstein's monster, but with vital parts left out. It could have been a pretty funny black comedy if it had simply played out the character of Amy (Heather Graham). Or it could have been a darkly tragic story of a ruined life with Saffron (Carrie-Anne Moss). Instead, it can't decide what it wants to be, tries to do both, and fails at both. It never strikes any sort of real balance, lurching from low-key comedy to emotionally wrenching child abuse. Near the end, the characters' alliance seems grafted together, rather than natural, relying upon what I can only call a denouement gimmick to close things out. All of the actors do well with their parts. I particularly enjoyed Heather Graham when her character was indulging in her flights of fancy. Carrie-Anne Moss gives everything, but really ought to be in a better movie than this. I know nothing of the Korean original, but surely it was better done than this remake. I give as many as 5 stars because the actors try hard, Heater Graham is a feast for the eyes, and there is some yummy food preparation.

I see why it gets bad reviews as this aims to a very limited audience. If you thought this was going to be a fun and wacky chick flick with traditionally sympathetic characters, you were horribly, horribly wrong.

Everything but the script is damn near perfect, and the script is not terrible either. Not fantastic, but hand in hand with the good acting, fitting soundtrack and beautiful cinematography; it's a very enjoyable film.

IF you're the target audience.

If you're looking for something that dares be different from the rest of the lot, this movie is for you! Also, Joe Mantegna plays a detective in this. If you're a Criminal Minds fan you could watch it just to get a kick out of thinking of it as a crossover between this film and CM.