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IMDbPro

Paterno

  • Téléfilm
  • 2018
  • TV-MA
  • 1h 45min
NOTE IMDb
6,5/10
8 k
MA NOTE
Al Pacino in Paterno (2018)
The film centers on Joe Paterno, who, after becoming the winningest coach in college football history, is embroiled in Penn State's Jerry Sandusky sexual abuse scandal, challenging his legacy and forcing him to face questions of institutional failure regarding the victims.
Lire trailer2:05
2 Videos
45 photos
BiographieCriminalitéDrameSportCrime véritableFootball

Ajouter une intrigue dans votre languePenn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.Penn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.Penn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.

  • Réalisation
    • Barry Levinson
  • Scénario
    • Debora Cahn
    • John C. Richards
  • Casting principal
    • Al Pacino
    • Kathy Baker
    • Ken Maharaj
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    8 k
    MA NOTE
    • Réalisation
      • Barry Levinson
    • Scénario
      • Debora Cahn
      • John C. Richards
    • Casting principal
      • Al Pacino
      • Kathy Baker
      • Ken Maharaj
    • 63avis d'utilisateurs
    • 27avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Primetime Emmys
      • 1 victoire et 7 nominations au total

    Vidéos2

    Official Trailer
    Trailer 2:05
    Official Trailer
    Official Tease
    Trailer 0:39
    Official Tease
    Official Tease
    Trailer 0:39
    Official Tease

    Photos45

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    + 39
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    Rôles principaux99+

    Modifier
    Al Pacino
    Al Pacino
    • Joe Paterno
    Kathy Baker
    Kathy Baker
    • Sue Paterno
    Ken Maharaj
    Ken Maharaj
    • MRI Tech
    • (as Kenneth Maharaj)
    Michael Mastro
    Michael Mastro
    • Guido D'Elia
    Joshua Morgan
    Joshua Morgan
    • Bobby - Media Wrangler
    Ross Degraw
    Ross Degraw
    • Sports Producer
    Mitchell L. Mack
    • Devon Smith
    • (as Mitchell Mack)
    Larry Mitchell
    Larry Mitchell
    • Jay Paterno
    Darren Goldstein
    Darren Goldstein
    • Mike McQueary
    Riley Keough
    Riley Keough
    • Sara Ganim
    Nicholas Sadler
    Nicholas Sadler
    • Todd - Press Photographer
    Sir Brodie
    Sir Brodie
    • Security Guard
    Greg Grunberg
    Greg Grunberg
    • Scott Paterno
    Annie Parisse
    Annie Parisse
    • Mary Kay Paterno
    Vito Vitiello
    • Sports Director
    Laura Verillo
    • Control Room Tech
    Harold Garcia
    • Control Room Tech
    Julian Gamble
    Julian Gamble
    • Galen Hall
    • Réalisation
      • Barry Levinson
    • Scénario
      • Debora Cahn
      • John C. Richards
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs63

    6,58K
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    Avis à la une

    7brianjohnson-20043

    Not fun, but worth seeing. And worth discussig such incidents so they happen less in the future.

    People who hate this film or its implications that Paterno was complicit to the child abuse are wrong. He clearly was part of the narrative. He maybe never witnessed the abuse himself. But he never reported what happened when he heard about such incidents. I understand that plenty of people are sympathetic to Paterno even if they aren't Penn State or football fans. The film to me seems to clearly display Paterno as a figure who probably would have stayed obsessed with winning football games even if 99% of the people who care about him and football, didn't care about football. And he didn't do anything to deserve someone like Sandusky being hired. Paterno with luck could have never had such an incident and be revered today. And plenty of people revered today might have made the same mistakes as Paterno if they had to deal with Paterno's issues. That doesn't mean that Paterno and others had no responsibility to do the right thing and report Sandusky as soon as possible.

    It's remarkable how quickly Paterno's fall happens after his 409th win. I forgot that he went from the winningest couch that almost everyone loved, to fired in less than week. I give this a 7 because the story wasn't that interesting, even though there seemed to be good execution.

    I think what bothers people is that the real enemy of this film isn't so much Joe Paterno or Jerry Sandusky. Instead the main enemy is America's priority of putting football and other interests over our more basic human responsibility of protecting children and bringing likely sex abuse criminals to justice as quickly as possible.

    After Paterno is fired and he addressed his supporters in front of his yard, be almost forgets about the victims in his address. He just throws in a call to support the victims at the very end. The victims should have been brought up initially or not at all. The error in this response really displayed his faulty priorities again.

    The reactions of many of many reviewers is similar to the students protesting in the film following Peterno being fired. This story really highlights our power of denying the errors of people we grow to respect. OJ and Mafia defenders have similar blind spots. People say "Sure they made a mistake on this matter, but they weren't bad about everything. Who hasn't made a mistake?" As if the scope of the crime doesn't matter.

    It's remarkably easy for some people to shield acknowledging that someone like Joe Paterno, who might be mostly good 99% of the time, can be complicit to a seriously crime the other 1% of the time. And that 1% was a 1% mattered a lot. Another common response is, "Paterno wants to be known as a legendary football coach. Not a football coach who also had to deal with child sex abuse by one of his couches." Well the media rather than the university addressing this issue from the start let Sandusky fester and abuse dozens more of decades.

    I can't help but wonder how it ever felt ok for people to know someone was molesting children and not report them. If someone witnesses a murder, A) I don't think the witness would report the incident to their boss or couch. But B) if they did, they'd be sure law enforcement was in the loop too. Especially if the witness notices that the murderer walking around where he committed his crime years later. Child molesters are extremely likely to repeat their crimes. Much more so than almost any other type of criminal. This is something people should know and care about. It seems that a lot of people are unprepared to deal with such an incident and think it'd never happen to them or someone they know. This film gets a 7 largely for bringing this issue more-so into the spotlight.

    Based on the perceptions of other reviewers I get the feeling that people don't want other films based on true stories like Paterno, or Spotlight. They don't want to think about the faults of people who seemed mostly fine. My response: Put an end to such incidents happening, and more importantly festering, and there will be no extraordinarily awful true story to make a movie about down the line about our supposed heroes. Instead we can just have real heroes. The fact that, for now, such things still happen, only reinforces the need to make movies like Paterno.

    Until we go decades with nothing like this happening, I'll find it relevant to be aware of stories like Paterno. In the last year or two we learned of a similar case of child abuse with the US gymnastics team. Maybe someday we'll learn.
    TxMike

    'Everyone has an opinion buddy, what makes yours so important? Get outta here!'

    I watched this movie at home on DVD from my public library, my wife skipped it.

    I have been a football fan all my life and, while I never was a Penn State fan (go Purdue!) I knew of Joe Paterno and how respected he and the Penn State football program were. I also clearly remember when the events of 2011 broke wide open.

    This movie stars Al Pacino as Joe Paterno and, while he does fine I was constantly reminded of the actor by his raspy voice. Paterno had a calm smooth voice, even near the end.

    Still the movie is a good dramatization of the events of 2011 that led to Paterno's firing, just a couple of months before his death, when the details of former coach Sandusky's activities with young boys became fully known.

    It was argued, and it seems plausible, that as head of the football program Paterno should have known more and should have done more earlier in the Sandusky case, so he was fired in November 2011. Paterno is portrayed as a rather simple man who focused so much on the football and preparation for next games that he was either unaware of Sandusky's activities or just wanted them to go away without his strong involvement.

    A good movie of a sad chapter in college football programs.
    prog-58654

    That's kind of the point

    I thought the movie was going to be your typical made for TV movie and that's exactly what we got. Not good, not bad just somewhere in the middle. That being said this movie wasn't meant to be uplifting, it was meant to be dark and brooding because of the subject matter. This movie absolutely should have been about Paterno because he is the story here. The most powerful person in the state who could have stopped this long ago but was too worried about his sport, his university and his legacy to lift a finger. Paterno was made out to be a idiot in this movie because when the scandal broke that's exactly how he acted, the portrayal is spot on. He played the old man card in the most transparent way possible, blaming his memory and feeble mindedness when asked questions after it broke that he knew what was going on. I kept expecting to hear him say no habla ingles towards the end.

    Far as I'm concerned he was portrayed accurately I could care less about his legacy and even the most loyal and diehard Nittany Lion fan should feel the same.
    rdg45

    A Meteoric Fall of the Great

    History repeats itself once again with the systemic failure, from the top down, of the incompetence of so many people who chose to ignore a problem and pretended that nothing would ever happen due to their inability to accept responsibility and accountability. A very good performance by Al Pacino as Joe Paterno. You won't regret taking one hour and 45 minutes to view this film.
    6ronsmolin

    A Superficial Portrait

    Very disappointed in this sketchy HBO presentation. which glosses over many key characters and injects bits and pieces of real events and presumed behaviors to a viewing audience which can be easily confused by the scattershot script and direction. It seemed like a series of story boards out of order. The film needed much more character development, as well as more coherent storytelling.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Sara Ganim and members of The Patriot-News Staff won a number of national awards including the 2012 Pulitzer Prize for local reporting, making her the third youngest winner of a Pulitzer. The award cited "courageously revealing and adeptly covering the explosive Sandusky sex scandal involving former football coach Jerry Sandusky."
    • Citations

      [last lines]

      Sara Ganim: Uh, I'm sorry. You said... 1976?

    • Crédits fous
      The title appears after 10 minutes.
    • Connexions
      Featured in The 70th Primetime Emmy Awards (2018)
    • Bandes originales
      Madama Butterfly, Act II: Un Bel Di Vedremo
      Written by Giacomo Puccini

      Performed by Maria Callas

      Courtesy of Warner Classics U.K. Ltd.

      By arrangement with Warner Music Group Film & TV Licensing

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    Détails

    Modifier
    • Date de sortie
      • 7 avril 2018 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Happy Valley
    • Lieux de tournage
      • Riverdale, Bronx, New York City, New York, États-Unis(State College, PA)
    • Sociétés de production
      • Pressman Film
      • The Levinson / Fontana Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 45 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 16:9 HD

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