White Lies

I had no hesitation in giving this film 10 out of 10. I thought it was extraordinary, as did everyone else in the cinema. Everyone sat respectfully and watched the credits roll and comments heard as we left the cinema were without exception complimentary. What a story - quite dark but very moving as we see the collision of two cultures. I believe White Lies has the potential to win Viewers' Choice Awards at film festivals. There was not a false note in it for me, although some may find Antonia Prebble's character quite rigid - but she needed to be. I am going to see this film again later this week, and it's not often that I do that.

My daughter directed me to this site after we re-read some of the reviews for this film. I have to admit we read a review in the Herald, the Listener and even heard one on the National radio (where they called 'Rachel House' 'Rachel Church'!) and we decided not to see it. We thought our regular cinema would surely close the film down given the Luke warm reviews. Yesterday we went along to our local cinema with a view to see a festival film and we noticed 'White lies' was still on. After a lot of sighing and changing of minds we decided to see it.

I am so glad we did.

What a powerful and remarkable film. I wholeheartedly accept the criticism of some of the clichéd dialogue from various reviews hence my 9 out of 10.

Whirimako Black gives a very assured performance for a newcomer though clearly she is a storyteller of some repute in the music world. Elizabeth Hawthorne gives a full bodied performance that we've come to expect from such an acting heavyweight. Like wise Nancy Brunning gives us a textured and full character that adds a well needed warmth to our lead protagonists journey. Antonia Prebble is indeed a porcelain doll as described by others. Yes, she is cold and unlikeable and the journey she goes on throughout this story that gives us real insight into the reasons behind this behaviour is executed remarkably well for such a young actress. In other words I believed her and followed her journey entirely. All of these performances were wonderful- but it is the servant Maraea that I couldn't stop thinking about- who I am still thinking about. What an intriguing story and an absolutely outstanding performance by Rachel House. For both my daughter and I and in turn all of our friends who we managed to convince to go along and see the film- it is this part of the story that we are most torn up about. "Like watching a dam about to burst" is how one of my friends described Houses performance.

I encourage you all to go and see the film yourselves. I hope the overseas critics understand the qualities of this film better than those ones here.

I loved it. The dialog was clunky but the performances were mighty and made up for it. I thought the 3 leads were fantastic. I wanted to know more about them all. I've been quite taken aback at the drastically opposing opinions. It's split my friends and family although I have to say the majority have absolutely loved but a few have disliked intensely. We've had a few arguments mostly because they felt picked on as white New Zealanders. I didn't, it was just too interesting. Such polarising views says a lot about the director. I felt she presented a very strong and unforgiving view of her interpretation of our history. Design and cinematography were outstanding. Bravo.

I agree with the majority of these reviews. I was looking up to see what other films one of the actors on White lies had been in (Taika's film Boy, must watch it again) and well I'm kind of freaked out with the luvnotwar person. Top of the Lake and White lies are both so accomplished! What on earth? Sure, a few faults here and there for both but I wouldn't think that the acting in either deserved moaning about. Yes, Elizabeth Moss accent was weird in a few places but being a character who had traveled all over the world it is little wonder the accent strays. Have you heard Anna Paquin being herself lately? Crazy accent. Very cool. And the performance of Elizabeth Moss was brilliant. There is a style of acting my mate reckons we've become accustomed to in this country. A friend, an actor, calls it "soft whisper acting". I will not attach it to any show but it definitely seems a requirement for some local drama I've watched lately and it works perfectly well too. I loved the boldness of all the actors in Top of the Lake and White Lies. I've mostly seen Rachel House, Nancy Brunning and Elizabeth Hawthorne in theatre shows some years ago now. They were fabulous in White Lies. I heard Antonia was great in Outrageous Fortune. I've been away for a few years, didn't have time to lock in to Blue Rose on my return. Anyway, thanks for annoying me enough to become a member. Might go and score some other films now. White Lies is intense and definitely worth seeing. Still thinking about it. Take a hankie.

This was a superb film highlighting the clash of cultures and the ramifications resulting therefrom. In this case, it is a clash between traditional Maori and English colonial cultures. What is the value of culture and what is the price of conformity?

It is a well-developed movie. The acting was very good. The characterization was rigid and predictable based upon a viewer's initial observation of the characters and their respective roles, which actually enhanced the maintenance of the secret until late in the movie. Clues are provided that almost reach the level of red-herrings, but they are real clues with multiple interpretations that become clear as the movie progresses. All is not as it originally seems.

I happened to be on an Air New Zealand flight that offered a selection of New Zealand-made films or I probably never would have had the opportunity to see this excellent film. If I had a vote, it would get my vote for best foreign film.