L'organisation

5.8 ?! Are you kidding me ? I bet the ratings were given by women disappointed in the love-line of the story.I in the contrary was superbly entertained : Excellent cinematography , acting , action , sound and a story , which can be labeled as unique in the ocean of a pro-killer falls in love-wants retirement-pisses-his-employers-off-movies. To my great relief the focus wasn't placed on love but on THE company , something I never saw before. A corporation masked as yet another unit of the ,,normal '' business world. Bureaucracy , business meetings and boring office work ? HEll NO! Suits , guns and office women in tight skirts with the ability to kill you under the blink of an eye , coworkers aka. a deadly wolfspack ; ready to turn the back on you if the money is right ? H-E-L-L Y-E-A-H ! ! ! And this exact atmosphere makes this film very enjoyable. But the main highlight is the charismatic Ji-Sub So as the silent killer ,managing to draw compassion in spite being a murderer-for-money.

A Company Man is a neat movie , being able the fulfill its main objective of delivering a good piece of cinema and solid entertainment , but it lacks that little ,, something '' to make it memorable forever.

( But fans of heroic bloodshed can't skip it!)

South Korea has really carved out a place for themselves by releasing some pretty awesome dramatic thrillers. This is one of those movies. A professional hit man working for a group who use a metal company as a front for their illegal enterprise, begins to rethink his career choice. After been given the task to eliminate a young and expendable coworker, he meets his co worker's mother, a former musician who he admired as a teen, and starts to develop feelings for her. This makes him want to leave all the more but how do you leave such a dangerous position unscathed?

I enjoyed the subtle drama used to build our characters and story in this film. There is an air of romance to this but it is really focused more on the relationship between the hitman and company. This was filmed and acted well and the action choreography was good. There's not much to complain about other than a bit of tweaking the story and adding a bit more to the end to tie up a few loose strings. This is a movie that I would recommend to a friend. Check it out.

Its a shame when a film of this artistic beauty doesn't have the proper rating. Maybe everyone is fed up with 'the common drama' and expect something unexpectable, it could be various reasons, it could be anything, but this drama stands out as a solid one. Its Korean drama in a nutshell, and shows how far the korean scene is from its counterparts (the rest of the world). It feels like this film takes a lot of influences from other korean dramas, I immediately thought of 'A bittersweet life', mainly because of the personality and situation of the protagonist. Personally, I cant get enough of this type of drama, ofc. you could have a more developed story and dialogues, strive for better overall quality, but you could say that about anything.

For your sake, ignore the rating and see this wonderful film.

"A Company Man" is an average, not especially original, but mildly entertaining, story of the everyday life of a hit-man, who (you can imagine) will rethink his lifestyle.

Ji-seob So plays Ji, who does his job very well and cares for his 'family'. But on one job, he kind of starts thinking too much (how come all those hit men always end thinking too much) and doubting about the lifestyle he has. Cue our man trying to figure out how to be 'human' will being also a 'killer'.

The plot, as said above, is 'hit-man-with-a-heart' 101, and someone should tell the writers of this kind of movies to be a little bit original (here the originality is that the assassin's company has a... well, company, in a building, where people 'work' as your average salaryperson).

But even lame plots can be made great by acting, production, direction, scenery, pace... Here all of this is more or less average, the best the acting (even if we still fall into the blank, expressionless acting for the hit-man). All enjoyable enough, with a couple of set-pieces that are good. However, the movie neglects its raison d'etre (action), because the direction and pace of the action pieces is not as good as it should. Especially, because the movie falls into the we-cannot-shoot-for-the-love-of-all-the-gods pit trap.

"A Company Man" will be an enjoyable one hour and a half for fans of this genre, but it offers absolutely nothing new.

Ji Hyeong-Do (So Ji-Sub) works at what appears to be a regular company, however, this is just a convenient smoke-screen for the actual modus operandi: contract killing. Using this particular business as the backdrop for the illegal operations is uniquely entertaining, as much as it is thought provoking, while comparing the assassins to regular employees offers an interesting approach in depicting these methodically trained killers. Under the guise of company president Jeon (Jeon Kwak-Han), who truly appreciates Hyeong-Do's capabilities, and the unlikable, egotistical Kwon Jong-Tae (Kwak Do-won), who ironically appears to psychologically evaluate the staff, Hyeong-Do's career has admirably flourished, his impeccable record readying him for many promotions.

Despite this, we are able to witness Hyeong-Do outside of his employ, affiliating with retired assassin Ban Ji-Hoon (Lee Kyoung-Young), an old acquittance of his, who serves as a figure of guidance and support. Hyeong-Do is seen to be questioning his stay with the company, alongside harboring feelings of resentment and fatigue, Ji-Hoon being tactically used to put into words what Hyeong-Do cannot, revealing the life that those working for this particular organization are forced to endure.

After hiring an impressionable young man, Ra-Hoon (Kim Dong-Joon) to assist with the assassination of a target, Hyeong-Do is ordered to terminate all loose ends, but finds this particular assignment more difficult than previous experiences after forming an attachment with his temporary partner. Overcome by regret, he fulfills Ra-Hoon's wishes and meets his family: his sister, Bo-Seul (Han Bo-Bae), who is as spontaneous as she is disrespectful, and his mother, Yoo Mi-Yeon (Lee Mi-Yeon), a former one time pop idol, who Hyeong-Do has a past connection to, being not only appreciative, but inspired, by this beautiful woman and her family.

Over the course of the feature, Hyeong-Do appears legitimately introverted, experiencing difficulties in socialization and communicative practices, that are conveyed effectively through facial expression, an occasional inability to look others in the eye, and difficulty in finding appropriate words to accommodate a situation. Mi-Yeon on the other hand, although suffering the shame of never successfully completing her professional endeavors, is quite the opposite, being garrulous, sweet, compassionate and family oriented, always looking out for others, rather than attempting to secure her own happiness. Although these two characters have almost nothing in common, with the exception of a unanimous attraction, the film depicts them as not necessarily wanting to be in a relationship, as much as they need to be together, both individuals having the capacity to complete and compliment the other.

As Hyeong-Do's lacking dedication to the company becomes increasingly more noticeable, questions regarding his professionalism begin to plague those in command. As an inquisitive detective, Myung-Duk (Park Jin-Woo) begins to investigate the authenticity of the company's business, and his contact with Hyeong-Do is revealed, the once revered assassin discovers the company he has worked tirelessly for, have a strong desire to terminate his contract - permanently, putting not only himself, but those he cares about, at risk.

The action segments in the film are well executed, and despite the predictability that often accompanies their execution, the locations, that are not always stereotypical for action movies, offers entertaining backdrops to the genre. At the same time however, though South Korean action features have established themselves as frenetically enjoyable experiences, they are also renown for their melodramatic atmosphere. In the case of A Company Man, there were more than a couple of moments where the filmmakers had the opportunity to invest the audience more emotionally in the story, yet, these moments appear to be wasted, and for the most part, despite the interesting characters and appealing visuals, this film is one that will not invest its audience entirely into the plot.

Further characterization regarding Hyeong-Do's original motivations for becoming an assassin, alongside knowledge on Mi-Yeon's past life, would have been additionally advantageous. This aside however, A Company Man, despite its South Korean origins, is capable of reflecting the kind of action we have come to expect from American features, and with this in mind, will surely entertain its audience, though if a viewer is after something with further depth, perhaps they ought to order from another menu.