Milius

"Milius" admirably susses out the life and essence of director, writer and movie maven John Milius, and does so without resorting to hagiography or caricature. Milius the man and the notion put the hook in me, to use his own expression, with his script for "Apocalypse Now" from 1979. He is a master of the outsize soliloquy that is relevant, indelible, written in urgent flaming large font, and always delivered with a sub rosa wink and nod. Milius in life is as bombastic, vexing and complex as his characters, and labels, slogans, and cliché cannot describe him. The filmmakers here do an exceptional job of getting past hype and drama to really figure out what makes Milius tick (or tock, as the case often is). One wishes Coppola in this film were more forthcoming with what must surely be deep insights into Milius he possesses, but aside from this dry spot, "Milius" is a nicely-woven film and warrants a watch.

I just caught this on cable yesterday,I had seen the trailer last year and jumped at the chance to watch the movie,and I was not disappointed. I saw Conan in '82 and it just blew me away,I was 18 but I knew I was watching something different,this was not the usual fare,there was a philosophy present,it was wonderful. Back then info on writers and filmmakers was tougher to find but eventually I found out about Apocalypse Now which I had seen 3 years earlier,Jaws and Dirty Harry,all done by he same guy,I was a fan but didn't even know it! The movie covers his whole career,his friends like Lucas and Spielberg deliver very insightful interviews which endear me to the man even more,despite him holding many political views the very opposite of mine. But it is his towering talent,his passion and integrity which really shine through,the filmmakers did a fantastic job of getting to the heart of the man,and I found it truly inspiring and eventually moving. I cannot recommend the movie highly enough,anyone with a love of cinema owes it to themselves to seek this flick out,it's really one of the best I have ever seen on a film maker,full of life,passion and fire,just like Milius himself.

A look at the life of filmmaker John Milius, the greatest filmmaker nobody knows.

In this documentary, Milius is played up as the best writer of dialogue, someone who recognized how people actually talk. Again and again he is mentioned as the dialogue guy, and Sean Connery thought he was the only one who could write good speeches.

It is certainly interesting to see how close he was with George Lucas at USC, making "Marcello I'm Bored" (1967) together, and more or less being good friends since then. Not knowing much about Lucas, it seemed an odd match.

Milius came up through American International Pictures (though apparently not under Roger Corman) and went on to make "Apocalypse Now", "Jaws", "Dirty Harry" and more... Charlie Sheen loves him, which means something. The UFC is mentioned as connected, with Milius having helped create interest in the sport on the part of investors and television outlets, and John Goodman in "Big Lebowski" may have been influenced by him.

It's a fairly standard talking head movie with lots of clips and interviews. Does a great job of letting you see him and his work. Well done.

This documentary is about a Hollywood legend who deliberately cultured an anarchistic and ultra-macho persona—one that irritated the life out of many of the politically correct in Hollywood. However, for some time, the film industry had to put up with John Milius' strangeness because the man was extremely successful. With films like "Dirty Harry", "Magnum Force", "The Wind and the Lion" and "Apocalypse Now" to his writing credits, he was greatly in demand and was friends with the biggest names in Hollywood—like George Lucas and Steven Spielberg. However, in recent years, Milius' output on the screen has dropped considerably and the prestige of his projects has dropped. And, in the last few years, his output has dropped to nothing. What happened? What led to this fall?

The film begins with a very brief discussion of Milius' childhood but spends most of the early part of the film talking about his time in film school—where he attended classes with the two men mentioned above as well as a few other future filmmakers. It then proceeds to discuss his projects chronologically—and pays special attention to his most successful and critically acclaimed pictures. Additionally, I noticed that Milius' IMDb credits actually are missing much of his work, as he was apparently the go-to man when producers needed re-writes or wanted to punch up scenes—such as when he contributed some dialog for the films "Jaws" and "The Hunt for Red October". His track record during this time was pretty amazing. But as I mentioned above, there was a fall—but I really don't want to say more, as it would spoil the film.

The best thing going for this film is how much many ultra-famous people love and respect Milius. Because of this, TONS of exceptionally big names contribute to the film—such as Clint Eastwood, Sam Elliott, Oliver Stone (who didn't seem to like him but respected his abilities), Francis Ford Coppola, Richard Dreyfus, Harrison Ford, Steven Spielberg, George Lucas, Martin Scorsese, Arnold Schwarzenegger and many, many more. Even a bad documentary would be great and well worth seeing with these folks appearing in it!! And, fortunately, this is NOT a bad film at all. It is a loving portrait of a strange and deliberately out of sync man. Think about it—in the bastion of liberal thinking, Hollywood, Milius was serving as an officer for the NRA and would carry guns about him to meetings with studio execs!! I admire someone who deliberately tweaks the noses of those around them, as provocateurs make like a lot more interesting!

Additionally, the film is well-constructed, filled with wonderful clips and archival footage, is fascinating and you cannot help but gain an appreciation for this very odd man. Well worth seeing—especially for anyone who wants to be somebody in the film business.