Monster Pies

This movie started off so clunky that I almost turned it off. But the characters warmed up nicely so I kept watching. I was glad I did. I was starting to think I'd score this 7 or 8 (my 8 is the point where I try to buy my own copy of a movie). I was hoping the scene near the end was a dream. The reality made me so angry that I was thinking my score might be more like a 5. But there was still more film remaining. In the short amount of time remaining, I restored to a solid 7. I am disappointed that in 2013 when this was made, that it was still acceptable for parents of both boys to be so incredibly homophobic. However, I just recently saw the synopsis for a documentary that stated something like 20% of young men in shelters were kicked out of their homes when their sexual orientation did not align with their parents' wishes. So, for a cheap low budget movie, this meant enough to me to write my first review ever here on IMDB, even though I've been a 'member' for many years. I really encourage you to read the review posted as: "An unrefined, but very touching film that packs a punch." bennyjayruss30 November 2013 The single review I read prior to watching the movie did not give me any clue about the intensity of the ending of this movie. But on a fair note, maybe I would not have watched it. Who knows. But the review by bennyjayruss concludes how 'unforgettable' this movie surprisingly really is.

Monster Pies is the story of two average, slightly nerdy guys in high school who fall in love and experience practically everything guys have experienced in gay movies since The Boys in the Band - in other words: too much. Too much for THIS movie, anyway. Robert Altman could have juggled this much melodrama, but this is a small movie that staggers under an unnecessarily heavy load.

It's as if Lee Galea, the movie's writer-director-producer-executive producer-editor-etc, had a long list of things he felt compelled to include in his one shot at a feature-length gay movie, and most of them just get shoehorned into the story in places where they don't fit. The result is a painfully clumsy movie, in which the viewer gets slung around from one trauma to the next, with no sense of continuity or understanding of why all this stuff is happening. It's arbitrary, it's tiring, and it makes it very hard to care about these kids, since they live in some slightly skewed universe in which nothing makes sense.

So... why did I give this wreck of a movie five stars? Because of the two kids. Five or six times in the course of this disaster there is such sweet, strong, simple and pure affection between them that it makes all the other crap worth suffering through.

It's like gentle magic. You're wrestling with this movie, trying to enjoy it but finding that an impossible feat, and then Will and Mike look at each other, and say something so tender and so lovely that you can't help loving them.

Only when the two guys are alone together is this movie worth watching, and not always even then. Those few magical scenes last a total of maybe fifteen minutes, and they're scattered through the movie almost at random, like diamonds in a landfill. They make Monster Pies well worth watching, but it's rough going in between.

I agree with many of the comments left so far and none of them prevent me from absolutely loving this low budget indie Australian film. The story is not new, but these are stories that should be told and told again. Especially as there are so few from an Australian perspective.

As others have mentioned, in parts the production can be a little messy. However you quickly get used to this, and in the end (unintentionally) it makes the whole film feel more real. Imagine finding a slightly tattered rug, but once wrapped around you it was the warmest most comfortable rug you could find. That's how I felt about this film.

The two leads are great young actors. Considering this was Lucas Linehams first feature film, he has done an outstanding job and I look forward to seeing him in any upcoming roles.

I could imagine this movie being put on a school curriculum for students anywhere in the world to discuss the concepts of same sex attracted students, bullying and domestic violence. As a result of these themes, it does get upsetting at times. But please don't let that put you off seeing this very moving movie.

The main review of "Monster Pies" on the IMDb page calls it "A few lovely scenes scattered at random through a very clumsy movie" how wrong the reviewer can be, those of us who love our movies be them short or full, do not always look for the complete perfect end product, sometimes a movie filmed with edge takes you closer.

I can assure you "Monster Pies" does take you close and introduces two fine young actors that I honestly Believe we will hear lots more about in the future. Lucas Linehan is what you look for in an up and coming young actor, and he is the complete package, you feel the emotion from him, I have just seen a new short movie he has appeared in titled "Sheets" which is on the Festival Circuit and again he brings out the best in the part he has a lead actor. Tristan Barr the other lead in "Monster Pies" delivers a superb role and demonstrates he has the same talent to go far.

I have to admit liking Australian drama and "Monster Pies2 delivers, I am sure many young people will identify with the part of William (Lucas) the uncertainty we can have when we are young and Mike (Tristan) who delivers his part so different from the role of William, but shows how people do identify often.

A good storyline and well delivered, don't be put off with one review!

Monster Pies isn't a very well made film, but it's terribly moving. Once it gets more exposure, there's no doubt in my mind that it will be seen as an LGBT cinematic treasure. It's an important film for Australia too, a country that has only had brief exposure to gay themes on television and in film (Priscilla being the most notable film). It took me a while to get into the movie, because it was hard to get past the shabby production value. As the leading actors took their stride and developed an infectious chemistry, the romance took off and led me on yet another incredibly moving experience. Isn't it weird though, that a film like this (which is far from great) is one that I'll never forget. It does pack a punch, and it will stay with you.

We follow the life of Mike (Tristan Barr), who is an awkward teenager that works in a video store, and also gets teased about his sexuality. In his English class, Mike gets paired with an attractive new student, Will (Lucas Linehan), who has a manly exterior, but hidden sensitivity. They have to create a modern adaptation of Romeo and Juliet, which forces them to spend lots of time together. As they work on their project, they start having loads of fun and establish a unique connection. It's a coming of age story (which is prevalent in LGBT films), but it's more realistic and moving than most.

From the get-go, it's obvious that this is an extremely low-budget film. The font of the opening credits, and the horrendously performed opening exchange by Mike and his teacher just left me nervous about how the rest of the film would unfold. In the first 5 minutes alone, we're exposed to some of the most frequent romance movie clichés in the movie business. The long first glance, helping each other pick up dropped papers, having to share a book in class, being unintentionally over-enthusiastic about seeing him… trust me, this list goes on.

There are some really off-putting things in this movie. One of them being that Mike works in a Video-tape renting store. No, not DVDs, but videos. I haven't seen a DVD store sell VHS tapes since I was in 5th Grade, so it's a curious sight to behold. Another thing that put me off was the unoriginal comedy clichés, such as the classic "see anything you like" gag. I don't know what director Lee Galea was going for, but this film is so aware of itself. Many of the actors don't know the meaning of the word 'subtle,' the script is filled with moments straight out of other movies, and the choppy and amateur style bugged me. I want to have mercy on this film, but then I just wouldn't be honest to myself and my readers. While this grained on me in the beginning, I really got into the film as it focused more on Will.

On this sea of bad acting and shabby film craftsmanship, floated the revelation that is Lucas Linehan. His performance is the sunshine that turned the film into a really enjoyable one. There are some pretty great moments in the film, and they ALL include him. One of my favourites being when he looks back at Mike in the side-view mirror of the car. It was quick and subtle, but it showed us that Mike is on his mind. All of the moments where they rehearsed their Romeo and Juliet assignment were… extremely heart-warming. I just felt overjoyed at the 'wolfman kiss' scene. They did that really well, and Tristan Barr's facial expression afterwards was his greatest moment in the film.

As time goes on and the story progresses, everything feels so much smoother and more entertaining. The romance develops nicely, due to the chemistry the leads share out of the blue. After the 'wolfman kiss' scene, I really started to get into the character's and their story. The swimming pool scene, which was also cliché to the max, was done exquisitely. I really liked the metaphor they used to describe the two, and the LGBT community. Mike is Frankenstein, who is feared and misunderstood. Will is the Wolfman, who is trying to cope with his change into a monster. The monsters are the LGBT community, who are hunted by the villagers (ignorant and stubborn people: the real monsters). They used this metaphor as a way to recreate Romeo and Juliet, and I just loved it. I'd give it an 'A' if I was an English teacher. The music really impressed me too, ranging from classical scores like Fur Elise to beautiful love ballads by the school dance band. The second half just took flight and became a really solid film. Well, up until the mother exploded at Mike. When it comes to melodrama, it either has to be done perfectly, or not at all.

I felt really moved by the end of the film because of a lot of things. I absolutely adore the message this film sends to LGBT teens, which is to not be afraid any more. It's so important that kids know to come out and be who they are, because this world will never change unless people are honest with themselves. There was a really touching song that played too, which almost moved me to tears. Most importantly, it was because of the moving performance by Lucas Linehan, who was the heart and soul of the film. This isn't a refined film, but its message and emotional impact managed to make me like it a lot.

I'd give it a 7/10, but I'd like to boost its rating up. It deserves far better than a 5.1/10.