Mémoires d'un escargot

Wow, it's been a long time since a movie not only struck me straight in the heart but also resonated deeply with my very core.

Set in 1970s Australia, the story follows Grace, whose life is marked by profound misfortune and loss. After their mother tragically dies during childbirth, Grace and her twin brother, Gilbert, are left to be raised by their paraplegic, alcoholic father, Percy, a former juggler. Despite a life filled with love, tragedy strikes again when Percy passes away in his sleep. The siblings are torn apart and placed in separate foster homes, forced to navigate an unforgiving world without each other.

The animation is stunning, and the film handles heavy subjects-loss, physical disabilities, bullying, and alcoholism-with remarkable sensitivity and honesty. What makes it truly special is its balance: the humor woven into the script creates moments of levity that prevent the story from becoming overwhelmingly somber.

This movie will particularly resonate with those who come from broken homes or have experienced childhood trauma. The portrayal of foster parents and the challenges foster kids endure is heartbreakingly accurate. I know because I am a foster kid.

I needed this movie on a deeply personal level. It made me feel seen, understood, and a little less alone in this increasingly complicated world. It's a beautifully balanced and profoundly pure piece of storytelling.

Thank you to everyone involved in bringing this film to life. It truly means so much.

What an absolutely beautiful, touching, well rounded, unique movie. I am beside myself.

I've watched thousands of movies, but this is the first time I felt compelled to write a review, immediately after the movie finished.

It is so full of emotion and really heartfelt. That's really all I have to say about it. It's perfect , and perfectly done. So creative and very impressive, considering the whole production is made out of clay. His previous movie, from 15 years ago (Mary & Max) was equally special, unique, touching, and full of heart.

I really wish more people heard about these movies or gave them a chance, because they are one of a kind and so so so darn good.

Our family went to the movies last night to watch the Australian film 🇦🇺 Memoirs of a Snail (2024). The story follows twins who live their best life together with their dad-until he passes away, and they're separated by child services. They struggle to find their way in life, facing scams and exploitation, yet they always hold out hope of finding happiness again someday.

Written and directed by Adam Elliot (Mary and Max), the film features the voices of Eric Bana (Troy), Sarah Snook (Succession), Jacki Weaver (Bird Box), Kodi Smit-McPhee (Let Me In), and Dominique Pinon (Alien Resurrection).

This movie is brilliantly crafted on all fronts. The animation is incredibly detailed and distinct, bringing a unique visual style to the film. The storyline is compelling and thoughtful, delivering meaningful insights into mental health, self-created happiness, and the idea that your past doesn't define you. The world in which the story takes place is richly imagined, and the unexpected sexual innuendos and nudity added a layer of realism that surprised me. The theme of friendship shines here, showing how two wounded souls can help heal one another. There's so much to appreciate, and the ending strikes a perfect balance between triumph and sadness, adding a touch of realism.

In conclusion, Memoirs of a Snail 🐌 is an exceptional addition to the animated genre and deserves consideration for Best Animated Picture of 2024. I'd rate it an 8/10 and strongly recommend it.

Greetings again from the darkness. If you believe that animated films should be whimsical fairy tales developed for children, Adam Elliot would like a word. Actually, he would like about 90 minutes of your time to introduce you to an entirely different approach with stop-motion animation. Elliot won an Oscar for his animated short HARVIE KRUMPET (2003) and also developed the excellent animated feature MARY AND MAX (2009). Not one to shy away from grown-up topics, Elliot's latest is a gem filled with most every emotion.

Relying heavily on narration, the story is told by Grace Pudel (voiced by Sarah Snook, "Succession"). It's her own life story, but contrary to what the film's title would have you believe, Grace is a person, not a snail (at least not a shelled gastropod). However, she is telling her story to her favorite pet snail, Sylvia. It's OK if that sounds a bit strange, because Grace and her story will draw you in and have you caring very much. The story starts at the beginning ... with Grace's premature birth ahead of her twin brother Gilbert (Kodi Smit-McPhee).

Grace chaperones us through her early years. These were not easy years as mom died early on, and dad was an alcoholic paraplegic with sleep apnea. Mostly we learn about Grace and her collection (hoarding) of snails she kept in a glass jar with Vegemite for their nutrition. She tells us about her beloved brother Gilbert's love of animals, reading, magic, and fire. When their dad dies, Child Services sends Grace and Gilbert to separate foster homes in different parts of Australia. It's not just geography that makes a difference. Grace is fostered by a couple of self-help gurus who are also swingers (it's not a movie for kids). Gilbert is sent to live with a harsh religious cult family demanding work while offering no love.

The twins maintain contact through letter-writing, and Grace fills in some of the details for us. Her story includes a romance with Ken, a neighbor who loves his leaf blower and has a certain fetish that takes Grace a while to uncover. She also forms a special bond with Pinky, and older lady (voiced brilliantly by Jacki Weaver) who teaches Grace to relish life. While Grace often lives inside a shell, much like her pet snails, she does treasure her time with Pinky, whose final letter is touching.

This is an all-too-ordinary life told exquisitely (that's me trying to avoid saying ordinary and extraordinary in the same sentence). The emotions are overflowing and range from grief to sadness to frustration to anger to hope. Elliott includes nods to literature, roller coasters, Parisian street performers, guinea pigs, and nudist camps (possibly a first in the animated world). We also see the dark side of religion and the importance of friends and family. Grace truly lives the circle of life, as she learns that snails have no choice but to live in the shell under which they are born, but she does have a choice. The score from Elena Kats-Chernin is beautiful and fitting, and Elliot leaves us with this thought: "Life can only be understood backwards, but we have to live it forwards." So get busy living!

In theaters on November 8, 2024.

"Memoir of a Snail" (2024) is a masterclass in storytelling, blending a compelling narrative with a unique and creative approach. The film takes what could have been a simple tale and elevates it through its intricate storytelling techniques and powerful execution.

The story is deeply engaging, unfolding with a perfect balance of tension, emotion, and intrigue. Its pacing allows the viewer to fully immerse themselves in the journey, with each scene carefully constructed to reveal new layers of the plot. The film doesn't rely on flashy effects or over-the-top drama but instead draws you in with its subtlety and depth.

The animations are really well crafted, capturing the essence of the story's setting and themes in a way that feels both intimate and grand. The performances are equally strong, with the cast delivering nuanced portrayals that bring the characters to life and enhance the narrative.

What truly sets Memoir of a Snail apart is its ability to weave together the elements of storytelling in a way that feels fresh and impactful. It's not just a story being told-it's an experience that stays with you long after the credits roll.

While not without minor flaws, such as a few slow moments or overly symbolic scenes, these are easily overshadowed by the film's overall brilliance.