Bastille Day
- 2016
- Tous publics
- 1h 32min
Un jeune pickpocket et un agent imprudent de la CIA font équipe lors d'une mission antiterroriste en France.Un jeune pickpocket et un agent imprudent de la CIA font équipe lors d'une mission antiterroriste en France.Un jeune pickpocket et un agent imprudent de la CIA font équipe lors d'une mission antiterroriste en France.
- Réalisation
- Scénario
- Casting principal
Théo Costa-Marini
- Xavier
- (as Théo Costa Marini)
Ismaël Sy Savané
- Serge
- (as Ismael Sy Savane)
Avis à la une
Ever wanted to know what happens when you mix 24, Bourne, Die Hard III, and Luther on a tight budget, and then you spice it all with a little Luc Besson? Then you have your answer right here.
It's a fast paced, no-nonsense action spy thriller, without a single piece of originality. But it manages to present all the borrowed bits and pieces in a way, to deliver a very entertaining experience.
The main character is almost a carbon copy of the title character in Luther, so Elba naturally revels in the role. They even managed to include one of my favorite lines from Luther, the little thieves. Which is funny since the second main character is actually a thief in this. Self irony maybe? The movie never slows down, not for a minute. I haven't seen anything like it for quite some time. There is less Neutral Gear in here, than in Luc Bessson's original Taxi.
Of course you shouldn't expect a masterpiece. The characters are all shallow, and the story is predictable. It doesn't even try to be clever, it just gives you everything at face value.
It's a fast paced, no-nonsense action spy thriller, without a single piece of originality. But it manages to present all the borrowed bits and pieces in a way, to deliver a very entertaining experience.
The main character is almost a carbon copy of the title character in Luther, so Elba naturally revels in the role. They even managed to include one of my favorite lines from Luther, the little thieves. Which is funny since the second main character is actually a thief in this. Self irony maybe? The movie never slows down, not for a minute. I haven't seen anything like it for quite some time. There is less Neutral Gear in here, than in Luc Bessson's original Taxi.
Of course you shouldn't expect a masterpiece. The characters are all shallow, and the story is predictable. It doesn't even try to be clever, it just gives you everything at face value.
I always use subtitles since I don't hear well.
The spoken English was subtitled, which was helpful, but the long spoken exchanges between the French police/tactical/intelligence was spoken in French, but NONE of the French dialog WAS TRANSLATED and SUBTITLED.
Maybe not a huge issue except that the 'good guys' had maybe ten pages of dialog between them. The French speakers provided about 80% of 'The Take's' total spoken word.
Now, Idris Elba is the caliber of actor who doesn't need to chatter in order to get his thoughts out.
Still, with the Strong, Silent Type in the lead, there was no way to follow the plot. When we thought we'd identified the villians, we had to watch and wait for another character's confirmation of events.
I don't know who's responsible for subtitles...but really, our phones can transcribe a spoken voice message. We can speak to lock our doors, turn off our lights, and play our favorite music.
#pleasefixsubtitles
The spoken English was subtitled, which was helpful, but the long spoken exchanges between the French police/tactical/intelligence was spoken in French, but NONE of the French dialog WAS TRANSLATED and SUBTITLED.
Maybe not a huge issue except that the 'good guys' had maybe ten pages of dialog between them. The French speakers provided about 80% of 'The Take's' total spoken word.
Now, Idris Elba is the caliber of actor who doesn't need to chatter in order to get his thoughts out.
Still, with the Strong, Silent Type in the lead, there was no way to follow the plot. When we thought we'd identified the villians, we had to watch and wait for another character's confirmation of events.
I don't know who's responsible for subtitles...but really, our phones can transcribe a spoken voice message. We can speak to lock our doors, turn off our lights, and play our favorite music.
#pleasefixsubtitles
Normally I only watch 7.0 and above but I was tired of scrolling and gave it a try.
Nice, undercover CIA movie with a decent amount of action.
This was a great action movie. The movie held my interest for the full hour and a half. I enjoyed the close hand to hand combat. There was an interesting twist. I really enjoyed watching Idris Elba. Overall very enjoyable movie to watch.
You have to forget that, during the making of this action film shot in Paris, the French capital was the scene of a brutal terrorist attack. Instead you have to go with the flow - and, boy, does it flow with constant flights and fights and a frenetically-cut chase sequence on rooftops that could have come straight out of a Bourne movie.
British director James Watkins has given us a thoroughly entertaining romp that never lets up and looks great. The plotting is utterly implausible but the hard-as-diamond core is the former CIA agent Briar played wonderfully by Britain's Idris Elba in a role that could be seen as an audition to be the next James Bond. Not at all sure about his 'singing' over the credits though ...
British director James Watkins has given us a thoroughly entertaining romp that never lets up and looks great. The plotting is utterly implausible but the hard-as-diamond core is the former CIA agent Briar played wonderfully by Britain's Idris Elba in a role that could be seen as an audition to be the next James Bond. Not at all sure about his 'singing' over the credits though ...
Le saviez-vous
- AnecdotesA more interesting aspect of the training for Richard Madden was learning how to pickpocket. Working with a consultant named, appropriately, "Keith the Thief", Madden learned sleight of hands tricks and distraction techniques. Madden said: "We wanted some of the maneuvers he pulls to be a bit flamboyant so that it reflects Michael's cockiness at his own ability. James was very keen to make sure that the stealing didn't appear to be like magic, but that it seemed realistic. So if anyone watching the film on DVD pauses and watches it in slow-motion to check it's really me doing it, I did actually do it!".
- GaffesWhen the main character leaves the home of the receiver of the stolen goods he spots the sniper because of the laser pointer. No sniper would ever use a laser pointer.
- Citations
Michael Mason: [crying] I didn't know what was in that bag.
Sean Briar: But you ran and you made me chase you, and *innocent people do not run*.
Michael Mason: *You* were coming after me. Have you *seen* yourself?
- ConnexionsFeatured in Projector: Bastille Day (2016)
- Bandes originalesThe Road Less Travelled
(Opening Credits)
Original Motion Picture Soundtrack
Written and Performed by Idris Elba and Fatboy Slim (as Norman Cook)
Label: Mercury Records 2016
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Atentado en París
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 269 $US
- Week-end de sortie aux États-Unis et au Canada
- 41 546 $US
- 20 nov. 2016
- Montant brut mondial
- 14 857 808 $US
- Durée
- 1h 32min(92 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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