La vie tranquille d'un mystérieux étranger est bouleversée lorsqu'il retourne dans sa maison d'enfance pour accomplir une vengeance. Piètre assassin, il finit par protéger sa famille dont il... Tout lireLa vie tranquille d'un mystérieux étranger est bouleversée lorsqu'il retourne dans sa maison d'enfance pour accomplir une vengeance. Piètre assassin, il finit par protéger sa famille dont il s'est séparé.La vie tranquille d'un mystérieux étranger est bouleversée lorsqu'il retourne dans sa maison d'enfance pour accomplir une vengeance. Piètre assassin, il finit par protéger sa famille dont il s'est séparé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 21 nominations au total
Avis à la une
A low-budget independent film that is nevertheless handsomely and confidently shot, Blue Ruin is a consistently unpredictable, twisty, and excellent thriller. At no point will you be quite sure where the film will take you, or what direction it will go next, up until maybe around the final scene.
Indeed, the film is so unpredictable, it would be a sin to tell you much about it.
But-- "Dwight is a vagrant, scavenging for food in dumpsters and sleeping by the beach in a broken-down car. His aimless existence is interrupted, however, when he receives notice that a man from his past is being released from prison." That's an abridged version of the PFF summary, and about all you need to know. I would recommend reading nothing else about the story of this film. Take the risk and dive in blind.
I was shocked how good Saulnier, a director I've never heard of until now, was good at generating suspense.
It was accepted into the Director's Fortnight at Cannes.
Indeed, the film is so unpredictable, it would be a sin to tell you much about it.
But-- "Dwight is a vagrant, scavenging for food in dumpsters and sleeping by the beach in a broken-down car. His aimless existence is interrupted, however, when he receives notice that a man from his past is being released from prison." That's an abridged version of the PFF summary, and about all you need to know. I would recommend reading nothing else about the story of this film. Take the risk and dive in blind.
I was shocked how good Saulnier, a director I've never heard of until now, was good at generating suspense.
It was accepted into the Director's Fortnight at Cannes.
Apart from a few forgivable imperfections (remember, this is a debut film, after all), Blue Ruin is an excellent Indie drama/thriller.
I disagree with the previous reviewer who referred to this as a movie with multiple and constant plot twists - what you get in Blue Ruin aren't actually plot twists, instead they are merely plot developments presented in a story that is told in a fashion that is not strictly linear.
This is a well shot (some creative use of visual techniques and shot selections in this film), well written, engaging film that draws you in and keeps you watching right to the very end, despite the fact that it deliberately takes in time in various places.
I couldn't help but think of Take Shelter when I watched this film - both movies have a similar stylistic sensibility, where things are not overplayed, and the lead protagonist has an eccentricity and vulnerability about them that you just can't look away from.
A great film, well worthy of the 90 minutes it takes to get through, and a clear sign that this filmmaker has a very successful future ahead of him.
I disagree with the previous reviewer who referred to this as a movie with multiple and constant plot twists - what you get in Blue Ruin aren't actually plot twists, instead they are merely plot developments presented in a story that is told in a fashion that is not strictly linear.
This is a well shot (some creative use of visual techniques and shot selections in this film), well written, engaging film that draws you in and keeps you watching right to the very end, despite the fact that it deliberately takes in time in various places.
I couldn't help but think of Take Shelter when I watched this film - both movies have a similar stylistic sensibility, where things are not overplayed, and the lead protagonist has an eccentricity and vulnerability about them that you just can't look away from.
A great film, well worthy of the 90 minutes it takes to get through, and a clear sign that this filmmaker has a very successful future ahead of him.
A very tense and taught thriller that puts you along side Dwight as events unfold. I am so accustomed to the actions of characters in your typical Hollywood revenge thrillers that in my mind I was intensely screaming at Dwight's actions when IT, hit the fan. Then the realization came, this is not a film where the lead character becomes a fuel raged unstoppable hero suddenly becoming an expert on how to kill.
The quietness is very intense in this film and you focus everything on the characters. That is how good the directing and the script are, the film is not afraid of the silence. You become aware of how fast your heart is beating in the silence. The directing by Jeremy Saulnier was handled expertly and was feast for the eyes. Beautiful cinematography and his utilization of natural lighting made it easy to get lost in the film. There are scenes that will make you squirm and there are humorous tension releasing moments, that is how tight the script is you are relived that you have those moments. Everyone in this cast is on point, I did not feel one off key from any of actors. The gamut of emotions that run through Dwight's ( Macon Blair) eyes alone is worth the price of admission. There are some great actor finds and also some actor re-found here. Eve Plum as an unredeemable character in the film. Yes, that Eve Plum. Applauds to the whole cast. The score from the Blair Bros is haunting and never over powers a scene. It might sound like I am gushing over this film, but if you can talk and think about a film long after the lights come up then gush I must.
If you find this film near you, do yourself a favor and see it and be kind to your friends and bring them along. You are guaranteed a long conversation over drinks afterward. This is not your typical revenge film, yes it bleeds, but it also bleeds emotions.
The quietness is very intense in this film and you focus everything on the characters. That is how good the directing and the script are, the film is not afraid of the silence. You become aware of how fast your heart is beating in the silence. The directing by Jeremy Saulnier was handled expertly and was feast for the eyes. Beautiful cinematography and his utilization of natural lighting made it easy to get lost in the film. There are scenes that will make you squirm and there are humorous tension releasing moments, that is how tight the script is you are relived that you have those moments. Everyone in this cast is on point, I did not feel one off key from any of actors. The gamut of emotions that run through Dwight's ( Macon Blair) eyes alone is worth the price of admission. There are some great actor finds and also some actor re-found here. Eve Plum as an unredeemable character in the film. Yes, that Eve Plum. Applauds to the whole cast. The score from the Blair Bros is haunting and never over powers a scene. It might sound like I am gushing over this film, but if you can talk and think about a film long after the lights come up then gush I must.
If you find this film near you, do yourself a favor and see it and be kind to your friends and bring them along. You are guaranteed a long conversation over drinks afterward. This is not your typical revenge film, yes it bleeds, but it also bleeds emotions.
When asked about the title of the movie, just after the screening at the AFI Silver on Saturday, the writer/director/cinematographer answered that the title is a synonym for debacle, and sure enough, it was there when I looked it up.
That about sums up what happens when a hapless grieving amateur seeks vengeance, a debacle.
The writer director and the star of the film have been at this movie making thing since they were both 8 years old. It is just great to see they broke through. You should know that the movie is 8 out of 10 and climbing on the indie list on Itunes. While you can see this on VOD, it is best seen on the big screen, and it is well worth the trip.
That about sums up what happens when a hapless grieving amateur seeks vengeance, a debacle.
The writer director and the star of the film have been at this movie making thing since they were both 8 years old. It is just great to see they broke through. You should know that the movie is 8 out of 10 and climbing on the indie list on Itunes. While you can see this on VOD, it is best seen on the big screen, and it is well worth the trip.
This is a simple movie, yet very effective and original. With an ironic twist, it has a powerful message that will make you think. It is short and very watchable, and quite memorable. Highly recommended
Le saviez-vous
- AnecdotesBen Gaffney (Devin Ratray) is based on a real high school friend of director Jeremy Saulnier. Saulnier contacted the real Ben while he was writing the script to get an accurate representation of Ben's moral views, and gun collection.
- GaffesWhen Dwight stops at the diner to inspect the parked cars, he tests the handle of the Chevrolet truck. The door is supposed to be locked, he goes on to bust the window out. However, when he tests the handle, the door opens a little bit, thus revealing that it wasn't locked in the first place.
- ConnexionsFeatured in Half in the Bag: 2014 Movie Catch-up: Part 1 (2014)
- Bandes originalesStunt Double
Written by Billy Brent Malkus
Performed by The Texas Sapphires
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- How long is Blue Ruin?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Cenizas del pasado
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 420 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 258 384 $US
- Week-end de sortie aux États-Unis et au Canada
- 32 608 $US
- 27 avr. 2014
- Montant brut mondial
- 993 313 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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