Rio 2
- 2014
- Tous publics
- 1h 41min
Ayant été chassés de Rio de Janeiro, Blu, Jewel et leurs trois enfants partent dans la nature sauvage de l'Amazonie.Ayant été chassés de Rio de Janeiro, Blu, Jewel et leurs trois enfants partent dans la nature sauvage de l'Amazonie.Ayant été chassés de Rio de Janeiro, Blu, Jewel et leurs trois enfants partent dans la nature sauvage de l'Amazonie.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 2 victoires et 24 nominations au total
Jesse Eisenberg
- Blu
- (voix)
Anne Hathaway
- Jewel
- (voix)
Jemaine Clement
- Nigel
- (voix)
Andy Garcia
- Eduardo
- (voix)
Jake T. Austin
- Fernando
- (voix)
Kristin Chenoweth
- Gabi
- (voix)
Rachel Crow
- Carla
- (voix)
Nola Donkin
- Opera Bird
- (voix)
Miguel Ferrer
- Big Boss
- (voix)
Jamie Foxx
- Nico
- (voix)
Pierce Gagnon
- Tiago
- (voix)
Jeffrey Garcia
- Spoonbill
- (voix)
- …
Bebel Gilberto
- Eva
- (voix)
Jason Harris
- Old Bird
- (voix)
Amy Noonan
- Rapping Sloth
- (voix)
- (as Amy Heidemann from Karmin)
Avis à la une
Getting back into thinking about how narratives get put together, I am reminded of how many radically different strategies there are in approaching a film.
If you talk to the (old) Pixar guys, what you'll hear is a focus on story, a cinematic notion of story, above all else. The story comes first; characters emerge whether they are promising franchise characters or not. It is all about making the flow engaging and creating a lasting experience.
As I go through my list of valued filmmakers, I can pull out a number of different approaches: Ruiz looks for the dissonance between narrative layers and removes the middle. Cronenberg finds a disturbing edge, creates a situation, then builds things to present it. Spielberg makes comics that are refined in story boards then mechanically reproduced in film. I'll have to think about the varieties.
Then we have this guy, Saldanha, who has sold a lot of tickets to happy viewers.
The strategy here seems to be to create characters above all else. Make characters. Find some kind of simple enclosing story, it doesn't matter what. Have all the characters create their own local, small static narrative. Then just embellish and display those.
I suppose this approach has been refined over on the half hour TeeVee comedy side where story is just an excuse to have character spaces interact. I am always surprised when I see this work, and it plainly does here, though none of the characters are compelling in the ordinary way.
I suppose I shouldn't be surprised. In other films, I see stories getting ever more compelling in surprising ways and exhibiting self-awareness with increasing sophistication.
These are fun movies, not art films I'm talking about. So it makes sense to have films like Ice Age and Rio for minds that don't work that way, that have shorter narrative attention spans and undeveloped narrative sense.
While this is designed for international audiences, and made by a Brazilian and set in Brazil. But most of the voices and nearly all the songs are hip hop urban style that is uniquely American.
If you talk to the (old) Pixar guys, what you'll hear is a focus on story, a cinematic notion of story, above all else. The story comes first; characters emerge whether they are promising franchise characters or not. It is all about making the flow engaging and creating a lasting experience.
As I go through my list of valued filmmakers, I can pull out a number of different approaches: Ruiz looks for the dissonance between narrative layers and removes the middle. Cronenberg finds a disturbing edge, creates a situation, then builds things to present it. Spielberg makes comics that are refined in story boards then mechanically reproduced in film. I'll have to think about the varieties.
Then we have this guy, Saldanha, who has sold a lot of tickets to happy viewers.
The strategy here seems to be to create characters above all else. Make characters. Find some kind of simple enclosing story, it doesn't matter what. Have all the characters create their own local, small static narrative. Then just embellish and display those.
I suppose this approach has been refined over on the half hour TeeVee comedy side where story is just an excuse to have character spaces interact. I am always surprised when I see this work, and it plainly does here, though none of the characters are compelling in the ordinary way.
I suppose I shouldn't be surprised. In other films, I see stories getting ever more compelling in surprising ways and exhibiting self-awareness with increasing sophistication.
These are fun movies, not art films I'm talking about. So it makes sense to have films like Ice Age and Rio for minds that don't work that way, that have shorter narrative attention spans and undeveloped narrative sense.
While this is designed for international audiences, and made by a Brazilian and set in Brazil. But most of the voices and nearly all the songs are hip hop urban style that is uniquely American.
Rio I was good enough to be entertaining and loved. It was fun. However, there wasn't much of a necessity to a sequel unless it matches its level and authencity. They are already happy, one, satisfied. There isn't a huge plot to look for. There isn't much space for comedy or even the twists and turns. It was so unoriginal I couldn't even connect them back to the ones they already were. The visuals make us awestruck and are very creative. However, only visuals can't make a movie complete. I didnt enjoy it. Heisenberg was good when his csreer stafted, hasn't been as effective in theast few years. However, He's still young and already a big name.
Story: The story here suffers from too many subplots, and a lack of focus. It also doesn't help that all the subplots here are generic. This would would kill a film......if it was made by someone like Pixar or Studio Ghibli. But since this film's plot isn't the main focus, or why audiences watched the 1st Rio, then the bad story doesn't really hurt this film as much as it could've been. But it's still a bad story nonetheless. 4/10
Animation: It's beautiful, gorgeous, colorful, and worth watching on Blu-ray or Blu-ray 3D. 10/10
Characters And Comedy: All characters here follow standard archetypes we all know of, but Nigel and Gabi serve as the most original and most entertaining. Comedy is solid with some funny moments in the film. 6/10
Sound: Good score and amazing soundtrack. Love the songs here more than Frozen, but none really hit the heights of Hot Wings from the 1st. Although some of the songs do come close. 9/10
Acting And Casting: All actors/actresses do a good job voicing their roles, especially with Jesse E. as the voice of Blu. I'm also surprised Bruno Mars didn't suck. 7/10
Verdict: Don't watch this film for the story. Watch it like you would a Madagascar film and just sit back, relax, and enjoy an entertaining family film with some beautiful animation, good comedy, and amazing songs.
Extra: +1 for being a sequel I enjoyed.
Rating: 8/10
For a more in-depth review (stupid 1000 word limit), check out my Metacritic review: http://www.metacritic.com/user/DemonicSoul?myscore- filter=Movie
Animation: It's beautiful, gorgeous, colorful, and worth watching on Blu-ray or Blu-ray 3D. 10/10
Characters And Comedy: All characters here follow standard archetypes we all know of, but Nigel and Gabi serve as the most original and most entertaining. Comedy is solid with some funny moments in the film. 6/10
Sound: Good score and amazing soundtrack. Love the songs here more than Frozen, but none really hit the heights of Hot Wings from the 1st. Although some of the songs do come close. 9/10
Acting And Casting: All actors/actresses do a good job voicing their roles, especially with Jesse E. as the voice of Blu. I'm also surprised Bruno Mars didn't suck. 7/10
Verdict: Don't watch this film for the story. Watch it like you would a Madagascar film and just sit back, relax, and enjoy an entertaining family film with some beautiful animation, good comedy, and amazing songs.
Extra: +1 for being a sequel I enjoyed.
Rating: 8/10
For a more in-depth review (stupid 1000 word limit), check out my Metacritic review: http://www.metacritic.com/user/DemonicSoul?myscore- filter=Movie
While it wasn't the best movie or even the best animation I have seen this year, this movie is definitely entertaining.
The movie begins with Blu, Jewel and their three kids having fun in their home in Rio, while Blu's former owner, Linda, and her husband, Tulio, are in the amazon. While in the Amazon, they discover a flock of blue macaws. Seeing this on the news, Jewel is desperate to visit and the story begins as Blu, his family and his friends from the last movie accompany him to the Amazon.
The story is decent. There are quite a few songs and plenty of comedic moments as well. While Blu is trying to fit in the tribe, there are a couple of dangerous foes around, Nigel and an illegal tree logger (one of which had plenty of moments which kind of reminded me of Avatar). There are plenty of great moments in the amazon when Blu is trying to fit in, which leads to one of my favourite moments, which was when they revealed the Pit of Doom. Also, it was fun to see Nigel (the white cockatoo) back, along with some new characters. The voice-work and music were quite good as well.
This movie is entertaining, the story and ending are nice as well. Although I have rated it the same as Rio, I think this was a little better. Found it to be quite funny and more action packed as well. A fun family movie.
The movie begins with Blu, Jewel and their three kids having fun in their home in Rio, while Blu's former owner, Linda, and her husband, Tulio, are in the amazon. While in the Amazon, they discover a flock of blue macaws. Seeing this on the news, Jewel is desperate to visit and the story begins as Blu, his family and his friends from the last movie accompany him to the Amazon.
The story is decent. There are quite a few songs and plenty of comedic moments as well. While Blu is trying to fit in the tribe, there are a couple of dangerous foes around, Nigel and an illegal tree logger (one of which had plenty of moments which kind of reminded me of Avatar). There are plenty of great moments in the amazon when Blu is trying to fit in, which leads to one of my favourite moments, which was when they revealed the Pit of Doom. Also, it was fun to see Nigel (the white cockatoo) back, along with some new characters. The voice-work and music were quite good as well.
This movie is entertaining, the story and ending are nice as well. Although I have rated it the same as Rio, I think this was a little better. Found it to be quite funny and more action packed as well. A fun family movie.
Like "Avatar", only instead of blue humanoids, we have blue parrots. It may be visually fascinating in 3D, but at home, on the computer, it did not leave a special impression. If you liked the first one, you will like this one too. If not, skip it.
6/10
6/10
Le saviez-vous
- AnecdotesThere are roughly 150 Spix's Macaws that make up the giant "2" of the U.S. teaser poster. The number of Spix's Macaws within that formation seems to loosely follow the real-life population of the species left in existence (most of which are kept in captivity around other parts of the world).
- GaffesWhen Linda and Tulio notice that their canoe is coming towards a waterfall, they act frightened and start back-paddling like crazy, when all they had to do was climb out of their canoe before it reached the waterfall.
- Crédits fousThe 20th Century Fox fanfare that plays during the opening studio logo has a samba beat to it.
- ConnexionsEdited from Rio (2011)
- Bandes originalesWhat Is Love (Cast)
Music by Janelle Monáe, Nate 'Rocket' Wonder (as Nathaniel Irvin III) and Roman GianArthur Irvin (as Roman Irvin)
Lyrics by Janelle Monáe
Performed by Janelle Monáe, Will.i.am (as will.i.am), Anne Hathaway, Jesse Eisenberg, Jamie Foxx and Carlinhos Brown
Produced by Wondaland and John Powell
Janelle Monáe performs courtesy of Wondaland/Atlantic Recording Corporation
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Río 2
- Lieux de tournage
- Brésil(All the action of the film)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 103 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 131 538 435 $US
- Week-end de sortie aux États-Unis et au Canada
- 39 327 869 $US
- 13 avr. 2014
- Montant brut mondial
- 498 781 117 $US
- Durée
- 1h 41min(101 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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