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Getting On

  • Série télévisée
  • 2013–2015
  • TV-MA
  • 30min
NOTE IMDb
7,8/10
4,2 k
MA NOTE
Alex Borstein, Laurie Metcalf, Niecy Nash, and Mel Rodriguez in Getting On (2013)
Watch the season 3 trailer for "Getting On."
Lire trailer1:33
1 Video
41 photos
ComédieComédie noireComédie originale

Ajouter une intrigue dans votre langueCranky nurses, anxious doctors, and administrators wrestle with the darkly comic, honest, and compassionate realities of caring for the elderly in a rundown hospital.Cranky nurses, anxious doctors, and administrators wrestle with the darkly comic, honest, and compassionate realities of caring for the elderly in a rundown hospital.Cranky nurses, anxious doctors, and administrators wrestle with the darkly comic, honest, and compassionate realities of caring for the elderly in a rundown hospital.

  • Création
    • Jo Brand
    • Mark V. Olsen
  • Casting principal
    • Laurie Metcalf
    • Alex Borstein
    • Niecy Nash
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    4,2 k
    MA NOTE
    • Création
      • Jo Brand
      • Mark V. Olsen
    • Casting principal
      • Laurie Metcalf
      • Alex Borstein
      • Niecy Nash
    • 33avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Primetime Emmys
      • 1 victoire et 12 nominations au total

    Épisodes18

    Parcourir les épisodes
    HautLes mieux notés

    Vidéos1

    Season 3 Trailer
    Trailer 1:33
    Season 3 Trailer

    Photos41

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    + 35
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    Rôles principaux99+

    Modifier
    Laurie Metcalf
    Laurie Metcalf
    • Dr. Jenna James
    • 2013–2015
    Alex Borstein
    Alex Borstein
    • Dawn Forchette
    • 2013–2015
    Niecy Nash
    Niecy Nash
    • Didi Ortley
    • 2013–2015
    Mel Rodriguez
    Mel Rodriguez
    • Patsy De La Serda
    • 2013–2015
    Ann Morgan Guilbert
    Ann Morgan Guilbert
    • Birdy Lamb
    • 2013–2015
    Brandon Fobbs
    Brandon Fobbs
    • Antoine Robertson
    • 2013–2015
    Mark Harelik
    Mark Harelik
    • Dr. Paul Stickley
    • 2013–2015
    Lindsey Kraft
    Lindsey Kraft
    • Marguerite Macaw
    • 2013–2015
    Joel Johnstone
    Joel Johnstone
    • Dr. Andrew Cesario
    • 2013–2014
    Patricia Scanlon
    Patricia Scanlon
    • Paula Pepperell
    • 2013–2015
    Kurtis Bedford
    Kurtis Bedford
    • Dennis Beardman
    • 2013–2015
    Grant Bowler
    Grant Bowler
    • Dr. Ron Rudd
    • 2015
    Kasey Mahaffy
    Kasey Mahaffy
    • Rick Joy
    • 2014–2015
    Mary Kay Place
    Mary Kay Place
    • Dr. Ann Killigrew
    • 2014–2015
    Jayma Mays
    Jayma Mays
    • Suzi Sasso
    • 2014–2015
    Jonathan Silverman
    Jonathan Silverman
    • Dr. Happy Gladner
    • 2015
    Kimberly Celemen
    • Kitty Doris
    • 2013–2014
    Alia Shawkat
    Alia Shawkat
    • Colleen Hoover
    • 2014
    • Création
      • Jo Brand
      • Mark V. Olsen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs33

    7,84.2K
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    Avis à la une

    10zkiko

    Authentic sincere absurd reality.

    Amazing show. Realistic and nothing is more absurd, romantic, hilarious, painful and beautiful than reality. We dont have to go to hyperreality where everything is fake and robotic and generic in such a way that it creeps me out.Thats the reason shows like 'modern family, 'greys anatomy', 'House' and the list goes on and on , have way too many seasons, and gems like these get cancelled way too quick, same happened with 'party down' for example or 'hello ladies' Great shows, and amazing shows that just cant make it past a one season or two.

    This simple yet intricate show is for the ones that are able to be human and feel. The ones that have a humane level of sense of humour and aren't passive idiots that want to be entertained in the most lazy way...spoonfed.

    I keep watching the cancelled gems over and over. And because they are gems.. you can do that.
    7bob_meg

    Island of Misfit Toys

    Say what you like about "Getting On," it's not afraid to color outside the lines. Whether we end up liking the solid coal-black crayon smear that results is still up in the air, one of the reasons I hesitate to review any TV show barely a third of the way through Season 1.

    There are no truly likable characters on this show. It doesn't make it that easy on us. Instead, it challenges us to find the humanity and the heart inside a team of geriatric care workers at a hospital that even sounds bottom-tier by its name. It's a behavior focused show: you can visibly see the hackles rising as the staff continually alternates between tip-toeing around and blatantly offending one another. Everyone has an agenda and none are very opaque.

    It's been years since I worked in an office environment but this show makes me not miss it a bit. It's actually a bit too overwrought with angst, but then that's kind of taken into account when you learn that this particular ward is kind of like an Island of Misfit Toys --- virtually no one here is here by their own choice, except most notably Dawn (Alex Borstein, the voice of Family Guy's Lois Griffin without the RI accent), whose desperation is actually very touching. Most of us have met a Dawn or worked with one --- fanatical about her job because she has nothing else to focus on, reeling from personal disappointments, self-conscious to the point of cringe-inducement. Her self esteem is so low that, when confronted with a new male head nurse who is carting around some serious gay-repression baggage, she throws herself at him in the midst of being berated by him, hauls him to a bar, then goes down on him. As I said, this show isn't pandering to anyone. They don't seem to want your approval...they're almost seeking to repel it.

    The always fine Laurie Metcalf plays an ambition-crazed medical director, whose self-opinion isn't any better than Dawn's, and Mel Rodriguez plays overbearing head nurse Patsy with enough fanatical PC self-righteousness to incite thousands of Ditto-heads to take assault weapons to their sets.

    This leaves Niecy Nash as junior nurse Didi, for sympathy and pathos, though even her character can be amazingly dense and self-sabotaging. Nash plays her well, though, with an unaffected realism that may eventually make her the ace card in this series, if it can stay on the air long enough.

    Personally, I don't want another Nurse Jackie. I don't want another St. Elsewhere or another E/R. All of those shows became very formulaic very quickly, after strong starts. They either ran out of ideas or just wanted to secure a long run by pandering to the lowest inoffensive denominator. Perhaps by going in the opposite direction, Getting On will keep us turning on. Time will tell.

    I do know one thing though...my wife, who has worked in similar medical environments before couldn't stand the show. "It's too real," she told me. "I felt like I just got off a double shift at work in 30 minutes." So, health-care professionals, be forewarned.
    10Critic_For_Life

    Love this show- why so short lived??

    I'm watching this series again and i still don't understand why this series did not continue - so funny and all characters are played by choice actors. I'm hoping for a reboot. My favorite character is still June Squibb as the crazy bi-polar patient Varla.
    8moondancer

    HBO gets it right

    Just when I thought that HBO was beyond help, they finally get one right by largely leaving things alone. Having watched and thoroughly enjoyed many episodes of the British original with the wonderful Jo Brand ( one of the series creators and executive producers )in the lead role, I was very impressed by how much HBO has captured the spirit and quirkiness of this series. I think HBO has wisely kept the starkness of what the patient experience is, and perhaps given the show more room to fly by making it a teeny bit more gritty in terms of language and mature content. At first I was a little baffled by the American casting, but at only four episodes in they've done a great job of setting the stage without yet exhausting the overwhelming idiotic bureaucracy the staff alternately endure and wield like a weapon. So I'll give the show time to grow and capture the flip side - the patient interaction and the audience's need to connect with and root for the one mostly sane staffer.
    5ozjosh03

    Credit where credit is due

    I've just listened to an NPR Fresh Air interview with Mark Olsen and Will Scheffer, who were constantly referred to throughout as the "creators" of Getting On. They happily accepted this accolade and proceeded, with truly nauseating sincerity, to explain how the stories in the series were based on their experiences caring for their respective elderly mothers, which, we're given to understand, is why it's all so real, so poignant, so personal. Curious then that 95% of the US adaptation of Getting On is identical - and I'm talking line for line, if not quite word for word - to the UK original, created by the wonderful Jo Brand. The 5% that's different is where the US version blunts the humour, misses the point, or merely adds lame phoney-sounding sitcom punchlines to otherwise achingly funny-sad scenes. Maybe Olsen and Scheffer had identical experiences to Brand, and maybe they just forgot to write it down first. Or maybe they actually believe they've added something of value to Brand's work. Or maybe they're just ****s.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Niecy Nash originally auditioned for the role of Dawn, but when reading the script, she was more interested in Didi, and asked to audition for the role. There was an initial resistance from the producers, but they finally let her do it and loved her so much, she won the role.
    • Connexions
      Featured in The 67th Primetime Emmy Awards (2015)

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    • How many seasons does Getting On have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 novembre 2013 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • 銀髮失樂園
    • Lieux de tournage
      • Pasadena, Californie, États-Unis
    • Sociétés de production
      • Anima Sola Productions
      • BBC Worldwide Productions
      • Home Box Office (HBO)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      30 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 16:9 HD

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