Les héritiers

Do see this! For all of the millions of people out there whose entire lives have been molded by selfish parents who lost their common sense somewhere between a kiss and the diamond ring, here's a soap opera for you. The two main female roles are portrayed very convincingly, notably Trine Dyrholm as "Gro Grønnegaard" and Marie Bach Hansen as "Signe Larsen". The plot quickly thickens as the question of inheritance brings out the weasel in just about everyone. Psychologically, anyone who has ever dealt with inheritance issues will recognize several themes and reflect on their own personal stories and reactions. As a result maybe this defining drama can pave the way for deeper family dialogs among the lucky viewers who have the guts to speak up.

This is one of those series that you either love or hate. There's hardly anything in between. Three seasons show how all kinds of things are happening within a family, but nothing ever really changes. It is however better than your average soap if you like drama, failing relationships, people not learning from earlier mistakes and all kinds of other psychological issues. It's going nowhere but kept me watching, because of the setting, curiosity and also the great acting. At times it feels as if you're watching a documentary instead of a television series. Just try it. You will find out soon enough if this is something for you.

The reason I gave it only 7 stars is the fact that the series just has too much storylines that start but are not finished properly. I consider that to be a major flaw in the scenario next to the sometimes terrible leaps in time, where you can only conclude that there obviously has been some kind of development.

Ignore some critics like boomeran......they may not read subtitles. ...or ...well just missed it.

Nice to see known danish actors draw on their skills for variety of characters. Story moves along and some sneaks up on you. Wish there were some more seasons. There are a few other danish and Swedish shows with similar family turmoil. Some of the shots seem to remind me of the great Susanne Beir winners. Expressions can tell us so much.

I liked the whole story but especially the odd folks. Tryne was great...seen her in about 8 other movies and she was perfect in this one. Someone mentioned criticizing it as a train wreck. Well yeah the family is....a fast moving cone at that. Have fun.

It is difficult to not give this series a 10, but one always imagines something can be better. In this story, set in Funen, the island of Hans Christian Anderson, a family encounters itself in all its complex, passionate, devious depths. The writer Maya Ilsøe is superb -- fascinating concerns with truth and lie, with nature and art, with the truth about fathers and mothers, and the deviations of children who have to live with their lies.

The tale is sensitively brought to our eyes by intelligent actors and producers. I have long been a fan of Danish TV, and this lives up to the best of it. Hoping for a strong 3rd season, which I understand will be the last.

Well there you have it: television as it should be. You do not see such apparently effortless perfection very often. Please do not wait for US remakes, treat yourself to the original! Very often, lead characters are well played, and you see some mediocre work here and there in the background. What strikes me with Arvingerne is that there is not a single instant where I can recall a glitch or less convincing acting. It is miraculous; where do children for example learn to act like that? The plot is a real actors' challenge, normal people turning into devils when a large inheritance seems to be coming their way, and back again into loving, good people when things settle down for a moment. Very often parties with loud music and dancing are hard to film, it is difficult to get a large cast of supporting actors to look like they are having fun. No problem for the Arvingerne crew! A special mention for Carsten Bjørnlund, playing the complex character of Frederik Grønnegaard. A very impressive performance indeed. There was for example one love scene where the point was that love at that juncture was awkward. I don't know how an actor is supposed to get that across, but he did, very movingly.