NOTE IMDb
6,4/10
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MA NOTE
Dix ans après un crash économique mondial, un solitaire endurci poursuit les hommes qui lui ont volé son seul bien, sa voiture. En cours de route, il capture le frère de l'un des voleurs et ... Tout lireDix ans après un crash économique mondial, un solitaire endurci poursuit les hommes qui lui ont volé son seul bien, sa voiture. En cours de route, il capture le frère de l'un des voleurs et le duo développe un lien précaire pendant le dangereux périple.Dix ans après un crash économique mondial, un solitaire endurci poursuit les hommes qui lui ont volé son seul bien, sa voiture. En cours de route, il capture le frère de l'un des voleurs et le duo développe un lien précaire pendant le dangereux périple.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 19 nominations au total
Frank C. Sun
- Acrobat 1
- (as Chen 'Frank' Sun)
Avis à la une
A disheveled loner (Guy Pearce) trails a trio of thieves who stole his car. Along the way he picks up the slow-witted brother (Robert Pattinson) of one of the thieves. Dystopian future or post-apocalyptic movies kind of blend together after you've seen a lot of them. So when one comes along that feels fresh like this one, it deserves praise for that alone. The acting is excellent. Guy Pearce has long been an actor whose work I enjoy but the big surprise here is Robert Pattinson, who ensures with this performance that he will be remembered for more than the Twilight movies. Taut direction with quality acting, writing, and music. It's a good movie but not for everybody. Dark, gritty, often slow and certainly violent. But it's also very rewarding if you're wiling to give it a chance.
This film tells the story of a desperate and lonely man whose car is stolen. He goes to extreme lengths to recover his car, killing many people along the way.
"The Rover" is compared to "The Road", which I really enjoyed. "The Rover" tries to create the desolation and desperation in "The Road", but it doesn't quite work. Where the story is going is not clear in the film, and hence it looks as if Guy Pearce's character is a mad man going on a killing spree because someone has done him a little wrong. The pacing is super slow, and therefore it doesn't captivate my interest. Do the characters really need two minutes to walk from a car to a house? That is really dragging screen time unnecessarily.
The only redeeming feature is the performance of Robert Pattison. I thought he was just a pretty face that made it big because of a wildly popular series of films. In here, he gives a memorable as a mentally challenged young man. If only the rest of the film is as good as his performance!
"The Rover" is compared to "The Road", which I really enjoyed. "The Rover" tries to create the desolation and desperation in "The Road", but it doesn't quite work. Where the story is going is not clear in the film, and hence it looks as if Guy Pearce's character is a mad man going on a killing spree because someone has done him a little wrong. The pacing is super slow, and therefore it doesn't captivate my interest. Do the characters really need two minutes to walk from a car to a house? That is really dragging screen time unnecessarily.
The only redeeming feature is the performance of Robert Pattison. I thought he was just a pretty face that made it big because of a wildly popular series of films. In here, he gives a memorable as a mentally challenged young man. If only the rest of the film is as good as his performance!
The Rover is an anti-blockbuster mainly because of its rhythm : it is very slow, therefore preventing many people to stick to it while watching it.
What you get here is not some amusement but rather gives material to think. We're not escaping from existence, like with e.g. Gravity, Hunger Games or whatever acclaimed propaganda. And it is quite disturbing as the more we go on watching the movie, the more we confront with some reflections about our time : there's no more gods, no more laws and we're getting increasingly isolated. Just the gruesome reality. People are striving to survive and protect what is theirs (always material things), though remains some hints of optimism - and Pattinson is playing quite well on this regard.
What you get here is not some amusement but rather gives material to think. We're not escaping from existence, like with e.g. Gravity, Hunger Games or whatever acclaimed propaganda. And it is quite disturbing as the more we go on watching the movie, the more we confront with some reflections about our time : there's no more gods, no more laws and we're getting increasingly isolated. Just the gruesome reality. People are striving to survive and protect what is theirs (always material things), though remains some hints of optimism - and Pattinson is playing quite well on this regard.
The reviews for this weren't exactly bad, or even mixed. But it did seem to get a lot of negative ones, and a lot of neutral, unpassionate ones. To my surprise, this is a fine film. Sure, not all that original, but the directing is really strong, as is the acting, Robert Pattinson, in particular, really shines and the best I've ever seen him be. Who knew he had this sort of performance in him, I certainly didn't, and it makes me interested in what he can accomplish in the future. Guy Pearce was strong too, with a pretty subdued, but very intense, character to play. The rest of the supporting players give some nice work too. Overall, I recommend this.
THE ROVER is a quirky and interesting little Australian movie detailing the collapse of society after a major economic collapse (thus making it an extremely timely movie in these financially-wary years). That it manages to successfully depict a post-apocalyptic world of sorts on what is obviously a limited budget is testament to the skill of the director and his crew, particularly the location manager and set designer.
This is a slow and sombre production with shades of SNOWTOWN and THE ROAD, although unlike MACBETH, which I watched the day before, it's never boring or dull. The story is sparse and drawn out, as this is a real slow burner of a movie, and yet at the same time it keeps you gripped to the screen. It helps that the ever-underrated Guy Pearce is cast in the lead role and gives a typically engrossing portrayal of a flawed man with a single-minded purpose.
There are some brief action sequences in this film and even something approaching a car chase, but it's not really an action movie. It's more of a suspense thriller with the tension gradually building as things approach a devastating climax. And, it surprises me to admit it, by far the best thing in the film is the acting of the young lead, Robert Pattinson. This guy is completely unrecognisable as the guy who played Edward Cullen in the TWILIGHT series. He's quite brilliant, giving a wonderfully mannered and sympathetic performance of a simple man who ends up being used and abused by everyone around him, and his performance comes out of nowhere. It's as though Pattinson was bored with the plastic TWILIGHT films and wanted to do something the polar opposite in order to prove his worth as an actor. Well, he successfully does that, and then some; his performance is outstanding, and made the film for me.
This is a slow and sombre production with shades of SNOWTOWN and THE ROAD, although unlike MACBETH, which I watched the day before, it's never boring or dull. The story is sparse and drawn out, as this is a real slow burner of a movie, and yet at the same time it keeps you gripped to the screen. It helps that the ever-underrated Guy Pearce is cast in the lead role and gives a typically engrossing portrayal of a flawed man with a single-minded purpose.
There are some brief action sequences in this film and even something approaching a car chase, but it's not really an action movie. It's more of a suspense thriller with the tension gradually building as things approach a devastating climax. And, it surprises me to admit it, by far the best thing in the film is the acting of the young lead, Robert Pattinson. This guy is completely unrecognisable as the guy who played Edward Cullen in the TWILIGHT series. He's quite brilliant, giving a wonderfully mannered and sympathetic performance of a simple man who ends up being used and abused by everyone around him, and his performance comes out of nowhere. It's as though Pattinson was bored with the plastic TWILIGHT films and wanted to do something the polar opposite in order to prove his worth as an actor. Well, he successfully does that, and then some; his performance is outstanding, and made the film for me.
Le saviez-vous
- AnecdotesRobert Pattinson stated, that after the Twilight series ended he knew he had to play these kind of roles to avoid getting typecast, and that he wanted the role so much, that in the days leading up to the audition, he even dreamt of his character Rey. When he was at David Michôd house for the audition, he couldn't start to actually play the character for 45 minutes because he had so much anxiety.
- GaffesToutes les informations contiennent des spoilers
- ConnexionsFeatured in Something Elemental: Making the Rover (2014)
- Bandes originalesMeak Mer Nov Odor Meanchhey
Written by Mala Pei/ Sam Sakhan
Performed by Savy Heng and James Cecil
Licensed courtesy of Cambodian Dept. of Copyright & Related Rights
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- How long is The Rover?Alimenté par Alexa
Détails
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 114 423 $US
- Week-end de sortie aux États-Unis et au Canada
- 69 302 $US
- 15 juin 2014
- Montant brut mondial
- 2 510 007 $US
- Durée
- 1h 43min(103 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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