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La Fille de nulle part

Titre original : La fille de nulle part
  • 2012
  • Tous publics
  • 1h 31min
NOTE IMDb
6,0/10
1,3 k
MA NOTE
La Fille de nulle part (2012)
Drame psychologiqueLe passage à l'âge adulteDrameHorreurMystère

Un professeur de mathématiques à la retraite passe ses journées à écrire. Un jour il rencontre une jeune fille blessée, sans foyer. Il la recueille, s'en occupe, et commence à soupçonner qu'... Tout lireUn professeur de mathématiques à la retraite passe ses journées à écrire. Un jour il rencontre une jeune fille blessée, sans foyer. Il la recueille, s'en occupe, et commence à soupçonner qu'elle est la réincarnation de sa défunte épouse.Un professeur de mathématiques à la retraite passe ses journées à écrire. Un jour il rencontre une jeune fille blessée, sans foyer. Il la recueille, s'en occupe, et commence à soupçonner qu'elle est la réincarnation de sa défunte épouse.

  • Réalisation
    • Jean-Claude Brisseau
  • Scénario
    • Jean-Claude Brisseau
  • Casting principal
    • Virginie Legeay
    • Claude Morel
    • Lise Bellynck
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    1,3 k
    MA NOTE
    • Réalisation
      • Jean-Claude Brisseau
    • Scénario
      • Jean-Claude Brisseau
    • Casting principal
      • Virginie Legeay
      • Claude Morel
      • Lise Bellynck
    • 10avis d'utilisateurs
    • 28avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Vidéos1

    Official Trailer
    Trailer 1:49
    Official Trailer

    Photos

    Rôles principaux7

    Modifier
    Virginie Legeay
    • Dora
    Claude Morel
    • Denis
    Lise Bellynck
    Lise Bellynck
    • Lise Villers
    Anne Berry
    • La mort…
    Emmanuel Noblet
    • Son exécutant
    Sébastien Bailly
    • Le fou…
    Jean-Claude Brisseau
    Jean-Claude Brisseau
    • Michel Deviliers
    • Réalisation
      • Jean-Claude Brisseau
    • Scénario
      • Jean-Claude Brisseau
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    6,01.2K
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    10

    Avis à la une

    8randal-46514

    Entertaining Drama..low horror

    This film is mostly drama...it has a tad bit or horror in it. But this is not a horror film. I found the story entertaining. The acting was great. It is a French film. I did not mind reading the subtitles.

    I rate this film and 8 because it feels like an 8 compared to the other films I have viewed recently.

    Good choice for leading man. He seemed effortless in his acting and I was easily absorbed.

    The leading lady was attractive and charming. All her scenes were believable.

    The story was obviously fiction. But to me that true virtues of this movie is that you allowed yourself to be absorbed and suspended reality to be engulfed in the movie.
    8onlythusfar

    Eye to Eye

    I found this a wonderful portrait of an unusual relationship between an older man, a thinker, a philosopher, and a young woman, who turns out to be quite a special thinker herself. The main thrust of the story, is that each has a need for the other, but also each is fiercely independent. Consequently, this sets up a conflict, both inside the individuals and between them. The conflict is generally good-natured and it gave me the impression of jousting, to try to arrive at a compromise, that suited each of them. There is some interesting philosophical discussion. Unfortunately, I found the ending disappointing. It was abrupt, and gave me the impression, that the writer was at a loss, as how to end the movie. For me this, however didn't negate the interesting material, that proceeded it. Only for those, who enjoy watching the subtleties of human relationships.
    9laredj81

    Everything from nothingness

    Regardless of any criticisms that may be voiced about the film, I have developed a profound love for it. There are numerous reasons behind this sentiment, most notably the fact that proponents of postmodern art theory and those who understand the ever-changing artistic elements within temporal and digital contexts cannot craft a cinematic image that is simultaneously realistic, sensitive, and imbued with a sense of strangeness. Even in terms of execution and with a nearly nonexistent budget, it is sheer nonsense to claim otherwise. Those who support such claims are individuals who fundamentally fail to grasp the profound significance of experiencing a cinematic image as a living expression of what individuals convey when they bring their ideas to life on a moving canvas.

    This film, likewise, is a creation borne out of nothingness, much like the girl born from the void. It presents intimate dialogues concerning thinkers who do not believe in the metaphysical realm, yet peacefully sway within the aesthetic mysticism of history and self, driven by the natural human desire for fulfillment. They dream, they contemplate, and they philosophize because they are humans who cannot be easily confined within the boundaries of reality. They are experimental.

    The context of the film speaks to this form of human empathy within a cinematic framework, crafted by a director who attempted to compose his entire cinematic history through an individual project that, despite years of anticipation, failed to secure the necessary funding. Consequently, he decided to take on the role himself, alongside a girl and a friend, within the confines of his own home, utilizing a dilapidated camera.

    Priso, a director who is madly devoted to his artistic world and philosophy, is incredibly captivating in this film.

    The narrative dialogues vividly illustrate the fragility of consciousness at times and its strength at other times, as well as the formation of human desires that drive individuals towards belief despite their lack of faith.

    It is a profound philosophical exploration within an era where films of this nature are no longer afforded genuine presence.

    It is a film about the isolation of individuals when they engage in creative thinking, regardless of the closed boundaries of their creativity and its intersection with a domain that is not their own, as exemplified by the living element of the film itself. The presence of Priso as an actor allows him to fully acknowledge that he is not an actor and does not fulfill the expectations placed upon him. It is the very idea that the film presents through the measurements of conceptual models it showcases.

    This is a film that is not easily embraced, simply because it does not conform to the conventional requirements of mainstream cinema within the context of postmodernism and digital systems.
    8dkschulte

    The need for Illusion

    When you have lost a love I think you can understand this movie. Reaching for an illusion and wrapping that illusion in your everyday life. Very interesting story.
    10bill-729-637551

    Like a book that you can't put down

    I watched this film on video and was going to come back to it later, as it was already late when I started. I ended up watching it to the end, captivated by the actors and the various elements woven into the "action" (the word action only being partly appropriate). You may find yourself wondering, should you watch it, how much was left out of the final cut: For several elements touched on as the film unfolded were left open-ended. For would-be actors (or directors) an example of the power of understatement.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Award: Golden Leopard at the Locarno International Film Festival (Switzerland,2012)
    • Connexions
      References Psychose (1960)

    Meilleurs choix

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    FAQ14

    • How long is The Girl from Nowhere?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 6 février 2013 (France)
    • Pays d’origine
      • France
    • Langue
      • Français
    • Aussi connu sous le nom de
      • The Girl from Nowhere
    • Lieux de tournage
      • Quai de Bourbon, Paris 4, Paris, France(Michel and Denis talking on a bench)
    • Société de production
      • La Sorcière Rouge
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 62 000 € (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 31min(91 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.78 : 1 / (high definition)

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