The Fitzgerald Family Christmas

What a wonderful film. The characters, the relationships, the situations are all so real. Seven adult siblings are negotiating coming together for Christmas, after having bailed on their mother's 70th birthday party the night before. The oldest brother, played by Ed Burns, tries to bring the family together but must deal with all the various conflicts and alliances that naturally occur in a large family. The plot revolves around the absent father, who abandoned the family 20 years earlier and who now wants to reunite with the family for Christmas. All very authentic and moving, without ever becoming melodramatic. Anita Gillette, the actress playing the family matriarch, is absolutely amazing. And Ed Burns is fabulous, as usual. This should be an annual Christmas movie!

With such an awful title I watched this expecting the usual safe and predictable Christmas movie. In fact in some ways it is quite a bizarre Christmas movie. There are some adult themes, a bit of sex and plenty of swearing.

It is quite a hard film to get into as there are so many characters. My head was spinning each scene as more and more are added. However against the odds this just adds to the unique charm of this movie. The acting is good throughout, the writing is crisp and there are plenty of light moments to offset the serious issues raised.

I watched this with my wife and we both enjoyed it and if you're prepared for a slightly strange but enjoyable Christmas film then this is for you.

Well, you can tell from my screen name that I'm part of the Irish American tribe. All I can say is that there is a lot of truth in this film. While there is a good deal of family dysfunction being dealt with here, there is also a moving portrayal of how love can transcend hurt if you let it. Believe me, been there, done that, in the same environment that Ed Burns comes from. I know these people and this film, while maybe a little exaggerated, was very real. Definitely worth a viewing, even if your not Irish. Compared to most other Christmas films, there is not a trace of false sentimentality in this picture, but it is warm and heartfelt.

A big family is a catalog of problems, a big family at the holidays is a catalog of problems reaching its boiling point. If you've lived in a big family you know it, if you've seen one or two films about big families, you probably know it too. Here lies the failure of this nice little film. Don't get me wrong, it's fairly well acted, the director choosing a low key approach that suits the genre well, so it's not a catastrophe, in fact it might be a good pastime if you can relate. Thing is the plot is not only loaded with cliché, it's devoid of any refreshing surprise or plot twist. And it tends to solve most of the problems it's looking into in a superficial almost casual manner. An abusive husband, falling for a creepy old man, falling for a girl who's too young for you, everything solved nice and easy, like it was no more than a ploy to cover a few more minutes on screen. It's not a good feeling to end with after a film with which we're suppose to relate.

Edward Burns' Christmas movie deals with the sensitive issue of parental abandonment, and alcoholism, oh, and finding love in middle age, and inter-religion marriage, and finding love in advanced age, and unemployment, and unwanted pregnancies, oh, and spousal abuse, and gold- digging and learning to settle and failing businesses and problematic children, and reconciliation and a few other "B" plots. In fact, Burns' script contains so many plots that the alcoholic (or at least the one that has sought treatment for it) Fitzgerald brother returns from rehab, borrows some money from Burns' character and is quickly forgotten about. Burns' attempt to juggle enough family-themed plots to fuel a year's worth of Lifetime movies for women means that those that don't be resolved essentially get forgotten. On the positive size, the open questions give him a platform to produce sequels until we get "Fitzgerald Family Christmas XXII: We Finally Return to Burns' Character's Romance With the Nurse". In short, the attempt to cram so many sub-plots and characters into a hour and forty minute running time means none receive anywhere near the attention needed to build any suspense or character development - see "Home for the Holidays" for a much better realized version of the same idea.