Tumbledown

Tumbledown is that kind of movie which makes you feel "Oh! It's good. But it should have been better". You'd almost feel sorry for the entire cast because they have given such exceptional performances only to be let down by clichéd writing towards the end. But it still is a Dramedy worth watching.

Coming to the performances, there are absolutely no complaints here. I can safely say that Jason Sudeikis steals the show with his charm and timing. Rebecca Hall gives her best and suits for the role well. In fact we can watch the movie just for the leads' performances. The supporting cast does justice to their roles.

Verdict: Go for it!

Understated, honest and soulfully choreographed. The cast is engaging, authentic and surprisingly interesting even in the most ordinary situations, of which there are few. Grief may be the premise of this film, but the result is a calm escape into a world you'll be happy to spend some time in.

After reading about the film, I did expect an Indie movie with the usual predictable story lines and romantic frou frou, and there is no shortage of that, but there is another layer of depth that caught me off guard. The intimate warmth of the soundtrack, like the weightless smoke of a dying candle in a quiet room, lingers long after the end credits are over. Some of the songs really are beautiful enough to warrant this type of language, trust me. So do the memories of other musicians who left behind their timeless creations along with the shock and mystery of a lifetime cut short. Martyn Bennett and Jeff Buckley, however different the circumstances of their departure, come to mind.

Whenever an Indie movie finds the perfect balance between lighthearted, mainstream entertainment and the relatability of a smaller story and budget, it proofs that a solid Indie production can transcend the restrictions of a genre and touch the audience beyond 90 minutes of entertainment.

I couldn't think of a single studio produced movie in recent months that achieved 'Tumbledown's subtlety and depth with the same simplicity and grace. To proof my point, this movie would work even without the romance and succeed as a relevant reflection on grief and the responsibility of moving on.

My wife and I watched this at home via Amazon Prime streaming movies.

A woman in a sleepy Maine town, where everyone knows everyone else, works as a part time writer for the local rag. Her husband, a well-regarded composer and singer, had died not long ago in a hiking accident and she was having trouble getting past it.

A Hofstra professor in New York was a fan, he wants to write a proper biography of the singer, so he travels to Maine to see what he can find. This gets him to encounter the young widow.

While this exact story has not been told in a movie it is not unlike many others. The widow and the writer do not get along at all, he is pleasant but frank, she is emotional and resistant to anyone meddling into her dead husband's memory. But he persists and ultimately, fortunately before the movie ends, they begin to find ways to work together. And maybe a nice romance thrown in as a bonus.

A pleasant enough movie for a slow evening after a steak and a bottle of Oregon Cabernet.

I was expecting a romantic comedy when I got this movie, and I have to say that not only is that not what this is, I was pleasantly surprised.

This movie is about grieving and learning to let go of those we've lost, but it is also sweet in a sort of unexpected way. Rebecca Hall and Jason Sudeikis are a great pair and their on-screen chemistry is fantastic. It's the first movie that has made me a fan of Jason Sudeikis.

Set in the beautiful Maine mountains, the soft folk music in the background adds to the serenity of the mountainside and the heartbreak Hall's character is experiencing and the journey you'll go on with her.

If you're looking for a movie that is sweet, poignant, and guaranteed to tug at your heartstrings, this is it. I would highly recommend this movie.

'TUMBLEDOWN': Four Stars (Out of Five)

Indie rom-com/drama flick; starring Rebecca Hall and Jason Sudeikis. The film tells the story of a widow, still coping with the death of her folk singer husband, who must deal with a New York writer; that comes to her small town looking to write a story on him. The movie also costars Dianna Agron, Joe Manganiello, Griffin Dunne, Blythe Danner and Richard Masur. It was directed by first-time feature filmmaker Sean Mewshaw, and written by Mewshaw and Desi and Desiree Van Til (both first-time screenwriters). I enjoyed it.

Hannah Miles (Hall) is still grieving over the death of her husband; a folk singer, who was somewhat of a celebrity in her rural Maine town. Her family, and friends, all think she needs to get over him and move on. That troubled healing is further aggravated, when a New York writer, named Andrew McCabe (Sudeikis), comes to town investigating the beloved musician's death. He's writing a book on the singer, and Hannah doesn't like the idea of it (at all).

I'm becoming a bigger Jason Sudeikis fan, with every movie he does! He's always funny, and he always picks quality projects too; the roles, he plays, always seem like real and relatable people. This film is no exception. I also like how he does a lot of lower-budget indie flicks too. Hall is great in this movie as well. She's definitely not as funny, but her performance is topnotch; and the two have beautiful chemistry together. It's yet another indie hit win, for Jason Sudeikis!

Watch our movie review show 'MOVIE TALK' at: https://youtu.be/n2qWxeZ0Tck