White House Down
- 2013
- Tous publics
- 2h 11min
Alors qu'il visite la Maison Blanche avec sa jeune fille, un policier du Capitol entre en action pour sauver son enfant et protéger le président, d'un groupe lourdement armé d'intrus paramil... Tout lireAlors qu'il visite la Maison Blanche avec sa jeune fille, un policier du Capitol entre en action pour sauver son enfant et protéger le président, d'un groupe lourdement armé d'intrus paramilitaires.Alors qu'il visite la Maison Blanche avec sa jeune fille, un policier du Capitol entre en action pour sauver son enfant et protéger le président, d'un groupe lourdement armé d'intrus paramilitaires.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 9 nominations au total
Avis à la une
White House Down offers very little that's new or interesting. It's a convoluted mess that's caught in no man's land. It takes itself far too seriously yet offers ridiculous action (ridiculous as in dumb, not as in wild or fun) and even more ridiculous characters. It wants to be taken seriously but functions in bizarre surroundings with a foolish plot. A calamity of underdeveloped ideas, half the film is flat out brain damaged and the other half is pure schlock. Do yourself a favor and avoid this dumb and actually boring farce.
This movie simply can't stand on its own as a film. Does often joyless, dark and dumb appeal to even the popcorn crowds? The rest of us want way more in our summer movies.
This movie simply can't stand on its own as a film. Does often joyless, dark and dumb appeal to even the popcorn crowds? The rest of us want way more in our summer movies.
Not since President Harrison Ford battled terrorists aboard "Air Force One" has a U.S. movie president faced the peril that challenges President Jamie Foxx in "White House Down." An unidentified group detonates a bomb in the U.S. Capitol Building, then takes hostages in the White House and shoots up the historic mansion, destroying priceless artifacts and paintings to the chagrin of a tour guide. Audiences know what they want from a Roland Emmerich movie, and "White House Down" delivers the goods; rapid cutting, action, explosions, gun battles, cheering onlookers, wise-ass heroes and bad-ass villains.
Clichés abound; from a troubled father-daughter relationship to an expository job interview that details the hero's past and a White House tour that fills in the history of the presidential mansion, the plot inches forward until the explosions literally begin. However, logic and plausibility also evaporate as the pace accelerates. While metal detectors screen visitors, the terrorists have an arsenal of automatic weapons already in the White House. While bullets fly and White House staff and visitors cower and flee, a young girl records everything on video for her on-line blog. Preposterous would come to mind, if the action allowed viewers to pause and think for a moment.
The cast of professionals is capable for this type of film. Headed by Channing Tatum, who sports a fetching sleeveless tunic to highlight his biceps, is the negligent father, caught in the dire White House situation with his blogger daughter. Jamie Foxx is fine as the President, while Maggie Gyllenhaal and Richard Jenkins both try to rise above the trite material, which was written by James Vanderbilt. Always fun to watch, James Woods manages to chew on the government-issue scenery in a showy role. The current resident of the White House, who claims ignorance of the 25th Amendment, should catch this film as that amendment is cited several times.
Audiences for a Roland Emmerich movie know what they want, and "White House Down" will deliver the goods for them. However, after two hours plus of mindless action, plot holes big enough to swallow a tank or a helicopter, and casual dialog between elected officials that propels the world towards Armageddon, some viewers may long for a slower paced film with a literate script and a plot based on logic. But then again, some may find Channing and his muscles more satisfying than either literacy or logic.
Clichés abound; from a troubled father-daughter relationship to an expository job interview that details the hero's past and a White House tour that fills in the history of the presidential mansion, the plot inches forward until the explosions literally begin. However, logic and plausibility also evaporate as the pace accelerates. While metal detectors screen visitors, the terrorists have an arsenal of automatic weapons already in the White House. While bullets fly and White House staff and visitors cower and flee, a young girl records everything on video for her on-line blog. Preposterous would come to mind, if the action allowed viewers to pause and think for a moment.
The cast of professionals is capable for this type of film. Headed by Channing Tatum, who sports a fetching sleeveless tunic to highlight his biceps, is the negligent father, caught in the dire White House situation with his blogger daughter. Jamie Foxx is fine as the President, while Maggie Gyllenhaal and Richard Jenkins both try to rise above the trite material, which was written by James Vanderbilt. Always fun to watch, James Woods manages to chew on the government-issue scenery in a showy role. The current resident of the White House, who claims ignorance of the 25th Amendment, should catch this film as that amendment is cited several times.
Audiences for a Roland Emmerich movie know what they want, and "White House Down" will deliver the goods for them. However, after two hours plus of mindless action, plot holes big enough to swallow a tank or a helicopter, and casual dialog between elected officials that propels the world towards Armageddon, some viewers may long for a slower paced film with a literate script and a plot based on logic. But then again, some may find Channing and his muscles more satisfying than either literacy or logic.
WHITE HOUSE DOWN is a film with myriad problems. It's directed by Roland Emmerich for once, a guy known for his less than stellar effects films like 2012 and GODZILLA, although once in a while he makes something like INDEPENDENCE DAY to make up for the bad stuff. It has some terrible CGI effects of helicopters in particular. It's a 12 certificate movie, which means that although violent it's not realistically violent. It's overlong. Channing Tatum, despite being a hot property in Hollywood, is wooden beyond belief. And, as with many Hollywood blockbusters, the writers have to shoehorn one of those annoying teenage characters into the storyline.
Despite all these flaws, I have to say I enjoyed WHITE HOUSE DOWN. It's no masterpiece, and it's not as good as the more serious OLYMPUS HAS FALLEN which came out at the same time. But it keeps your attention on it throughout, and it never fails to entertain. The various DIE HARD homages come thick and fast, and Jamie Foxx has never been so much fun as the Obama-style President who gets in on the action. The bad guys are suitably bad, James Woods acts up the screen, and there's a ton of explosive action to enjoy. You may want more, but this didn't disappoint as a light popcorn flick.
Despite all these flaws, I have to say I enjoyed WHITE HOUSE DOWN. It's no masterpiece, and it's not as good as the more serious OLYMPUS HAS FALLEN which came out at the same time. But it keeps your attention on it throughout, and it never fails to entertain. The various DIE HARD homages come thick and fast, and Jamie Foxx has never been so much fun as the Obama-style President who gets in on the action. The bad guys are suitably bad, James Woods acts up the screen, and there's a ton of explosive action to enjoy. You may want more, but this didn't disappoint as a light popcorn flick.
14 September 2013. White House Down starts with a lofty humanistic developing story that has substantive drama, but unlike its contemporary cousin Olympus Has Fallen (2013) becomes more a derivative of John McTiernan's action thriller Die Hard (1988). The result is an uneasy attempt at light humor along with a more darker plot that literally destroys a national American symbol. The plot elements in this deliberately twisting action thriller sometimes fails logic and later descends into a more chaotic and at times manipulative story.
Even with a rather ingenious double, double cross there is the over simplified demise of one of the more colorful villain, action scenes that seem to become more cluttered confusion and literally driving around in strange circles that defies believability. Even with the sincere and poignant if not manipulative scene with the daughter towards the climax of the movie, there are just too many moments where escape plans are abruptly and conveniently and contortedly altered.
While the beginning of the movie offered a polished and genuinely felt corridors of high power well folded as a solid backdrop to the humanity of the developing characters and an interesting liberal conspiracy theory embraced by the President himself, the tone of the movie becomes uneasy. Unlike Olympus Has Fallen which takes itself more thoughtfully seriously both the take over of the White House, the rebellious counter measures, and the consistent appealing emotive tone, White House Down just can't bring the same level of dry humor and entertainment as Die Hard.
Even with a rather ingenious double, double cross there is the over simplified demise of one of the more colorful villain, action scenes that seem to become more cluttered confusion and literally driving around in strange circles that defies believability. Even with the sincere and poignant if not manipulative scene with the daughter towards the climax of the movie, there are just too many moments where escape plans are abruptly and conveniently and contortedly altered.
While the beginning of the movie offered a polished and genuinely felt corridors of high power well folded as a solid backdrop to the humanity of the developing characters and an interesting liberal conspiracy theory embraced by the President himself, the tone of the movie becomes uneasy. Unlike Olympus Has Fallen which takes itself more thoughtfully seriously both the take over of the White House, the rebellious counter measures, and the consistent appealing emotive tone, White House Down just can't bring the same level of dry humor and entertainment as Die Hard.
I recently watched White House Down (2013) on Hulu. The storyline follows a Capitol police officer who wishes to become part of the President's Secret Service. His history doesn't make it likely, and he takes his daughter on a tour of the White House as part of the interview process. Of course, the President is attacked during this tour, giving the officer a chance to prove his doubters wrong.
This film is directed by Roland Emmerich (Stargate) and stars Jamie Foxx (Ray), Channing Tatum (Magic Mike), Maggie Gyllenhaal (The Dark Knight), Jason Clarke (Terminator Genisys), Joey King (Slender Man), and James Woods (Casino).
The storyline is over the top and unbelievable, but you still want to see how it unfolds. The cast is impressive on paper, and everyone delivers the performance you'd expect. James Woods is always a solid villain and easy to root against. The dialogue is well-written with some clever remarks and fun zings. The action scenes are fun, over the top, and exactly what you'd expect-essentially a poor man's Die Hard. The entire film is fairly predictable, straightforward, and everything turns out as you'd expect.
In conclusion, White House Down is a mindless, unbelievable action movie that's only worth a watch if that's exactly what you're looking for. I would score this a 5/10 and only recommend it with the appropriate expectations.
This film is directed by Roland Emmerich (Stargate) and stars Jamie Foxx (Ray), Channing Tatum (Magic Mike), Maggie Gyllenhaal (The Dark Knight), Jason Clarke (Terminator Genisys), Joey King (Slender Man), and James Woods (Casino).
The storyline is over the top and unbelievable, but you still want to see how it unfolds. The cast is impressive on paper, and everyone delivers the performance you'd expect. James Woods is always a solid villain and easy to root against. The dialogue is well-written with some clever remarks and fun zings. The action scenes are fun, over the top, and exactly what you'd expect-essentially a poor man's Die Hard. The entire film is fairly predictable, straightforward, and everything turns out as you'd expect.
In conclusion, White House Down is a mindless, unbelievable action movie that's only worth a watch if that's exactly what you're looking for. I would score this a 5/10 and only recommend it with the appropriate expectations.
Le saviez-vous
- AnecdotesApart from a couple of second unit shots of Washington DC and one scene shot in a park, all filming took place on sound stages in Montreal, Canada, with extensive blue screen techniques used to create the "world" around each set where required.
- GaffesIn the film, the president opens the passenger side window in his presidential limousine as to launch the missile launcher. In reality, the driver's window is the only one that can be opened partially. None of the windows in the passenger compartment can be opened for security and protection reasons.
- Citations
President Sawyer: Martin, as the President of the United States, this comes with the full weight, power and authority of my office. Fuck you.
- ConnexionsEdited from Abyss (1989)
- Bandes originalesSpanish Flea
Written by Julius Wechter and Cissy Wechter
Performed by Herb Alpert & The Tijuana Brass
Courtesy of Almo Properties, LLC
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La caída de la Casa Blanca
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 73 103 784 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 852 258 $US
- 30 juin 2013
- Montant brut mondial
- 205 366 737 $US
- Durée
- 2h 11min(131 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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