Teddy Bears

Teddy Bears is a thoughtful film that takes you on an emotional ride that balances humor, sorrow, love and friendship perfectly.

One reason this film works so well is because unlike so many other movies, there are no useless moments. There is no filler, no fluff. The moments are all needed to give a poignant story its well deserved voice. This is all thanks to the excellent story telling of the writer, Thomas Beatty, who also co-directed with Rebecca Fishman. In short, this is their baby and it is beautiful.

The second reason is the cast. Gillian Jacobs, Zachary Knighton, David Krumholtz, Melanie Lynskey, Ahna O'Reilly and Jason Ritter make the main ensemble. They fit perfectly together. You don't doubt that they are old friends who care and love each other and would do just about anything to help one another. It also doesn't hurt that the supporting cast includes powerhouse Ned Beatty, Dale Dickey and French Stewart.

There is only one drawback about this film. It needs to get wide distribution so I can see it again. This is one film that is well worth your time and it will be one that you will want to watch again and again. It also leaves you reflecting the "what if's" of your friends, family and loves, which in the end is what all great movies do.

OK, the three adjectives above are the first three that come to mind when thinking about describing this film. Another one is "surprising" because I was expecting a comedy. Optimum on Demand describes it as a dark comedy and lists it under comedy in its genre lists. Actually, this is not only surprising, it's horrifying, to think that anyone would categorize this film as a comedy. At least IMDb adds "drama" to it. Granted it has its comedic moments, that one might think of as "droll" or "dark humor" but overall it's a film that takes on some heavy issues, and its main character is going through some deep stuff with intense feelings, including pain and suffering. The people out there who may think how he responds to his dilemmas as humorous, well, I hope I never meet them, because I know I will hate them. Anyway, I did not hate this movie. In fact, by the end I liked it much more than I thought I would. And, I think it's worth a second viewing because it's the kind of film in which one might miss stuff the first go around.

I love The Big Ask!!!. Thomas Beatty's screenplay, his and co-director Rebecca Fishman's visual realization of it, and the performances throughout combine to make a haunting, touching, and hilariously human experience. It's about grief, courage, the crazy places loss and depression can take us, and the healing nature of friendship and love. I laughed my ass off, and then I cried. I've already watched the film twice, and can't wait to see it again. David Krumholtz gives one of the bravest performances I've ever seen. He's willing to let you almost hate him, until at the last possible moment, he redeems himself, and brought this viewer, at least, to tears. I also love that the filmmakers and actors are not afraid to play with the idea that subjects like death and sex and intimacy and, well, life are both uncomfortable, and funny as hell. The desert landscape and haunting score (also love the Deer Tick song, and final song - don't know who sings it ,but it's great) really enhance the experience. I so seldom find that a movie sticks with me, but this one did. Can't wait to see what Beatty and Fishman do next.

Heavyzine, I saw this film at the Seattle International Film Festival with an enthusiastic crowd of three hundred attendees. It is clear from your review that you haven't seen it all, and are instead using this forum to vent a very particular personal prejudice. Normally I wouldn't bother with a post like yours, they are legion on the internet, the product of disturbed, jealous, damaged people. But in this case you're attacking a really well thought, well made film. One that you would actually enjoy if you saw it. And people need to see it so we can have more like it, and so the producer and director and writer can be rewarded for their hard work. If you imagine there is a trace of misogyny in "The Big Ask." You should've been at SIFF. You could've seen the actors and actresses praise the film, and you would heard the audience go wild because we knew we'd all just discovered something really good. That's what film festivals are all about! Please, everybody reading this, support your local festivals! And Heavyzine, just go watch the damn thing. Okay? It's heartfelt, it's sensitive, it pretty sexy, and it's funny as hell. You'll like it. It's good.

Despite the outrageous premise, this film offers a nuanced portrait of grief that is disarmingly realistic. Anyone who has suffered a major loss, or struggled with depression, knows that profound grief often begets profoundly twisted thoughts. For anyone who has had the lonely and terrifying experience of watching their relationships unwind as they struggle to cope with these emotions and return to normalcy, this film will strike a chord.

That being said, this film is not as depressing as you might expect. It isn't often that a film explores such dark aspects of humanity without being a major downer, but this one really pulls it off. Because the movie is about grief and its effect on relationships, the characters' friendships are front and center. These friendships are genuine, layered, and heart-warming. One of the things I liked best about these friendships is that there is a noticeable--but not cliché or shallow--difference between the men's friendships and the women's friendships. It isn't often that a film so aptly dances back and forth between male friendships and female friendships without relying on silly or offensive stereotypes. But here is a writer who gets it.

Loved this movie!!!