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Ajouter une intrigue dans votre langueWestern frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces impossible moral choice.Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces impossible moral choice.Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces impossible moral choice.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 5 nominations au total
Dmitriy Bykovskiy-Romashov
- Yaroshevich
- (as Dmitriy Bykovskiy)
Avis à la une
"In the fog" is a movie with a complicated story about loyalty and betrayal in a Second World War resistance group.
"In the fog" loosely resembles "Rashomon" (1950, Akira Kurosawa), with the emphasis on loosely. In "Rashomon" there are various alternative versions of the truth. The conclusion is that perhaps such a thing as the single ultimate truth does not exist. In "In the fog" there is an ultimate truth, but in reality the way thinks look like is often far more important and influential than the way things really are.
Belarus is not a country with a real film tradition, and I am always interested in films from such "forgotten" (in the sense of film history) areas. Sometimes is is not a single director who attracts attention, but a whole new wave of promising directors. Take for example Romania where in a few years directors such as Cristi Puiu ("The death of Mr Lazarescu", 2005), Corneliu Porumboiu ("12:08 East of Buchares", 2006) and last but not least Cristian Mungiu ("Four month, three weeks and two days", 2007) scored a big hit in the Western art house cinema's. By the way Oleg Mutu, the cinematographer of Cristian Mungiu, also shot "In the fog".
However, director Sergey Loznitsa did not start a Belorussian new wave. He made documentaries before "In the fog", and he continued making documentaries after it. One exception is the movie "Donbass" from 2018. This film is situated in the east of the Ukraine and shows the influence of fake news on society in the post thruth era. In this respect "Donbass" further elaborates on the themes already visible in "In the fog".
"In the fog" loosely resembles "Rashomon" (1950, Akira Kurosawa), with the emphasis on loosely. In "Rashomon" there are various alternative versions of the truth. The conclusion is that perhaps such a thing as the single ultimate truth does not exist. In "In the fog" there is an ultimate truth, but in reality the way thinks look like is often far more important and influential than the way things really are.
Belarus is not a country with a real film tradition, and I am always interested in films from such "forgotten" (in the sense of film history) areas. Sometimes is is not a single director who attracts attention, but a whole new wave of promising directors. Take for example Romania where in a few years directors such as Cristi Puiu ("The death of Mr Lazarescu", 2005), Corneliu Porumboiu ("12:08 East of Buchares", 2006) and last but not least Cristian Mungiu ("Four month, three weeks and two days", 2007) scored a big hit in the Western art house cinema's. By the way Oleg Mutu, the cinematographer of Cristian Mungiu, also shot "In the fog".
However, director Sergey Loznitsa did not start a Belorussian new wave. He made documentaries before "In the fog", and he continued making documentaries after it. One exception is the movie "Donbass" from 2018. This film is situated in the east of the Ukraine and shows the influence of fake news on society in the post thruth era. In this respect "Donbass" further elaborates on the themes already visible in "In the fog".
dark, slow, cold. slice from recent history. more than a movie, a reflection support. because it is not the story of a character but the story of a generation. it is not only a film who reminds Stalker by Tarkovsky but tool for discover a side of every day reality. a film about choices and profound cruelty. about the thin line between justice and errors. and about the real purpose of a life. a film who is not easy to see. because it seems be boring and cold and neutral and to simple or too confuse. in fact, it is a testimony. far by American blockbusters, using the old Russian cinema marks. a honest movie. that is all. simple, direct,cold, slow, dark, page from recent history.
10xaggurat
I watched In the Fog this June in Midnight Sun Film Festival in Sodankylä, Finland, with other four films by Sergei Losnitza which were presented there. While I really liked all the films I saw, this is the one which touched me the most.
The director Losnitza has stripped the story from everything that's not essential to show the tension and hopelessness of the situation the main character is in. Vladimir Svirskiy's acting is excellent and perfectly delivers Sushenya's a sort of fatalistic understanding of the gravity of his situation, as he has been made an unwilling pawn in a wartime plot of the occupiers. He has no friends, no place in the world, no direction except to follow his executioners, who then will become his closest confidants.
The director Losnitza has stripped the story from everything that's not essential to show the tension and hopelessness of the situation the main character is in. Vladimir Svirskiy's acting is excellent and perfectly delivers Sushenya's a sort of fatalistic understanding of the gravity of his situation, as he has been made an unwilling pawn in a wartime plot of the occupiers. He has no friends, no place in the world, no direction except to follow his executioners, who then will become his closest confidants.
In Bangladesh 🇧🇩 we don't have much choices to watch foreign language movies except Hollywood. In the Netflix era now we are able to watch few movies making around the world.
I find this in yts site. And I must thank the person who uploaded it.
Excellent story and good acting.
Thanks.
I find this in yts site. And I must thank the person who uploaded it.
Excellent story and good acting.
Thanks.
In the Fog depicts the decisions that people are forced to make during times of conflict where they are no longer masters of their own fate, but victims of circumstances beyond their control.
Suchenya, the main protagonist, is confronted with choices that no one will ever want to make but, along with other characters in the film, is forced to make them. The story is not so much the consequences of those decisions that determine the characters' fate but the unexpected events that unfold as a result of those decisions.
This is an slow moving but thoughtful film about impossible choices some of us are forced to make that profoundly shape our futures.
The scene where Suchenya's interrogator waves to him would have to be one of the cruelest waves ever seen in a movie.
Suchenya, the main protagonist, is confronted with choices that no one will ever want to make but, along with other characters in the film, is forced to make them. The story is not so much the consequences of those decisions that determine the characters' fate but the unexpected events that unfold as a result of those decisions.
This is an slow moving but thoughtful film about impossible choices some of us are forced to make that profoundly shape our futures.
The scene where Suchenya's interrogator waves to him would have to be one of the cruelest waves ever seen in a movie.
Le saviez-vous
- ConnexionsReferenced in Vecherniy Urgant: Aleksandr Kerzhakov/Yuliya Peresild/Matt Doran (2012)
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- How long is In the Fog?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- In the Fog
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 11 894 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 327 $US
- 16 juin 2013
- Montant brut mondial
- 194 594 $US
- Durée
- 2h 7min(127 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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