The Machine

When a scientist is killed, Britain's Ministry of Defence clash with a lead scientist over plans for an artificially intelligent, self-aware and conscious android.

Inventive, visually interesting science fiction, packed with an array of sci-fi ideas. With an wealth of unapologetic camera light flare and well executed effects Caradog W. James The Machine delivers a thinking man's sci-fi with action thrown in for good measure. Computer scientists Caity Lotz and Toby Stephens give good innings with Lotz stealing the show in a dual role.

With echoes of Vangelis and Jean Michel Jarre, Tom Raybould's score helps smooth over any flaws of the film. In addition, making up for some clunky paced and staged scenes is the design of The Machine with her stylised look and robotic soft voice which will stick in the mind long after the credits.

With some great special effects and some strong performances this is solid entry in modern British sci-fi. James delivers a brooding, stylish and highly atmospheric science fiction. Recommended.

This movie is relatively good and it touches all the right buttons and themes when it comes to the impending singularity, but brings little original. It is decently done, is watchable, and has a nice atmosphere and is relatively intelligent. Its budget is surprisingly low - standing at only 1.5 million, ten times less than an already low budget Ex Machina, which was released a year later independently, and has some similarities (and is a slightly better movie overall). Though the movie is relatively strong, it does not bring anything really new, but all the pieces are brought together in a way not done before in this plausible way. Some of the references do feel pretty corny (HAL shutdown in particular), and there is something of Terminator, some Blade Runner, and similarities to some other movies. However, the story is decently underplayed (unlike over the top movies like somewhat prone to hysteric outbursts like Transcendence), and despite of it being a straightforward, direct take on the usual themes (consciousness, freedom etc.), it still makes a pretty good, understated sci-fi noir movie, well worth a watch if you are into these kinds of things. Acting, atmosphere and writing are all well done.

I thought this film was beautiful - the use of special effects were stunning and were utilised in a clever way that added to the atmosphere rather than overshadowing the plot.

The Machine is an interesting, dark sci-fi that focuses on character and mood rather than flashy guns and action scenes. I heard it described as a kind of prequel to Bladerunner, and agree this could be true. It has a good script with unexpected plot turns and no excessive dialogue. The delicacy it deals with with issues of loss and mourning was great.

It is a new take on the classic Frankenstein story, is beautifully shot, and was an entertaining film to watch at Tribeca this year.

A.I. usually comes in four standard flavors:

1.) The program that resides in a singular non-robotic machine or device such as HAL in Space Odyssey.

2.) The ubiquitous program that infiltrates every computer related device on a network such as Skynet or the Matrix.

3.) The A.I. that inhabits a robot that is obviously a machine like Johnny 5 in Short Circuit or Chappie.

4.) The A.I. that inhabits an android type body of which is virtually indistinguishable from a human like D.A.R.Y.L., David from A.I., or the androids in Blade Runner.

The Machine is of the fourth type. The vessel was a very attractive female that was patterned after her creator, Ava (Caity Lotz). She was just robotic enough in her movements, gestures and speech to know she wasn't real, but still human enough to question your feelings about her.

This movie was dark, both literally and figuratively. I don't think there was any sun shown until the very end. The Machine (meaning the movie because the android was simply called Machine as well) had a mysterious element to it as is usually the case when governments are involved. The government wanted a weapon and Dr. Vincent McCarthy, the lead scientist for the government project, wanted something entirely different. The two parties clash in a violent way.

This is not one of my favorite A.I. movies but it is done pretty well. They never introduced a truly unique perspective on the topic so it didn't move the scales much. The acting was passable as were the special effects so I'd say the movie was between OK and good, leaning more towards good.

I just wanted to say to anyone that was thinking... hmmm... is it worth spending the 90 min to watch, I would say, Yes. It was actually better than I thought it would be. So many movies now a days are just simply painful, it is no wonder they are remaking every thing in sight. Can't Hollywood come up with something original. I mean are vampires and zombies the only thing you can come up with???

This movie make me think of the movie - Her. Not only is it similar in subject matter, it also has some shared weaknesses.

However, while both of these movies have there problems, some plot holes and such, they also have some good things as well. They have surprises, they have some unexpected, they have some good camera work and especially this one has some good special effects.

These two also have something in common that most robot movies do not have. But, if I told you what it was, it may spoil the movies.