La Belle et la Bête

I don't want to get you bored with long texts. My personal opinion is that 2 very good actors (Bella and Cassel) are wasted in a film with slow and uninteresting plot.

The same thing goes for the director. The special effects are great, the backgrounds and the places are awesome but it's just that.

PS. I saw it with French audio + subtitles so I may have missed a lot of important details. Sorry about that.

Greetings again from the darkness. If you are looking for dancing tea cups or singing candelabras, you've come to the wrong movie. If you are looking for the Gothic approach to the dark psychological analysis of the original story … again, you've come to the wrong movie. Director Christophe Gans (Silent Hill, 2006) offers up a version that is neither animated Disney (1991) nor Jean Cocteau (1946), though his film does have a visual flair that will likely keep audiences (it's not for very young kids) engaged throughout.

The familiar story was first written by Gabrielle-Suzanne Barbot de Villenueve in 1740, however, it's the revised version from Jeanne-Marie Leprince de Beaumont in 1756 that provides the fairy tale/fable that has been filmed so many times since. The story's genealogy based in France instills a bit more hope and responsibility in a project starring Vincent Cassel, Lea Seydoux and Andre Dussolier, and directed by the Frenchman Gans.

Ms. Seydoux is an admirable Belle, and her grace and beauty make for quite the contrast to her needy and entitled sisters. Her time in the castle with the Beast is limited, and therein is the film's biggest weakness. We never really see the transformation of the Beast to a man who repents, turns over a new leaf, and is worthy of love … it all just kind of happens thanks to the beautiful dresses. Mr. Gans and Sandra Vo-Anh co-wrote the script, and this misstep deflates the core of the story. We are on our own to interpret the messages of class warfare, greed, and judging others by looks. The focus instead is on the visual presentation, which at times is spectacular.

The set design and costumes are especially impressive and elaborate, and though the look of the Beast may not be precisely to your imagination, the film isn't shy about putting him front and center with the camera. Vincent Cassel's time as the Prince is pretty well done, and the CGI and explanation of the gold doe, nymph of the forest, magic healing water, pack of beagles and the curse are enough to move the story along … even if some details are lacking.

A bedtime story being read to two young kids is the framing device and might explain why the fantasy world is emphasized over the dark psychological undertones (more prevalent in the Cocteau version). While some might view the ending as somewhat mawkish, it's really nice to see happily-ever-after is not twisted into some contemporary take on independence.

La Belle et la Bête is such a beautiful movie with high production values that it could pass for one of these recent Hollywood blockbusters picking up all those old fairy tales and turning them into live-action movies, but in fact it's a high-end French movie, so unfortunately not as many people will get to see it. Which is a shame, because it really is candy for the eyes.

Although a good chunk of the movie is CGI, it really doesn't look like it, and most of the sets look real (unlike 'Maleficient', which also had beautiful imagery, but looked somewhat fake). The Beast's castle and surrounding gardens look magical, and the style reminded me a lot of 'Labyrinth'. The castle's interior decoration is so mesmerizing that it just makes you want to jump into the movie and explore it along with Belle. The music is also one of the movie's strong points, with melodies that really match the movie's beauty.

Unfortunately, as beautiful and magical the movie looks and sounds, it feels quite empty. The story is a lot closer to the original tale than the Disney version, with a darker tone, but the love story was put aside in favor of showing the movie's aesthetics. Although the movie slightly dwells into Belle's life and the Beast's past, neither character really feels developed, making it unbelievable that they would fall in love.

The movie strongly feels like a scene of connection is missing; one minute they're fighting, the next they're kissing, with absolutely no logic to their love story. Their love is never shown; you as the viewer don't see how they fall in love. A little extra 10 minutes to show their relation would have made all the difference. As it is, it makes no sense these two characters would be together. The Disney version did a better job at showing this.

Nonetheless, the movie is still worth a watch for the beautiful visuals if you like the original story; it goes deeper into certain aspects of it, but sadly the love story was lost somewhere along the way. Too bad, because this could have been better than anything Hollywood could have brought us, if only they had put a little more effort into building the two main characters.

This is an almost perfect version of this well known story but my problem is that we do not feel the growing love of Belle for the beast too much. She's seeing in dreams who was the beast before, so we understand she can fall in love for who he was, but not too much for who he really is. If that makes sens. But all in all it's a very well made movie for all the family. The tone is a bit dark for little kids but always beautiful, as it's usually the case with Gans's movies. The use of CGI is obvious on the creatures, but it's done with good taste, IMO. It's a shame gans does not make more movies, I love his style. It's just that, after all this time waiting for a new movie of him, I wanted a little more substance.

La Belle et la Bete has all the whimsical magic and fantasy of a captivating fairy tale but with the humanity of a feature adaptation.

There is just something about these fables that have the ability to touch the audience's heart. La Belle et la Bete (Beauty and the Beast) brings the French fairy tale to life in an equally as wondrous but more realistic manner than the Disney classic.

American audiences will recognize the story without confusion as only minor changes are made with Christophe Gans's adaptation. A once prestigious and wealthy sea merchant (André Dussollier) is left disgraced and penniless when his three cargo ships go missing. With everything confiscated by the banks to compensate for his debts, the newly destitute family retreats to the provincial countryside. The merchant and father becomes lost when returning from a trip to the city. Seeking refuge, he finds shelter in a mysterious but magical castle. Overstepping the castle's generosity, the father must trade une vie pour une rose, a life for a rose.

The French film La Belle et la Bete is what I had so desperately desired but failed to receive from Disney's Maleficent. Though it does not attempt to reinvent the tale from an alternative perspective, La Belle et la Bete does give audiences a refreshingly real story rather than a romanticized but far fetched fable.

In every scene and with every single frame, director Christophe Gans captures the magical and otherworldly awe inherent in a fairy tale. The castle's fortress is a maze of crumbling corridors and overgrown staircases that we explore with Belle during the day. From the set design and landscapes to the opulent costumes and cinematography, La Belle et la Bete transports its audiences to a magnificent and enchanting fantasy land.

In almost all regards, La Belle et la Bete is an overwhelming success but there are weaknesses in the narrative and film. The CGI is vastly inferior to the rest of the environment of the film and is a distraction. The writers and director do not take the added time to truly cultivate a love story between Belle (Léa Seydoux) and la Bete (Vincent Cassel). For a film that claims its genre to be romance, this is rather a large component and therefore complaint. Further the introduction of the Gaston character and eventual climax at the castle feels rushed and slightly out of place.

La Belle et la Bete is a spectacular cinematic experience that should be voraciously devoured by lovers of the fantastical, especially children. (Though there is nudity, it is minimal, tasteful, unavoidable and completely nonsexual.)

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