L'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante éva... Tout lireL'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante évasion.L'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante évasion.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 18 nominations au total
Avis à la une
'Alien' is still to this day a tense, shocking suspenseful and frightening masterpiece, one of my favourites of the genre. The bigger and bolder 'Aliens' is one of those rare sequels that is every bit as good as its predecessor. Both are two of my favourite films and the character of Ripley is one of the most iconic female characters in film. 'Alien 3' and 'Resurrection' had their issues but to me weren't that bad, while 'Prometheus' had some fine elements while also some major flaws.
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
The mix of AI, alien and human were good. I didn't expect to see this kind of movie so soon. The AI is the center of the film, encapsulated in the Alien world.
I don't need to see extraterrestrial life to be amazed beyond my comprehension, the humans are enough to me. The creation of AI will add more uncertainty, or chaos, in the future and this movie made me wonder not whether, but when the AI will be the creator.
I was reluctant to see the movie because of the rate in the IMDB, but I'm a strange creature and I like movies that a lot of people don't like.
I did not give 10 stars because of the prediction of some scenes and the clear lack of security protocol that I didn't expect to see from humans of the future.
I don't need to see extraterrestrial life to be amazed beyond my comprehension, the humans are enough to me. The creation of AI will add more uncertainty, or chaos, in the future and this movie made me wonder not whether, but when the AI will be the creator.
I was reluctant to see the movie because of the rate in the IMDB, but I'm a strange creature and I like movies that a lot of people don't like.
I did not give 10 stars because of the prediction of some scenes and the clear lack of security protocol that I didn't expect to see from humans of the future.
The alien movies over the years have mutated manifold from straight up horror to a full on war/action flick then to a mixed backstory starting in alien 3 which was interesting but a massive failure. Prometheus visually stunning as it was was let down by an awful script an dialog in particular.
Where do we come from? Why are we here? Themes from Prometheus continue in the very first 5 minutes before the credits have even rolled. It continues to beat you over the head with its backstory which, for me makes no sense whatsoever. Some of the dialog references other master horror works such as Frankenstein but does so in a way that it's up its own arse. Forgetting what alien actually was in the first place, a coincidence that was never about back story. Characters explain the plot in basil exposition speaking like no one ever would - speaking their thoughts at every opportunity - yes we get it, it treats the audience poorly.
What I did like was the scene shown much in the trailer, a character trapped in concealed room as something happens to her colleague. It was a longer scene that was tense and exciting and I oh so wish the rest of the movie could have come close. In a strange way alien covenant takes iconic moments from the franchise and tacks them on here but makes me wish I was watching alien or aliens instead. It's technically good as always Ridley Scott is a visionary filmmaker, but is unable to turn a weak script into a good film.
Alien:covenant gets locked up in its own self importance while forgetting why we loved alien in the first place. I really wanted to like it but came a way with a huge sense of disappointment.
Where do we come from? Why are we here? Themes from Prometheus continue in the very first 5 minutes before the credits have even rolled. It continues to beat you over the head with its backstory which, for me makes no sense whatsoever. Some of the dialog references other master horror works such as Frankenstein but does so in a way that it's up its own arse. Forgetting what alien actually was in the first place, a coincidence that was never about back story. Characters explain the plot in basil exposition speaking like no one ever would - speaking their thoughts at every opportunity - yes we get it, it treats the audience poorly.
What I did like was the scene shown much in the trailer, a character trapped in concealed room as something happens to her colleague. It was a longer scene that was tense and exciting and I oh so wish the rest of the movie could have come close. In a strange way alien covenant takes iconic moments from the franchise and tacks them on here but makes me wish I was watching alien or aliens instead. It's technically good as always Ridley Scott is a visionary filmmaker, but is unable to turn a weak script into a good film.
Alien:covenant gets locked up in its own self importance while forgetting why we loved alien in the first place. I really wanted to like it but came a way with a huge sense of disappointment.
Alien: Covenant (2017)
** (out of 4)
Sequel to PROMETHEUS and a connection to the ALIEN series, this sci-fi film has a spaceship trying to locate a planet so that the human race can continue. The crew are planning on building a colony but they notice a much closer planet that can hold life. They decide to head there to see what's on it and soon the horror starts.
To put it mildly, ALIEN: COVENANT is a major disappointment. It seems a lot of fans were unhappy with PROMETHEUS because it was more of a thinking man's movie and less of a action/horror/sci-fi film. It seems that this film was in trouble from the start because you have to wonder if there was some sort of debate before hand on what should be done with it. PROMETHEUS was a terrific movie that made you think about a lot of things but sadly this sequel doesn't do that. Instead, it almost seems as the filmmakers were forced to answer a few questions about PROMETHEUS and then they wanted to throw in the action of an ALIEN sequel.
What really shocked me about this movie is the fact that it almost put me to sleep several times. I'm not going to say that the film is a cure for insomnia but at the same time it's deadly slow at times even though there's usually something always going on. As I said, the screenplay doesn't seem to know what the film should do and the majority of the running time is just downright boring. The film starts off with a tragedy yet it's hard to have any emotions for the characters because we're just getting to know them. Another problem is the fact that the characters are all rather bland with the exception of Michael Fassbender's two-part role.
As I said, I thought the characters were rather boring and I'd argue that not many of the performances are all that memorable. Perhaps a longer director's cut will eventually show up but there's really not too much here. Fassbender delivers a fine performance but I can't say I was impressed with the rest of the cast. On a technical level Ridley Scott is a visual genius so all of that stuff looks great. There's some extremely gory scenes of violence, which are very good but the film is just way too uneven to work.
It's like part of the movie wanted to be another thinking man's movie but there's another part that wanted to be a bloody action film. It just doesn't work in the end.
** (out of 4)
Sequel to PROMETHEUS and a connection to the ALIEN series, this sci-fi film has a spaceship trying to locate a planet so that the human race can continue. The crew are planning on building a colony but they notice a much closer planet that can hold life. They decide to head there to see what's on it and soon the horror starts.
To put it mildly, ALIEN: COVENANT is a major disappointment. It seems a lot of fans were unhappy with PROMETHEUS because it was more of a thinking man's movie and less of a action/horror/sci-fi film. It seems that this film was in trouble from the start because you have to wonder if there was some sort of debate before hand on what should be done with it. PROMETHEUS was a terrific movie that made you think about a lot of things but sadly this sequel doesn't do that. Instead, it almost seems as the filmmakers were forced to answer a few questions about PROMETHEUS and then they wanted to throw in the action of an ALIEN sequel.
What really shocked me about this movie is the fact that it almost put me to sleep several times. I'm not going to say that the film is a cure for insomnia but at the same time it's deadly slow at times even though there's usually something always going on. As I said, the screenplay doesn't seem to know what the film should do and the majority of the running time is just downright boring. The film starts off with a tragedy yet it's hard to have any emotions for the characters because we're just getting to know them. Another problem is the fact that the characters are all rather bland with the exception of Michael Fassbender's two-part role.
As I said, I thought the characters were rather boring and I'd argue that not many of the performances are all that memorable. Perhaps a longer director's cut will eventually show up but there's really not too much here. Fassbender delivers a fine performance but I can't say I was impressed with the rest of the cast. On a technical level Ridley Scott is a visual genius so all of that stuff looks great. There's some extremely gory scenes of violence, which are very good but the film is just way too uneven to work.
It's like part of the movie wanted to be another thinking man's movie but there's another part that wanted to be a bloody action film. It just doesn't work in the end.
I don't know if I'm the only person to say this, but I think a horror movie works better if we see some intelligence in the script and in the characters' attitudes, and if the main antagonist is mysterious and able to surprise us. I liked "Prometheus", a film better than expected, albeit with a confusing script. This film establishes a clearer, more palpable link between that film and the "Alien" franchise. The script accompanies the "Covenant", a colony ship filled with people in hypersleep. The ship receives a mysterious signal from a planet that, by all indications, has excellent conditions for life, but quickly realizes that it has stumbled on a place where it should never have landed. After seeing the film, I had the feeling that we were looking at a very solid work that only lost when compared to the original franchise. Perhaps the best way to be fair is really to avoid this comparative exercise, which is seductive and almost impossible not to do.
Shall we start with the good things? Very good! The film is a sight for sore eyes, especially for sci-fi fans and for those who like very visual films with high doses of special effects, CGI or extraordinarily detailed scenarios. There is no doubt that the budget had a generous slice set aside for computer technicians, art and costume designers and cinematography, and this investment has paid off handsomely. Everything is accompanied by an excellent soundtrack and good sound effects. And of course, there are lots of tense scenes. It is one of those films where the tension is permanent, but which never really scares us.
Sadly, that's basically all this movie has to offer us. Fans of the Alien franchise will ensure that the film clarifies several gray points in the narrative of other films, such as "Prometheus", and I agree with this argument, but this does not seem to me to be something that we should overestimate, because it really was the least that could be done. Demanded from this film! At the script level, it is frankly disappointing: in addition to being lazy, making the most of what was done for the other films with which it is linked, it adds few new things. Yes, it creates some new creatures, "cousins" of the original xenomorph, but that's all. The human or semi-human characters are silly, devoid of development and seem to be waiting to be killed.
The film starts out great, but becomes slow and tiresome as it becomes predictable. I have a high regard for Ridley Scott's work, I think he's a very skilled and credited director, but it's hard not to acknowledge that he failed here. The director was dazzled by the amount of CGI potential and neglected the narrative, editing and direction of the actors. Among the actors, Michael Fassbender stands out the most. The actor has given us one of his best works so far. Katherine Waterston also did a very good job. The rest of the cast doesn't have the time or material to do anything special.
Shall we start with the good things? Very good! The film is a sight for sore eyes, especially for sci-fi fans and for those who like very visual films with high doses of special effects, CGI or extraordinarily detailed scenarios. There is no doubt that the budget had a generous slice set aside for computer technicians, art and costume designers and cinematography, and this investment has paid off handsomely. Everything is accompanied by an excellent soundtrack and good sound effects. And of course, there are lots of tense scenes. It is one of those films where the tension is permanent, but which never really scares us.
Sadly, that's basically all this movie has to offer us. Fans of the Alien franchise will ensure that the film clarifies several gray points in the narrative of other films, such as "Prometheus", and I agree with this argument, but this does not seem to me to be something that we should overestimate, because it really was the least that could be done. Demanded from this film! At the script level, it is frankly disappointing: in addition to being lazy, making the most of what was done for the other films with which it is linked, it adds few new things. Yes, it creates some new creatures, "cousins" of the original xenomorph, but that's all. The human or semi-human characters are silly, devoid of development and seem to be waiting to be killed.
The film starts out great, but becomes slow and tiresome as it becomes predictable. I have a high regard for Ridley Scott's work, I think he's a very skilled and credited director, but it's hard not to acknowledge that he failed here. The director was dazzled by the amount of CGI potential and neglected the narrative, editing and direction of the actors. Among the actors, Michael Fassbender stands out the most. The actor has given us one of his best works so far. Katherine Waterston also did a very good job. The rest of the cast doesn't have the time or material to do anything special.
Le saviez-vous
- AnecdotesOn November 27, 2015, Sir Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original Alien, le 8ème passager (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- GaffesDuring the opening act, the Covenant is damaged by a shockwave after Mother detects a "neutrino storm". Neutrinos are nearly massless particles which so rarely interact with other material that they commonly pass though the entire Earth without ever causing a reaction. They could not damage the ship as portrayed in the film. However, the ship wasn't damaged by a neutrino storm at all, but by (as the crew puts it) a "highly charged shockwave from a stellar ignition" (e.g. a supernova) and/or a "spontaneous stellar flare". A neutrino burst is merely something that occurs during a stellar ignition event but is not the cause of the event or any resulting shockwaves from it.
- Crédits fousThe 20th Century Fox logo is in a shade of dark blue-gray.
- Versions alternativesChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- ConnexionsEdited into Alien: Covenant - Advent (2017)
- Bandes originalesTheme from Alien
Composed by Jerry Goldsmith
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Prometheus 2
- Lieux de tournage
- Milford Sound, Fiordland National Park, Southland, Nouvelle-Zélande(spacecraft landing site)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 97 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 74 262 031 $US
- Week-end de sortie aux États-Unis et au Canada
- 36 160 621 $US
- 21 mai 2017
- Montant brut mondial
- 240 892 187 $US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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