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We Are What We Are

  • 2013
  • R
  • 1h 45min
NOTE IMDb
5,9/10
23 k
MA NOTE
Bill Sage, Ambyr Childers, and Julia Garner in We Are What We Are (2013)
Behind closed doors, the seemingly whole Parker family is ruled by a patriarch determined to keep his ancestral customs intact. As a torrential rainstorm hits their town, authorities begin to uncover clues that bring them closer to the secret that the Parkers have held closely for years.
Lire trailer2:31
11 Videos
31 photos
Horreur folkloriqueHorreur surnaturelleDrameHorreurThriller

Ajouter une intrigue dans votre langueThe Parkers, a reclusive family who follow ancient customs, find their secret existence threatened as a torrential downpour moves into their area, forcing daughters Iris and Rose to assume r... Tout lireThe Parkers, a reclusive family who follow ancient customs, find their secret existence threatened as a torrential downpour moves into their area, forcing daughters Iris and Rose to assume responsibilities beyond those of a typical family.The Parkers, a reclusive family who follow ancient customs, find their secret existence threatened as a torrential downpour moves into their area, forcing daughters Iris and Rose to assume responsibilities beyond those of a typical family.

  • Réalisation
    • Jim Mickle
  • Scénario
    • Nick Damici
    • Jim Mickle
    • Jorge Michel Grau
  • Casting principal
    • Bill Sage
    • Ambyr Childers
    • Julia Garner
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    23 k
    MA NOTE
    • Réalisation
      • Jim Mickle
    • Scénario
      • Nick Damici
      • Jim Mickle
      • Jorge Michel Grau
    • Casting principal
      • Bill Sage
      • Ambyr Childers
      • Julia Garner
    • 112avis d'utilisateurs
    • 175avis des critiques
    • 71Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 11 nominations au total

    Vidéos11

    Theatrical Trailer
    Trailer 2:31
    Theatrical Trailer
    We Are What We Are
    Clip 0:49
    We Are What We Are
    We Are What We Are
    Clip 0:49
    We Are What We Are
    We Are What We Are
    Clip 1:03
    We Are What We Are
    We Are What We Are
    Clip 0:58
    We Are What We Are
    We Are What We Are
    Clip 1:09
    We Are What We Are
    We Are What We Are: Clutching At Straws
    Clip 1:29
    We Are What We Are: Clutching At Straws

    Photos31

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 27
    Voir l'affiche

    Rôles principaux30

    Modifier
    Bill Sage
    Bill Sage
    • Frank Parker
    Ambyr Childers
    Ambyr Childers
    • Iris Parker
    Julia Garner
    Julia Garner
    • Rose Parker
    Wyatt Russell
    Wyatt Russell
    • Deputy Anders
    Kassie Wesley DePaiva
    Kassie Wesley DePaiva
    • Emma Parker
    • (as Kassie DePaiva)
    Laurent Rejto
    Laurent Rejto
    • Hardware Clerk
    Jack Gore
    Jack Gore
    • Rory Parker
    Kelly McGillis
    Kelly McGillis
    • Marge
    Michael Parks
    Michael Parks
    • Doc Barrow
    Annemarie Lawless
    Annemarie Lawless
    • Arlene Stratton
    Traci Hovel
    Traci Hovel
    • Mrs. Kimble
    Nat DeWolf
    Nat DeWolf
    • Mr. Kimble
    Nick Damici
    Nick Damici
    • Sheriff Meeks
    Vonia Arslanian
    • Emily Meeks
    Larry Fessenden
    Larry Fessenden
    • Bearded Tenant
    Odeya Rush
    Odeya Rush
    • Alyce Parker
    Joel Nagle
    Joel Nagle
    • Mathias Parker
    Reagan Leonard
    • Alyce's Mother
    • Réalisation
      • Jim Mickle
    • Scénario
      • Nick Damici
      • Jim Mickle
      • Jorge Michel Grau
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs112

    5,922.7K
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    Avis à la une

    7deloudelouvain

    Very enjoyable movie, didn't get bored for a sec

    I would not call it a horror movie even if there were some bloody parts but it was for sure a good movie. Starting slow and building the suspense up every minute. I really enjoyed watching this movie. I guess they put it in the horror genre because some people might get offended by the story but I wasn't at all shocked. I'm pretty sure there must be sicko's like this in our miserable rotten world. If you want to watch a nice thriller with a good plot then you must for sure watch this movie. You won't regret it. Very underrated movie to me when I see the score he only gets. Compared to some really bad movies that still get like 4 stars it goes beyond my comprehension that this one doesn't even get 6 stars. Well I guess that it's every man to his taste.
    8FilmMuscle

    We Are What We Are for Good or Bad

    A film with such a visible title is surely hinting at the potential themes of the film, right? Well, popularly so, that seems to not be enough for the majority as they're seeking unusually complex films that are basically only made to reach that one significant message to the audience. In my honest opinion, not every film has to blatantly and pretentiously boast its themes and message in order to be considered a masterpiece or, at least, a great film. Upon entering a film, I expect it to entertain and immerse me in a memorable story, coupled with all the effective elements to make it so. If you're commencing this film with that mindset, you're almost guaranteed to have a much better experience. This motion picture tells a remarkable and compelling story about an isolated family who vastly differentiate from the normal citizens- a father and his two daughters and son- suddenly mourning the death of their mother/wife.

    The film does noticeably carry along at a slow pace in its first half as the moviegoer adjusts to the environment and carefully observes this rural atmosphere and its wildly strange inhabitants. Once you familiarize yourself with the family's habits as their backstory unravels, the film begins to kick in. In defense to the flak the film's been receiving from critics who're essentially panning its sluggish pace, I'm forced to question why Terrence Malick's films (the earlier works, especially) are met with such unanimous applause because they perfectly replicate what it means to be excruciatingly slow-paced. With this unfolding plot, the pace eventually picks up in its latter half (unlike Malick's persistence in meddling pace), and we're ultimately greeted, for lack of a better term, with a remarkably tense ending, which serves as a pinnacle in conclusions. Although the film is frankly plagued by an element of predictability due to the way some scenes are shot, an edge of unpredictability is highly prevalent throughout the finale. The crowd encounters several twists and turns along the way until all has been exposed and the conflict hits its marvelous peak. Basically, this is one of those movies that are definitely redeemed by the exceptional manner in which the story wraps up.

    By the way, this is, at the end of the day, a horror film in essence, and I greatly appreciated the film's preference of storytelling rather than the mindless path of excessive gore and pointless violence, that which infests the horrendous contemporary horror flicks. Admittedly, I found myself losing interest in the film's events and ensuing mystery until it finally reaches that sweet spot halfway through the story (as previously mentioned). In addition, it's superbly acted with the whole cast terrifically fitting into their roles and the father perfectly conveying that look of menace, intimidating everyone around him with a low-pitched, frightening voice and a werewolf-like, unshaven face. However, I'll have to mention just how irritated I was by the amount of mumbling that was occurring during the beginning. It was extremely difficult to grasp a single word out of their mouths, and I can't possibly stress just how much I hate actors' decisions to mumble. Understandably, they're often found in miserable positions. Regardless, without subtitles, you're left to struggle with understanding as the tale progresses.

    Furthermore, the cinematography is undeniably beautiful at times and then, it also serves well when it comes to telling the story with that hint of tension and suspense (the primary goal of a cinematographer, in the first place, before going for fancier shots), complementary to the mise-en-scène as well. The director's consistent use of rack focusing undoubtedly contributes to the outstanding execution of some specific scenes, especially the grand finale. In the end, the film isn't fascinatingly complex or considerably intelligent, but it absolutely works in terms of plot, camera-work, and performances. Though the music disappointedly isn't striking and feels fairly bland and generic (removing potentially greater suspense and eeriness from the final product), We Are What We Are will likely stick in your mind due to the completely unexpected and pulsating intensity that erupts as it nears the finish mark.
    5grmfpharma

    Poor ending

    Good narrative until the five final minutes... poor ending... it was disappointing.
    9Siebert_Tenseven

    Not A Creepy Shock Thriller

    I went to this film not knowing a thing about it. It really made a difference in the way that it was perceived because I didn't expect a thing. I didn't know if I would see something about an inventor, or a heist, or a love triangle... I had no idea.

    This film captures the mood of an area of Upstate New York known as Delaware County. If you visit there, you get a feeling that people 'round them parts keep to themselves and don't care for telling anyone from outside what it's like.

    In many ways this is not a creepy film with tension building again and again along with sudden "Boo! Scared Ya!" moments. That kind of stuff gets old quickly anyway. The strength of this film is in its professionalism. It's like everyone is trying to rise above the dreaded B level.

    At the beginning of the film there are thunderstorms and floods that portend the rumblings of something unusual going on, and throughout there are beautifully photographed scenes showing the drenched landscape and lush vegetation of late spring.

    The acting is excellent, most likely because the actors were provided with something that is rare in many films these days - a great script. Along with the mesmerizing musical score you are brought along at an even pace, mystified by the strange occurrences and behaviors.

    By the end of the film, which builds to significant tension, you realize something more terrifying than you would have thought, with a horrifying twist, and a final country tune that might give you chills.
    5Howling_at_the_Moon_Reviews

    A solid "meh, alright, cool"

    Not terrible, not amazing... but I was entertained. The pacing was a bit off and I feel like if they had really thrown it into "thriller" it would have been a bit more engaging. The two lead girls did a great job. Would recommend.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Based on the screenplay "Somos Lo Que Hay" by Jorge Michel Grau.
    • Gaffes
      The dungeon door's window bars were removed each time the camera looked through it. Four wide vertical bars were visible in approach and open door shots.
    • Citations

      Marge: I heard somebody down in the shed earlier.

      Iris Parker: It must've been Daddy. He's the only one allowed down there. Ever.

      Marge: Well, it sounded like a girl crying.

      Iris Parker: I don't know what you think you heard, but you must be mistaken.

    • Connexions
      Featured in At the Movies: Cannes Film Festival 2013 (2013)
    • Bandes originales
      I'll Pretend
      Written and Performed by Glen Morris

      Courtesy of Fervor Records Vintage Masters

    Meilleurs choix

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    FAQ19

    • How long is We Are What We Are?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 octobre 2013 (Royaume-Uni)
    • Pays d’origine
      • États-Unis
      • France
    • Site officiel
      • Official Twitter
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Somos lo que hay
    • Lieux de tournage
      • Margaretville, New York, États-Unis(town and surrounding areas)
    • Sociétés de production
      • Belladonna Productions
      • Memento Films International
      • Paradise City
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 81 381 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 13 727 $US
      • 29 sept. 2013
    • Montant brut mondial
      • 159 047 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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