Flag Day
- 2021
- Tous publics
- 1h 49min
NOTE IMDb
5,5/10
3,9 k
MA NOTE
Un père mène une double vie de faussaire, de cambrioleur de banque et d'escroc afin de subvenir aux besoins de sa fille.Un père mène une double vie de faussaire, de cambrioleur de banque et d'escroc afin de subvenir aux besoins de sa fille.Un père mène une double vie de faussaire, de cambrioleur de banque et d'escroc afin de subvenir aux besoins de sa fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 7 nominations au total
Mitchell McCormick
- U.S. Marshals Chief Commander
- (as Mitch Mccormick)
Hopper Penn
- Nick Vogel
- (as Hopper Jack Penn)
Avis à la une
Greetings again from the darkness. Life is full of choices, however sometimes destiny takes charge and there's little we can do about it. One's parents are the most obvious and crucial example. We don't choose our parents and yet their impact on our lives is unavoidable. Jennifer Vogel's book, "Flim-Flam Man: The True Story of My Father's Counterfeit Life", has been adapted for the screen by the FORD V FERRARI screenwriting brothers, Jez Butterworth and John-Henry Butterworth. The film is directed by two-time Oscar winner Sean Penn, who also co-stars.
Told through the eyes of Jennifer (played here by Sean Penn's daughter Dylan Penn, a lookalike of her mother Robin Wright), this is the "based on a true story" of John Vogel, but also the story of Jennifer, who managed to overcome challenges that stemmed from her far-from-ideal childhood. Jennifer's mother Patty (Katheryn Winnick, "Vikings") is an alcoholic and has a tumultuous marriage to John, a con man who constantly spews bombast and fabrications (aka lies) as he tries to scam the system and impress his family with his big plans (that go nowhere).
Since the film opens with a law enforcement standoff, and with Jennifer being interviewed by a Federal Marshal (Oscar winner Regina King), we know how John's saga concludes, and most of the movie is spent in Jennifer's memories to paint the picture of her dad and her life. Some of these are "flashes" of moments, while others are extended segments where we really get a feel for the father that cluttered a daughter's mind and life. It's tough to watch 105 minutes of a guy with little redeeming value.
This is not the place to detail what we see, but it's at times disturbing to see the memories of a father who doesn't so much slip in and out of the lives of Jennifer, younger brother Nick (played by Sean's son Hopper Jack Penn), and mom Patty, as he appears and vanishes in proverbial explosions akin to the Wicked Witch of the West. Given that her mom is equally inept at parenting, high school Jennifer seems destined to follow in her father's footsteps.
Covering a period from 1975 through 1992, we see Jennifer as a young kid, and then Ms. Penn takes over the role in high school. She is also our narrator, some of which is overwrought for a film that mostly strives to stay grounded in family dynamics, as Jennifer works to overcome. In addition to the previously mentioned appearance by Ms. King, there are also brief yet effective turns by Josh Brolin (as John's brother Uncle Beck), Dale Dickey (as John's crusty mother), Norbert Leo Butz (as Patty's sleazy boyfriend), and Eddie Marsan (near the film's end).
In addition to overuse of voiceover, director Penn includes a few too many song/musical interludes. Some of these songs are excellent (Cat Power, Eddie Vedder, Glen Hansard), but they feel a bit heavy-handed and forced into the film. In fact, melodrama is chosen over nuance on multiple occasions, but when the film is good, it's very good. The best scenes are between father and daughter, Sean and Dylan, the latter of which shows flashes of incredible depth. We look forward to more of her work. As for Sean, can you name another actor whose natural look better exemplifies a guy who has had the snot kicked out of him by life (even if he's made his own bed)? He portrays John Vogel as a con man who believes achieving the American Dream is something he's owed, not something to earn. His love of Chopin is not enough to excuse his horrific parenting, scamming, or felonious behavior. There are various forms of freedom, and Jennifer must discover freedom from someone who has prevented you from being her true self.
Opens in select theaters on August 20, 2021.
Told through the eyes of Jennifer (played here by Sean Penn's daughter Dylan Penn, a lookalike of her mother Robin Wright), this is the "based on a true story" of John Vogel, but also the story of Jennifer, who managed to overcome challenges that stemmed from her far-from-ideal childhood. Jennifer's mother Patty (Katheryn Winnick, "Vikings") is an alcoholic and has a tumultuous marriage to John, a con man who constantly spews bombast and fabrications (aka lies) as he tries to scam the system and impress his family with his big plans (that go nowhere).
Since the film opens with a law enforcement standoff, and with Jennifer being interviewed by a Federal Marshal (Oscar winner Regina King), we know how John's saga concludes, and most of the movie is spent in Jennifer's memories to paint the picture of her dad and her life. Some of these are "flashes" of moments, while others are extended segments where we really get a feel for the father that cluttered a daughter's mind and life. It's tough to watch 105 minutes of a guy with little redeeming value.
This is not the place to detail what we see, but it's at times disturbing to see the memories of a father who doesn't so much slip in and out of the lives of Jennifer, younger brother Nick (played by Sean's son Hopper Jack Penn), and mom Patty, as he appears and vanishes in proverbial explosions akin to the Wicked Witch of the West. Given that her mom is equally inept at parenting, high school Jennifer seems destined to follow in her father's footsteps.
Covering a period from 1975 through 1992, we see Jennifer as a young kid, and then Ms. Penn takes over the role in high school. She is also our narrator, some of which is overwrought for a film that mostly strives to stay grounded in family dynamics, as Jennifer works to overcome. In addition to the previously mentioned appearance by Ms. King, there are also brief yet effective turns by Josh Brolin (as John's brother Uncle Beck), Dale Dickey (as John's crusty mother), Norbert Leo Butz (as Patty's sleazy boyfriend), and Eddie Marsan (near the film's end).
In addition to overuse of voiceover, director Penn includes a few too many song/musical interludes. Some of these songs are excellent (Cat Power, Eddie Vedder, Glen Hansard), but they feel a bit heavy-handed and forced into the film. In fact, melodrama is chosen over nuance on multiple occasions, but when the film is good, it's very good. The best scenes are between father and daughter, Sean and Dylan, the latter of which shows flashes of incredible depth. We look forward to more of her work. As for Sean, can you name another actor whose natural look better exemplifies a guy who has had the snot kicked out of him by life (even if he's made his own bed)? He portrays John Vogel as a con man who believes achieving the American Dream is something he's owed, not something to earn. His love of Chopin is not enough to excuse his horrific parenting, scamming, or felonious behavior. There are various forms of freedom, and Jennifer must discover freedom from someone who has prevented you from being her true self.
Opens in select theaters on August 20, 2021.
I read the reviews and considered not watching. However, the preview sold me, and I'm glad it did. This is a solid movie with a solid story.
Dylan Penn has talent, just like her dad, and she carries this film along. I expect to see much more of her in the future.
You know, I get it. We all have different tastes in film. But I just love a slow burn. This film is slow, but in such a good way. It is intentionally slow. The main characters are developed and real. The pace of the movie allowed a beautiful and tragic story to be told and it is deeply felt by the viewer.
I loved most of the soundtrack. Also the flashbacks were easy to follow. Some of the film played out like a fuzzy dream, and I loved it. The cinematography is beautiful.
This is not a film deserving of a 10, but it certainly deserves a higher rating than the current. If you're looking for men flying around in brightly colored underwear and shooting lasers from their eyes, than this is not the film for you. But if you are patient, appreciate beauty and have an open heart, then watch this film.
Dylan Penn has talent, just like her dad, and she carries this film along. I expect to see much more of her in the future.
You know, I get it. We all have different tastes in film. But I just love a slow burn. This film is slow, but in such a good way. It is intentionally slow. The main characters are developed and real. The pace of the movie allowed a beautiful and tragic story to be told and it is deeply felt by the viewer.
I loved most of the soundtrack. Also the flashbacks were easy to follow. Some of the film played out like a fuzzy dream, and I loved it. The cinematography is beautiful.
This is not a film deserving of a 10, but it certainly deserves a higher rating than the current. If you're looking for men flying around in brightly colored underwear and shooting lasers from their eyes, than this is not the film for you. But if you are patient, appreciate beauty and have an open heart, then watch this film.
As soon as this movie was over both my wife and I said, "I sure am glad I didn't listen to the several very negative reviews." This is a really good movie, it really is Jennifer's story, how she overcame very bad situations in her growing up, both with her father and with her mother. It is a true story and now Jennifer has a family and works as an investigative reporter and is working on her first novel.
The movie is set mostly in Minnesota (filmed in Canada) and the title is a reference to the celebration of Flag Day, with a parade and fireworks. The movie goes back and forth, at times in 1975, 1981, 1985, and 1992 mostly. It is done in a way that it is easy to keep track.
We watched it at home on DVD from our public library. I am neither a big fan of Sean Penn nor a detractor, but to me he is brilliant here as the duplicitous dad who you could never trust to be truthful. And Dylan, his daughter in real life, is really good in the role of the teenage and adult Jennifer.
The movie is set mostly in Minnesota (filmed in Canada) and the title is a reference to the celebration of Flag Day, with a parade and fireworks. The movie goes back and forth, at times in 1975, 1981, 1985, and 1992 mostly. It is done in a way that it is easy to keep track.
We watched it at home on DVD from our public library. I am neither a big fan of Sean Penn nor a detractor, but to me he is brilliant here as the duplicitous dad who you could never trust to be truthful. And Dylan, his daughter in real life, is really good in the role of the teenage and adult Jennifer.
Understand this is based on a true story .. but yeah boring, the film is based on the point of view of the daughter ideolizing her father. The double life that the father might have had is not explain, nor demonstrated if not at all. The Genre: Thriller attached to this movie is totally fake. It just a boring drama. The soundtrack is not elevating it either.
It would seems that the only thing that Sean Penn is doing quite well in this movie is promoting his daughter as an actress, and he does not do the same for his son, putting a fake hair on his head making sure we know he just there for show.
It would seems that the only thing that Sean Penn is doing quite well in this movie is promoting his daughter as an actress, and he does not do the same for his son, putting a fake hair on his head making sure we know he just there for show.
This movie just had a ho hum on it from the get-go. Good acting but just a boring story, and it never really explains itself... stuff just happens. I mean you don't just get to point B without a soluble A in there to make it all happen... and did they have boat-cars in the 70's? Maybe I guess... just a weird kinda movie bout a family and their demons and struggles... that's it. Not the worst,, not the best... a 5 star movie.
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- How long is Flag Day?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Flim-Flam Man
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 424 667 $US
- Week-end de sortie aux États-Unis et au Canada
- 42 953 $US
- 22 août 2021
- Montant brut mondial
- 1 301 424 $US
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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