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100 Ghost Street: The Return of Richard Speck

  • 2012
  • R
  • 1h 24min
NOTE IMDb
3,8/10
1,3 k
MA NOTE
100 Ghost Street: The Return of Richard Speck (2012)
Trailer for 100 Ghost Street: The Return of Richard Speck
Lire trailer1:22
1 Video
4 photos
HorreurMystèreThrillerFilm d'horreur de type « found footage »

Ajouter une intrigue dans votre langueIn 2010, paranormal investigators tried to film Richard Speck's ghost at the site of his heinous killing spree. The victims' families have finally released the footage that documents their l... Tout lireIn 2010, paranormal investigators tried to film Richard Speck's ghost at the site of his heinous killing spree. The victims' families have finally released the footage that documents their last days.In 2010, paranormal investigators tried to film Richard Speck's ghost at the site of his heinous killing spree. The victims' families have finally released the footage that documents their last days.

  • Réalisation
    • Martin Wichmann Andersen
  • Scénario
    • Nancy Leopardi
  • Casting principal
    • Steve Bencich
    • Tony Besson
    • Hayley Derryberry
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,8/10
    1,3 k
    MA NOTE
    • Réalisation
      • Martin Wichmann Andersen
    • Scénario
      • Nancy Leopardi
    • Casting principal
      • Steve Bencich
      • Tony Besson
      • Hayley Derryberry
    • 30avis d'utilisateurs
    • 12avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    100 Ghost Street: The Return of Richard Speck
    Trailer 1:22
    100 Ghost Street: The Return of Richard Speck

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux12

    Modifier
    Steve Bencich
    • Ghost
    • (voix)
    • (non crédité)
    Tony Besson
    Tony Besson
    • Dave
    • (non crédité)
    Hayley Derryberry
    Hayley Derryberry
    • Sarah
    • (non crédité)
    Chance Harlem Jr.
    • Earl
    • (non crédité)
    Mike Holley
    Mike Holley
    • Mike
    • (non crédité)
    Jennifer Robyn Jacobs
    Jennifer Robyn Jacobs
    • Jen
    • (non crédité)
    Adam LaFramboise
    • Adam
    • (non crédité)
    Nancy Leopardi
    Nancy Leopardi
    • Ghost
    • (voix)
    • (non crédité)
    David Lindmark
    • Driver DL
    • (non crédité)
    Jackie Moore
    Jackie Moore
    • Jackie
    • (non crédité)
    Chris Serafin
    • Speck
    • (non crédité)
    Jim Shipley
    Jim Shipley
    • Jim
    • (non crédité)
    • Réalisation
      • Martin Wichmann Andersen
    • Scénario
      • Nancy Leopardi
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    3,81.3K
    1
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    10

    Avis à la une

    4dracforever

    Is there no movie maker with original ideas?

    Let me start off by saying that found footage genre flicks CAN be scary as it plays on the innate fear of the unknown. Having gotten that off my chest, let me proceed. Admittedly, there are found footage creations that are effective at playing on peoples' fears inducing anxiety, claustrophobia, and/or abject terror. What I find completely annoying about the paranormal investigation found footage genre, which this flick demonstrates blatantly, is as follows:

    1. Why include stereotypical "weak" women who have absolutely zero fortitude on a night time ghost hunt when you HAVE to know they are going to become nothing but hysterical liabilities (and I can say this as I'm a woman)?! Women's can be mentally just as strong as a man in their own right. All women are depicted in this genre, as equal rights advocates are eager to point out, as the panicky, emotionally frail, screaming, I-just-might-faint types that need to be protected and saved. Why would you even bring women you view as such on a overnight paranormal investigation when you know that at the first hinky incident they're going to run away hysterically screaming into the dark without so much as a flashlight?!

    2. Flashlights, headlamps extra batteries, portable chargers, portable comms, maybe even a small generator... Does no one who has permission to enter said property ever consider or plan for redundancy of vital basics?

    3. Would it be too much to ask property owner and/or manager for extra key(s) for the exit(s) so more than one person has the ability to unlock said points of egress in case of an emergency?

    4. Does no one come prepared with a first aid kit and the knowledge to render assistance in case of an emergency?

    5. How about portable food and hydration in the preparation of a longer than planned stay?

    6. If you have permission to be on the property to be investigated and explored, why don't you tell a friend or three where your going and when you're due back so if you don't reappear or contact said friend(s) after you're due back someone knows you need rescue?

    7. Is there not a single person on the investigative team to stand up to the one in charge that if s/he wants to leave the endeavour it's their god-given right to think for his/herself and act on such? And why is the one in charge always a conceited a-hole who feels everyone else is there simply to stroke HIS narcissistic ego? Why is a woman never in charge, btw?

    I could keep going but this review is getting far longer than I anticipatedbur, you, dear reader, assumedly get my point. Four stars for decent visual quality, average acting, and for effectively sucking me in hoping for some originality. Unless you're a fan of this genre, I cannot recommend this pick.
    2movieman_kev

    Found crap

    There's a good thing/bad thing dynamic to Instant Netflix, good in that all the dubious Asylum 'films' go on it before too long which means aside from the monthly fee, one doesn't have to spend a dime on this crap. The bad news is what you save in money, you lose in sanity. So a toss-up if you will.

    This particular pile of excrement is one of the endless "found footage" movies that are as numerous as they are atrocious. A few friends go to the boarding house that Richard Speck murdered in half a century ago only to be stalked by a poltergeist. Yawn. Bad all the way around. The fact that its unwatchable is redundant as its an Asylum film.
    3trivium105

    Pointless

    The first rule of reviewing 'found footage' horror films is to take them for what they are. So, I review this in the context of the sub-genre only and not in the wider context of film generally.

    The found footage genre is massively over-saturated with poor quality films. When done right, these films are fantastically scary (Blair Witch etc). I have watched over 30 of these films and, bearing in mind this film is only a year old, my only reaction is 'why was this film even made?'. It offers absolutely nothing new whatsoever, and trots out the same clichés as most other of these films (scary abandoned property, investigated at night, shaky camera work, annoying characters etc etc). Although it is no worse than many other found footage films, those other films came first and so it is up to newer films to expand on and develop the genre - this film totally fails to do that.

    The one positive for me was that I thought the acting was a lot better than usual. I'm not talking about great acting as such, just appropriate acting for this type of film.

    Yet another poor addition to the pool, for die-hard found footage fans only, and even those people will wonder why they bothered watching.
    4gavin6942

    Someone Please Stop This Found Footage Trend

    In 2010, paranormal investigators tried to film Richard Speck's ghost at the site of his heinous killing spree. The victims' families have finally released the footage that documents their last days.

    This is yet another found footage and pseudo-documentary film, which nobody demanded. The only person of note in it is Jackie Moore, who has appeared in the Maxim Top 100 and in another Asylum film, "Atlantic Rim". Most people probably have no idea who she is.

    This is apparently the fourth installment in the "Paranormal Activity" copycat series, "Paranormal Entity". The title does not make this evident, and near as can be found, there is no need to watch any of the previous entries.

    Scott Foy of Dread Central rated it 3/5 stars and called it the best found footage film made by The Asylum. Now, that may be so, but even if it is, "the best" of anything from The Asylum is still not great. Foy was being much too generous. But at least it was not made by Ulli Lommel, who would have made it terrible.
    5mark-christopher04

    Not horribly horrible

    Like so many of these movies, it was made on a way to low of budget, with no talent whatsoever. The idea is sound, of course, lock a crew in a hospital, of course over night, of course with a ghost the loose, and of course nobody believes in ghosts. The acting was super horrible, the plot I liked, but the whining of the actors made me want to turn it off. Round and round in circles it felt this movie went, most of it wasn't believable but hey, these movies aren't supposed to win Academy Awards now are they? I wouldn't watch this movie if unless if you really had to, or if you are like and love these types of movies, its a definite watch!

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Released to capitalize on Paranormal Activity 4 (2012).
    • Gaffes
      In the movie they claim that there were 8 women in the dorm that night, and that Richard Speck killed 7 of them and that 8th women escaped which is incorrect. There were 9 women in the dorm that night, Richard murdered 8 of them, and the 9th women escaped.
    • Connexions
      Referenced in Dead Meat Podcast: The Asylum Movie Title Game (2019)

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    FAQ13

    • How long is 100 Ghost Street: The Return of Richard Speck?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 juillet 2019 (Pays-Bas)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • 100th Street Haunting: The Return of Richard Speck
    • Lieux de tournage
      • Linda Vista Hospital - 610 S. St. Louis Street, Los Angeles, Californie, États-Unis
    • Société de production
      • The Asylum
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 150 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 24min(84 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.78 : 1

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