Kaathal - The Core

It isn't fair to call this an intense drama about relationships, sexuality, or even politics for that matter. Kaathal is a drama indeed, though its "dramatic" quotient is severely underplayed and kept subtle until the final moments where it all culminates in a stretch of heart-breaking scenes. I like how a mainstream actor who holds major box-office potential like Mammookka chose to play the character of Mathew Devassy. It not only opens the doors to several conversations and discussions but also gives the subject all the attention it deserves.

As a director, I feel Jeo Baby has put his cast to sensational use, and that goes out to every little supporting character as well. I also realized how much I missed seeing Jyothika on screen. The use of rain in the pre-interval stretch beautifully symbolizes the melancholy in the household at that particular point. How rain turns into a rainbow at the end is a neat directorial touch. Mathews Pulickan's music and background score aren't used to amplify emotions in every scene, but reserved for those segments that absolutely require them.

While the courtroom drama in the second half brings plenty of backstory into light, the writers also use this section to ask pertinent questions to the audiences. It even addresses the Decriminalization of Section 377, integrating it as a law point within the story. The best thing about it all is that it treats every character (and their interpersonal relationships) with dignity, even in the toughest of situations. That's, you know, wonderful to see! There's still the (very real) question of Mathew's voting community being equally progressive and accepting (of him), though in this particular film, I like to believe that's the case.

P. S. - Many production houses in the Malayalam industry can learn a thing or two from Mammootty Kampany (and its owner).

The true strength of 'Kaathal' lies in its subtlety and its sincerest portrayal of the LGBTQ community.

The narrative not only highlights the challenges and the struggles faced by individuals associated with this group, but also sheds light on the difficulties faced by their friends and families due to societal and judicial reluctance.

More Importantly, the story does not get vindictive or vilify any specific group or their people or their beliefs. Instead, it tries to offer a compassionate & empathetic perspective on society and the ordinary people who inhabit it.

The story comprehends the various viewpoints without endorsing segregation, nor does it promote coercive cohabitation but it rather advocates for harmonious coexistence through equal rights and understanding.

P. S. Mammootty's remarkable range and diverse script choices, especially at the age of 72 (yes, you heard it right, 72), are truly remarkable!

What a extraordinary Movie. Mamooka and Joe and the Writter and the Director and the entire Crew. How can a Actor like Mamootty can even think to act in such a story. That's the passion he has on Cinema. The same with Joe. Climax is heart warming even expected. Tamil actors will act only in killing 100 men in a single punch. Telugu movie ....no need to say. But Malayalam movies takes Indian Cinema to next forum. The one scene when the hero cries with his father and with his wife is the Core of Love. The last Win he makes is the core of love peoples have on him. Every family should watch this movie.

Kathal is a significant step forward in Malayalam cinema. Its nuanced approach and sensitive handling of the subject matter make it a must-watch for anyone seeking an insightful and thought-provoking film.

Mammooty delivers a powerful performance , capturing the character's internal struggles and vulnerability with remarkable sensitivity. Sudhi Kozhikode is equally impressive as Thankan, bringing a quiet strength and dignity to the role.

Jyothika's performance as wife, feels somewhat wooden and underdeveloped, except for the last scene. Jyothika appeared too urban and the stone face she put up in the movie did not contribute much.

The actor Sudhi Kozhikode who has done the character Thankan is a promise for Malayalam cinema. The 2 kids and other side actors also have done well.

Mammooty stands tall for taking up this movie and its production.

I knew the theme of the movie from the beginning, and I felt that that is impacting the experience for me.

Jeo Baby probably casted Jyothika and Mammootty, and gave a romantic "Kaathal" title to set a different expectation, and then bring the viewer into the theme as the watching unfolds. That could have added another dimension I feel.

Mammootty has done exceptional acting. Holding all emotions in for most of the time, and breaking up subtly with excellent acting performances.

Jeo Baby has definitely grown a lot with this movie. "The Great Indian Kitchen" had felt like a twelth standard guidebook with explanatory text, an asterisk with a footnote, and some diagrams to drill in the stance. "Kaathal" is beautifully subtle.

Crisp and distilled movie. Very nicely done. There is a short cinematic romantic scene, complete with rain and closeups. Beautiful honest shot that captures the love.

A controversial topic to work with, the movie has reined it in really well. No crass, no overbearing remarks. The director has made a very watchable movie for such a subject. A very mature take.