The Radleys

It follows a seemingly ordinary family with a dark secret: they are vampires. They choose not to drink blood despite their natural cravings, but their truth is revealed one day.

Kelly Macdonald is strong as Helen Radley. Bo Bragason is strong also as Clara Radley. Damian Lewis and the rest of the cast are pretty vague and don't really have any presence. Casting is a huge error.

The story is about a family of vampires who don't drink people's blood anymore. The problem is, there is no story. It's more like a few days in the life of a boring family of vampires. We lurch from scene to scene with nothing really happening. There are constant scenes where people just look at each other, or stare at the wall. Nothing is happening and no feeling is being communicated to us. People are just standing or sitting, doing nothing for seconds at a time. None of the characters except Helen and Clara really have any personality at all. Possibly one of the worst characters I've seen for a very long time is the pseudo-hippie-vampire-chief Will, also played by Damian Lewis. The character is not very well put together and Lewis's second rate acting abilities can't make anything of the character.

So we've got mostly poor actors, badly cast, with a poor script, and amateur videography and directing. Then we're told it's not just a horror, but also a comedy. I've just finished watching it and I honestly can't recall anything remotely funny happening during the entire show. It's almost amusing how bad the film is, maybe that's what they mean? Ultimately, there is no point to the film. There's no meaning for it. It's nothing more than a fly on the wall documentary of some boring middle class vampires going through their daily routines in a boring way. It really aws tedious to watch and when the end finally came and a long, meaningless speech had come to a close, I said "Finally, thank god that's finished." I give it a 2 and I think that's being generous.

Matt Haig was recommended to me this year and I've read little else since. His non fiction books such as reasons to live are a must and really resonate, The Midnight library was brilliant too (fiction). Being a lifelong horror (and especially vampire genre) fan to boot m, I therefore refused to follow our house rule of not watching anything less than a 6/10 IMDb rated film, I subsequently had to go solo and ultimately paid the price for deviating. This is a poor adaption of the what is one of Matt's less engaging books and with too much background missing and story changes to appease some misguided social duty it really misses the mark. I gave it a 5 as I could appreciate what it should have been having read the book, however if you went straight in to the film I think it would be less. I really hope future film adaptions of his books are more worthy as he is a fantastic story teller and human being!

The Radleys is a painfully dull, pointless attempt at a vampire comedy that fails on every level. Damian Lewis, who deserves much better, is completely wasted in this lifeless suburban vampire story, which has no bite and zero humor. The film's weak attempts at social commentary are as bland as its characters, turning it into a tedious mess of worn-out vampire clichés and shallow family drama. The pacing drags, the jokes fall flat, and there's no real horror to speak of. Director seems confused about whether to focus on comedy or drama, leaving the audience stuck in a boring limbo. The Radleys is a bloodless disaster that should've stayed buried, only serving to remind us how far the vampire genre has fallen. Lewis ought to fire his agent for dragging him into this cinematic nightmare, which is about as thrilling as watching paint dry at a funeral.

The Good: Interesting themes as metaphors for Vampirism (sexuality, addiction, ancestry, teen angst), decent performances from Kelly McDonald and Damian Lewis, original British town-setting of Whitby, gorgeous cinematography.

The Bad: Falsely adveritised as a comedy-horror/thriller. "The Radleys" is none of those things, not scary or dark enough to be a horror, not funny enough to be a comedy, or thrilling enough to be a thriller. If you want a comedy-horror/thriller, check out any of the greats from the 80's ("Fright NIght", "An American Werewolf in London", "The Lost Boys" etc.) No suspense or stakes (pun intended). No particularly engaging characters, they're all just a bit meh (even Uncle Will). Shaun Parkes is criminally underused as a practical mute throughout the whole film, despite maybe 5 lines of dialogue. Very poorly paced.

The Verdict: At best, "The Radleys" can only be described as a familial-drama with specks of horror (it doesn't romanticise the horror enough or show you the seductive sleazy appeal of the other side to be classified as suburban-gothic like, say, "American Beauty"). Despite the interesting above-mentioned themes and parallels raised in a grounded setting, none are properly developed nor explored ("Bones & All" does it waaaaaaaaaay better) and for all the talk of bloodlust being the most pleasurable thing in the world, you never see anyone having any fun with it. The best part is probably the third and final act (last 15 minutes), but it's a snooze-fest to get there and makes you wish it was something more... satisfying than a TV movie. Even more so as a brit-flick that dares not belong to the gamut of historical epics, rom-coms, or biopics.

This one will probably leave the shock and horror addicted as cold as the corpses of the victims.

This is a new take on the vampire theme exposing the internal challenges on the other side of the fence.. It starts with a seemingly ordinary family with a dark secret: they are vampires. They choose not to drink blood Kelly Macdonald and Damian Lewis manage to pull off the difficult task of showing the nuances behind giving into cravings and fighting those cravings in search for something better and the dangers of not dealing from truth. I very much doubt this movie would have been successful without stars of this caliber.

The rest caste have supported and exposed the sensitivities and choices that lead down the path of darkness or the bumpier road to something more meaningful and each was given their time to shine.

A bit of a Hollywood ending wraps it all up.

I liked it.