NOTE IMDb
5,0/10
2,4 k
MA NOTE
Un homme se retrouve piégé dans un canyon désertique avec une femme qui vit hors réseau et qui est captive d'une meute de garçons sadiques.Un homme se retrouve piégé dans un canyon désertique avec une femme qui vit hors réseau et qui est captive d'une meute de garçons sadiques.Un homme se retrouve piégé dans un canyon désertique avec une femme qui vit hors réseau et qui est captive d'une meute de garçons sadiques.
- Récompenses
- 2 victoires et 6 nominations au total
Avis à la une
For those who are big fans of unusual or artsy horror/thrillers, I found that I had predicted the outcome after around 15 minutes- which was overall a shame. Whilst well created, with some beautiful scenes and building tension- it all just seemed pointless considering the plot "twist" was poorly hidden.
If you like stories that are a little bit "weird" than it might be up your ally as you may be surprised, but for those of you out there who are avid fans, I personally found the film forgettable.
There were also some story line aspects that weren't really followed up on/discussed- this feels like the main attempt to "hide" the outcome but in my opinion, makes the outcome more obvious.
If you like stories that are a little bit "weird" than it might be up your ally as you may be surprised, but for those of you out there who are avid fans, I personally found the film forgettable.
There were also some story line aspects that weren't really followed up on/discussed- this feels like the main attempt to "hide" the outcome but in my opinion, makes the outcome more obvious.
Wyndham Stone (Scott Haze) gets lost in remote wilderness. He is rescued by a woman (Kate Lyn Sheil) living at the bottom of a canyon. He gets hurt trying to climb the canyon wall. Then he is harassed and trapped by a group of young people.
This reminds me very much of 70's Ozploitation. Quite frankly, I thought they may be Aussies trying not to do their accent. That has to be the motif that filmmaker Barnaby Clay was shooting for. It succeeds at that. The movie is off-putting in all that right ways. It has a tiny location. It is simplistic, crude, and basic. Don't look for more or complexity.
This reminds me very much of 70's Ozploitation. Quite frankly, I thought they may be Aussies trying not to do their accent. That has to be the motif that filmmaker Barnaby Clay was shooting for. It succeeds at that. The movie is off-putting in all that right ways. It has a tiny location. It is simplistic, crude, and basic. Don't look for more or complexity.
For what this movie is, I guess the overall film wasn't terrible. It wasn't good either. The main problem I had with it was that the main character wasn't likeable in the least bit. He spends his time on screen being loud and annoying. This is why I don't feel a bit bad for what happens to him. He probably treats everyone around him the way he treats the other characters in this film. The acting wasn't awful but it wasn't exactly great either. The soundtrack is weird but I suppose it fits the movie. If you like a meandering story with not much explanation and static shots of nature; you might actually enjoy this film. For me though, I just found it boring.
Usually, I try to look at the upsides to every movie I watch. I really tried to do the same for movie, but it just made it so incredibly hard to so do. I mean, who was the target audience for this movie? Horror fans aren't going to like it, it's not a drama and it certainly isn't a comedy, so whom exactly was this film meant to appease? No one is going to like this movie because there is nothing about it worth liking. Aside from the awesome cinematography and the performance of the lead male actor (a performance wasted on this embarrassment of a film), there is nothing else that is even remotely worth commending.
Even writing this review, I found myself growing increasingly agitated at having wasted almost 2 hours watching a film that ultimately made no sense, and really didn't enrich my life in the end. My goal in watching movies is to find something that inspires me, or at least helps me see things in new and interesting perspectives. All this movie managed to do was frustrate me and annoy me in equal measure, and I would not recommend anyone watch this movie, no matter how bored or devoid of content you seem to be. It is a meritless endeavor that will take more from you than it is willing to give, and I implore each of you considering watching this movie to read a book instead. You will find much more value in the written word than wasting you time with movies that do not respect it.
This movie gets 3 stars for the cinematography and the magnificent acting by the male lead.
As an aside, there is a novel I read a long time ago titled "Woman in the Dunes" by the author Kobo Abe. The gist of that novel is very similar to what happens in this movie. I'd consider reading that book instead of watching this movie. You will have a much better time. I promise.
Even writing this review, I found myself growing increasingly agitated at having wasted almost 2 hours watching a film that ultimately made no sense, and really didn't enrich my life in the end. My goal in watching movies is to find something that inspires me, or at least helps me see things in new and interesting perspectives. All this movie managed to do was frustrate me and annoy me in equal measure, and I would not recommend anyone watch this movie, no matter how bored or devoid of content you seem to be. It is a meritless endeavor that will take more from you than it is willing to give, and I implore each of you considering watching this movie to read a book instead. You will find much more value in the written word than wasting you time with movies that do not respect it.
This movie gets 3 stars for the cinematography and the magnificent acting by the male lead.
As an aside, there is a novel I read a long time ago titled "Woman in the Dunes" by the author Kobo Abe. The gist of that novel is very similar to what happens in this movie. I'd consider reading that book instead of watching this movie. You will have a much better time. I promise.
Conceptually I actually found this quite intriguing but unfortunately it didn't go much of anywhere. It almost felt like it was cosplaying as some cerebral art piece, an allegory for something bigger and seemingly profound... yet barely had much substance let alone a real payoff.
I definitely would've loved a bit more background and lore, generally pushing it away from that up in the air, confusing, slow burn vibe. Which it was most certainly slow moving... interestingly atmospheric at times for sure, but generally a tad belabored.
There was something about the lead male's acting that wasn't there for me either. The intention and drive behind it were apparent, but it didn't quite land on the side of convincing for me. I think there was something intriguing at the root of this experience but all in all it felt a bit undercooked. I don't think I would say it was an unentertaining experience by any means, it just didn't end up being super special. Still can't say it was bad so I would aloofly recommend.
I definitely would've loved a bit more background and lore, generally pushing it away from that up in the air, confusing, slow burn vibe. Which it was most certainly slow moving... interestingly atmospheric at times for sure, but generally a tad belabored.
There was something about the lead male's acting that wasn't there for me either. The intention and drive behind it were apparent, but it didn't quite land on the side of convincing for me. I think there was something intriguing at the root of this experience but all in all it felt a bit undercooked. I don't think I would say it was an unentertaining experience by any means, it just didn't end up being super special. Still can't say it was bad so I would aloofly recommend.
Le saviez-vous
- AnecdotesThe movie borrows heavily from the classic Japanese movie Suna no onna (1964) (Woman in the Dunes).
- Crédits fousFor the Los Angeles Unit, the production assistants are listed under "Prodcuction Assistants"
- Bandes originalesHow Long
written by Tove Lo, Ludvig Soderberg, Sibel Redzep, Tim Nelson
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 4 974 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 022 $US
- 28 janv. 2024
- Montant brut mondial
- 4 974 $US
- Durée
- 1h 40min(100 min)
- Rapport de forme
- 1.66 : 1
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