NOTE IMDb
5,0/10
2,4 k
MA NOTE
Un homme se retrouve piégé dans un canyon désertique avec une femme qui vit hors réseau et qui est captive d'une meute de garçons sadiques.Un homme se retrouve piégé dans un canyon désertique avec une femme qui vit hors réseau et qui est captive d'une meute de garçons sadiques.Un homme se retrouve piégé dans un canyon désertique avec une femme qui vit hors réseau et qui est captive d'une meute de garçons sadiques.
- Récompenses
- 2 victoires et 6 nominations au total
Avis à la une
I immediately see the influence of the classic Japanese New Wave film "Women In The Dunes" from 1964, by Hiroshi Teshigahara, based on a book by the Existentialist Novelist Kobo Abe. Teshigahara would go on to adapt a number of Abe's books to film. It is available for free viewing at Archive.org. Some of the scenes are a scene for scene copy (or homage).
The cinematography in "The Seeding" is outstanding, with great wide angle shots, and pans of landscapes. The first scene shows the man's car parking on a desert road cul-de-sac. The overhead shot resembles a sperm cell, with the road being the tail. A symbolic reference to the title and things to come. Ken Russell did a similar shot in the 1969 film "Women in Love", in which a (probably drunk) Oliver Reed dies while walking in snow.
With my expectations elevated for a fantastic sublime film, I was disappointed by the unimaginative screenplay and the real let down of a sloppy and apathetic conclusion.
I would recommend the movie for the filmmaking alone, but it is frustrating to think it could have been better with a rewrite.
The acting is well done, though I would have had the women have a stranger demeanor, considering she has not seen the outside world.
The plot leaves too many questions, and many simple questions are not even brought up by the Man. The writer didn't convey a plausible lead character. In the end, the project is essentially scrapped. The difficult issues are not brought into the screenplay which is disappointing.
As a "Horror" film it has some of the gore, but the film doesn't entirely embrace the genre. In the end the film simply misses the target. This due to the fact that the filmmakers were not sure of what they were aiming for in the first place.
The cinematography in "The Seeding" is outstanding, with great wide angle shots, and pans of landscapes. The first scene shows the man's car parking on a desert road cul-de-sac. The overhead shot resembles a sperm cell, with the road being the tail. A symbolic reference to the title and things to come. Ken Russell did a similar shot in the 1969 film "Women in Love", in which a (probably drunk) Oliver Reed dies while walking in snow.
With my expectations elevated for a fantastic sublime film, I was disappointed by the unimaginative screenplay and the real let down of a sloppy and apathetic conclusion.
I would recommend the movie for the filmmaking alone, but it is frustrating to think it could have been better with a rewrite.
The acting is well done, though I would have had the women have a stranger demeanor, considering she has not seen the outside world.
The plot leaves too many questions, and many simple questions are not even brought up by the Man. The writer didn't convey a plausible lead character. In the end, the project is essentially scrapped. The difficult issues are not brought into the screenplay which is disappointing.
As a "Horror" film it has some of the gore, but the film doesn't entirely embrace the genre. In the end the film simply misses the target. This due to the fact that the filmmakers were not sure of what they were aiming for in the first place.
A man (Scott Haze) ventures into the deep desert in order to view a solar eclipse. When he encounters what appears to be a lost boy, he tries to help him. Soon, the terror begins, changing the man's life forever.
THE SEEDING is an interesting take on the "creepy kid" subgenre. Mr. Haze is believable throughout in his tormented role, as is Kate Lyn Sheil as the mysterious woman at the center of the man's ordeal. The group of kids are frightening in a LORD OF THE FLIES / CHILDREN OF THE CORN sort of way.
This is a slow-building, somewhat disturbing film that saves most of its horror for the final act. You might find yourself muttering "WTF?" a few times as you watch it...
THE SEEDING is an interesting take on the "creepy kid" subgenre. Mr. Haze is believable throughout in his tormented role, as is Kate Lyn Sheil as the mysterious woman at the center of the man's ordeal. The group of kids are frightening in a LORD OF THE FLIES / CHILDREN OF THE CORN sort of way.
This is a slow-building, somewhat disturbing film that saves most of its horror for the final act. You might find yourself muttering "WTF?" a few times as you watch it...
For what this movie is, I guess the overall film wasn't terrible. It wasn't good either. The main problem I had with it was that the main character wasn't likeable in the least bit. He spends his time on screen being loud and annoying. This is why I don't feel a bit bad for what happens to him. He probably treats everyone around him the way he treats the other characters in this film. The acting wasn't awful but it wasn't exactly great either. The soundtrack is weird but I suppose it fits the movie. If you like a meandering story with not much explanation and static shots of nature; you might actually enjoy this film. For me though, I just found it boring.
I haven't see the trailer,so I didn't know what to expect. After the first 18 minutes you know exactly what is going to happen. Unfortunately I saw the whole movie expecting the plot twist. It didn't came. My vote would be higher if this was a part of a trilogy. It could be a second movie with a happy or unexpected end,and a third movie (with the original/indian language ) how everything starts. Acting was good,direction medium. I mean give us a shot from above the desert so we can feel how isolated they are. Most annoying was the script,I almost knew what will happen minute after minute. Even the title gives to much.
As an art film lover, you will surely enjoy "The Seeding". It is slow-paced, as is typical of art films, but that is part of its charm. The leisurely pace allows each viewer to form their own interpretation of the enigmatic story.
The main character can be irritating, but that is probably because he is meant to be. The film sound is fantastic and creates an excellent atmosphere. What's bad is that I saw the end of the film, already in the middle of it. It is also a pity that the lives of those who live above pit are not shown. Overall, "The Seeding" is a solid one-time watch film, that will keep you thinking and interpreting long after the credits roll.
The main character can be irritating, but that is probably because he is meant to be. The film sound is fantastic and creates an excellent atmosphere. What's bad is that I saw the end of the film, already in the middle of it. It is also a pity that the lives of those who live above pit are not shown. Overall, "The Seeding" is a solid one-time watch film, that will keep you thinking and interpreting long after the credits roll.
Le saviez-vous
- AnecdotesThe movie borrows heavily from the classic Japanese movie Suna no onna (1964) (Woman in the Dunes).
- Crédits fousFor the Los Angeles Unit, the production assistants are listed under "Prodcuction Assistants"
- Bandes originalesHow Long
written by Tove Lo, Ludvig Soderberg, Sibel Redzep, Tim Nelson
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- How long is The Seeding?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 4 974 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 022 $US
- 28 janv. 2024
- Montant brut mondial
- 4 974 $US
- Durée1 heure 40 minutes
- Rapport de forme
- 1.66 : 1
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