Gori Tere Pyaar Mein!

I have no idea why this film has such average reviews and ratings online. It's got a good story, the film flows well, the actors are all great, the music is fantastic, what's not to like?

Kareena Kapoor is adorable in her role. Once again outshining her hero. This role reminded me of her character in Jab We Met - the free-spiritedness and zest for life! She's a go- getter. She inspires an entire community and is so charming in doing so.

It's a story about love, life and coming full circle.

Definitely recommended if you like Rom-Com's - this is one of the better ones out there. One of Kareena's most flawless performances.

Certain films raise not one or two but several questions in your mind about the team behind its making and their basic thought structure before going ahead with such tasteless, ridiculous and uninspiring kind of script without giving it a second thought. So instead of writing a usual review, here I would like to share my conclusions after watching this 'quite hard to see' romantic comedy, wherein I neither found the romance nor any comedy as calmly promoted by its makers with a pretty bad song.

1. "You are a born film-maker!" Now this phrase can be interpreted in two ways. One when a person has a great, gifted talent of film-making in him, which he has developed through his own efforts and hard work, working in the field for years before being called a Film-maker. And Two, when a person has simply got born in the family related to film business or movie-making and therefore obviously becomes a Film-maker by default. (And the same theory goes for the actors too in many cases)

2. Sometimes a project just gets all the needed approvals from a corporate house without any objections raised, simply because of the big names backing it from the front, even when there is no script, storyline or an idea shared about what actually they are approving and putting their money in.

3. In such ventures, even the actors don't know what they are actually being signed for, since the script is yet to be given a thought after finalizing the entire schedule and dates.

4. And when the need of the script arises, they just mix and match few of their senior's famous films hurriedly, as if there are only fools coming to the theater and they can be served anything in the name of a film with some glossy faces and songs.

5. Such projects try to incorporate everything which is trending around without any set vision. So if Punjabi is the in-thing, they get a completely insane and horrible song written around a Punjabi word used for the 'Bums' and just don't care to enquire about its actual use in the language at all! (And it was this song, questionably written as "Tooh", which simply left me with jaws open in disbelief and disgust like never before in all these recent decades honestly. In fact I cannot remember a Hindi film song falling to this sick and ridiculous level ever to say the least.)

6. Normally in the first day shows of a film, all the theater attendants, caretakers and torch-men are also very much interested in watching the new film, standing quietly along the wall with their eyes on the screen. But in a film such as GORI TERE PYAAR MEIN, even they walk out of theaters after an hour or so and never return back even post intervals.

7. When film-makers who perhaps have never been to any real village or remote areas, try to show a village in their film as per their forced-in script demand. Then it's pretty obvious that it turns out to be completely artificial, senseless and fake, since they haven't got the vision to portray such earthy elements on the screen in reality. And that is possibly the reason why GTPM truly becomes unbearable in its second half as it shifts into a fake village wherein a bridge is to be built in a pure LAGAAN or SWADES style by the star architect.

8. A film like GTPM does teach you a valuable lesson of life too, that sometimes even when there is everything available on the table to make a delicious dish, the cook still may make a silly mess out of it due to his over-confidence or no fear of a failure at all (read no-work) in the near future.

9. Lastly, GTPM strongly makes you wonder that did its makers really knew that for whom or for which target audience they were actually making this film and Why?

To end with, if a newcomer (or a struggler writer) would have gone to any of the production houses related with the film, with this SCRIPT in hand to make a movie on. Then either he would have got the rejection right away in hours or the script would have been thrown in the bin as soon as he has gone out of the office after reading only its few opening pages.

Anyway, searching for the only silver lining in this black cloud, there are 10 odd minutes of beautiful Shraddha Kapoor in the film, which are watchable. And in case you are too serious to watch her on the screen post AASHIQUI 2, then just see the film at a lower cost ticket before the intermission and simply walk away.

And the film has two-two and a half clichéd points to make. You can only imagine how bad the movie and the cast performance are when the characters themselves are required to enlighten us about who the hero is. Terrible!

Not accounting to Punit Malhotra's previous & future blunders, this film strikes few brownie points here and there. The best thing was to cast Shraddha Kapoor as Imran Khan's fiancée and boy, does she do good. Kareena Kapoor, as an aunt figure, is passable. The hero (a bad moniker) should stay away from Tinseltown.

As to the story, it has nothing new to deliver. Just an hypocrite environmentalist who travels to make a point just because his ex pointed it out. Then the camera turns to how the good guy tries to woe his girl Friday in front of a village by bridging the gap with a pool bridge by fighting the corrupt state of affairs. Whoa! for the second part of the film, I just stared into the screen wondering why the hell did they make this movie? And when such an expression is born, you know what the verdict is. Poor attention to details, poor cinematography, poor editing.

BOTTOM LINE: First part will make you laugh 3-4 times and for Shraddha Kapoor, I rate it 4.2/10. Songs make up 30 minutes and there is not a single reason why you should spend 300 bucks for this stupidity.

Can be watched with a typical Indian family? YES

Sex/Foreplay: No | Nudity/Porn: No | Violence: Mediocre | Gore: No | Smoking/Alcohol: Mild | Drugs: No

Punit Malhotra's 'Gori Tere Pyar Mein' is strictly time-pass entertainer, that sums up best as a one-time watch.

'Gori Tere Pyar Mein' Synopsis: A selfish shallow guy from a cosmopolitan city falls in love with a girl, who turns to be a social activist. Fun follows...

'Gori Tere Pyar Mein' has a breezy first-hour & a fairly okay second. The portions based in the cities are sparkling, but the portions in the second-hour, based prominently in a village, are plain ordinary. However, luckily, the film never gets boring.

The Screenplay appeals in bits & pieces. A stronger second-hour wouldn't have hurt. Punit Malhotra shows marked improvement over his debut film 'I Hate Luv Storys'. He has handled the film well. Cinematography is rich. Editing is average. Music by Vishal-Shekhar is excellent.

Performance-Wise: Imran Khan does a fair job. Kareena Kapoor Khan is just perfect. The immensely talented actress displays each emotion with great confidence & control. Shraddha Kapoor is passable. Anupam Kher entertains as the manipulative villain. Esha Gupta sizzles in a song.

On the whole, 'Gori Tere Pyar Mein' is watchable.

Director Mr. Punit Malhotra work is good. His approach towards a love story is convincing. Director and Arshad Sayed has written it. Story is very simple. Screenplay is fresh and good. Dialogues by Arshad Sayed, are witty. Few scenes are very good, i.e the first meeting of lead pair, black comedy at the time of funeral, hero interview with heroine father, interval scene. All these scenes are well written and well executed. Credit goes to director and writer especially. Even they try to convey some message, which is extra advantage. Movie slows down after interval for sometime otherwise it remains on a moderate pace throughout. Performance wise Imran Khan is OK. Kareena Kapoor is very good. Shardha Kapoor in brief role is fine. Vineet Singh is noticeable. Anupam Kher is very good. Music is not up to mark, which is usually required in a romantic movie.