Eat with Me

Okay IMDb you need to fix your rating system. It's a very sweet down to earth life film that doesn't try to be anything more than it is. It has very funny moments and awkward ones. You will enjoy it a lot more if you don't put everything under the microscope.

Shannon Omi played the role very well and it was very impressive to see an older Asian woman as the main character. I enjoyed watching Emma's journey of discovering/reinventing herself and breaking stereotypes as an Asian woman. Overall it was well developed with solid characters and good watch for anyone who wants to try something outside the mainstream.

The characters aren't interesting, the story isn't interesting (or plausible), and the pacing is excruciatingly slow. I don't mind slow if it's good slow. This is bad slow.

There is nothing original to be seen here. All these characters--even these Asian characters--have been seen before. The dialog is completely flat. If there's an uninteresting way to say something, this writer found it. There were a couple scenes where I could pretty much say the line to come before it was said--it was that predictable and trite.

It was difficult for me to believe the central character was gay. A gay guy who owns a restaurant that's failing because the food is so dull? I don't think so. Not that we know what's wrong with the food exactly. We just know that nobody likes it. The miraculous turn-around ending of the movie was just as inexplicable. Better dumplings? Nice chairs, nice white tablecloths? Wait, what?

Dumb me. I thought I might be in for an Eat Drink Man Woman quality movie, and perhaps that's what it aspired to, but this is the polar opposite of that film.

This film was just so easy to watch and I really didn't want it to end. It was refreshing to see an LGBT film that doesn't just show the same old clichéd style. It approached many issues if relationships (boyfriend/friend, mother/son, husband/wife) in a way that was effective and not crass or raunchy. What I appreciated most is that this film is not just an LGBT film, it transcends all groups and all demographics. I was happy to see the diversity in the cast. The acting was top notch and the writing was a driving force. The music used in this film was almost a character in and of itself. It helped move the story along and held it all together nicely. We really need more films like this to help connect families that might be going through similar issues. The only negative thing I have to say about this film is that all the delicious food throughout made me want to go eat! Two thumbs up!!

An absolutely charming film! It works on so many levels - as a comedy and as a heartfelt film about a mother coming to know and understand her son. The ensemble is very good, including a great appearance by the legendary George Takei at the end. All the characters are richly drawn, including a neighbor who could be a stock character but turns our to be excellent comic relief. I saw this at Frameline and the crowd went crazy for it. This should be a hit at LGBT film festivals all year. I highly recommend seeing it. It has heart and humor and the great food will make you hungry. This is one of the best LGBT films of the year, in my opinion

From the title, I wasn't expecting so much from this movie. I wonder if it would have been more popular with a different title.

But once inside the movie, I really, REALLY liked it! The movie is about relationships, and about growth. A mom, whose relationship with her husband has gone stale and lifeless. A son, who is gay, running a failing restaurant he inherited from his uncle. A neighbor who is kookie and free-wheeling. And a guy who has an interest in the restaurant owner.

Everyone is struggling with their relationships, and growing a bit in the process. I thought that film was a real charmer. I thought Sharon Omi as the mother was absolutely TERRIFIC. Her emotions are so subtly transmitted, but unmistakable. She is an excellent actress for this role. And Teddy Chen Culver was excellent, and yeah, cute too.

There are some compromising scenes that push the mom to the wall - like realizing that her gay son is actually shacking up with people. But there are lessons to be learned by everyone, when they are given the space to grow.

The film doesn't hit you over the head by over-explaining. It respects its audience enough to let you interpret. Just one example is an opening scene where the husband/dad complains about a wedding ring giving him a headache. The next is a scene of the mom on a train. It didn't need any drama in between to let us know what was happening, and why. A little transmits a lot when it's done right.

It's a sweet, SWEET film, and I thought t he ending was perfect! The little box of sweets at the end, in case anyone wanted dessert, was just charming - if one took notice of mom's comment about the bakery she liked to visit! And so was the sriracha! Delightful ending.

I could feel the dopamine flowing as I was watching this movie.