Ballerina
- 2016
- Tous publics
- 1h 29min
Une orpheline rêve de devenir ballerine et fuit sa Bretagne rurale pour Paris, où elle passe pour quelqu'un d'autre et accède au poste d'élève au Grand Opéra.Une orpheline rêve de devenir ballerine et fuit sa Bretagne rurale pour Paris, où elle passe pour quelqu'un d'autre et accède au poste d'élève au Grand Opéra.Une orpheline rêve de devenir ballerine et fuit sa Bretagne rurale pour Paris, où elle passe pour quelqu'un d'autre et accède au poste d'élève au Grand Opéra.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
- Felicie
- (voix)
- Victor
- (voix)
- Odette
- (voix)
- Camille
- (voix)
- Mérante
- (voix)
- (as Terence Scammel)
- …
- Rudolph
- (voix)
- …
- Regine
- (voix)
- Dora
- (voix)
- (as Elena Dunkleman)
- …
- Nora
- (voix)
- (as Soshana Sperling)
- Greasy Guard
- (voix)
- …
- Luteau
- (US version)
- (voix)
- Postman
- (US version)
- (voix)
- (as Ricardo Sanchez)
- Regine
- (US version)
- (voix)
- …
- Margarette
- (voix)
- (non crédité)
- Briggitte
- (non crédité)
Avis à la une
Produced at L'Atelier Animation in Montreal, Canada, Ballerina (2016) is majestic at all levels from the animation to the story itself.
A basic story of a young orphaned girl Félicie (Elle Fanning) who dreams to become a ballerina leaves with her friend Victor (Dane DeHaan) who also has a dream that of becoming a famous inventor, both go to Paris to meet their destiny.
What makes this a beautiful animation is that the story is not bogged by irrelevant metaphors or irony that distracts from the story that would have us distracted to the relevance of the movie based on something that could happen anywhere such as achieving one's goal. One does not say during the film that this scene is ridiculous that it diverts us from the message.
A success indeed.
First of all, the story itself. Set back in the 1800's where Paris is growing and where all hope is possible and notwithstanding the fact that Félicie (Elle Fanning) will take the identity of another person Camille Le Haut (Maddie Ziegler) is not new in the move world. Yet, the story progresses logically to have her be discovered as a fraud. What Merante (Terrence Scammell) sees in Félicie when he discovers the truth is what he sees in himself, one with passion. As a fact when he says to Camille and Felicie why they dance, in his harshness in his selection of candidates lies his humanity. He doesn't insult Camille but asks her why she dances?
Here we have the theme: Are we born to dance or do we become dancers that can be applied in all aspects of society? Are we born with a gift or do we become the gift?
Secondly, the choreography is absolutely amazing. It compares with all the acrobatics seen on America's got talent or in movies such as Rocky Balboa. Remember his training against this Russian guy? We see two types of training, the natural versus the mechanical training using modern equipment.
What about the competitive choreography between the two girls? Superbe!
If the film gave me shivers three times then I admit to the success of the film animation to have struck a chord in me. And, if my grandchild was able to relate to his life one scene which was the union of Félicie and as Odette (Carly Rae Jepsen) and which has also brought me back to when I bought tickets to the Ballet then I consider this animation a true marvel to which I give 10/10.
I do kinda wish the subplot of victor could have tied in more with the main focus of Felicie but it is what it is, I ain't complaining.
Finally, It was hilarious and very charming too. Perfect for families. Enjoy the movie!
This is a nice film, that particularly targets little kids and mostly the girl audience to inspire Ballerina. Cute characters and scenes, but very familiar story. Shares lots of similarities with 'August Rush', except the field of interest. I am not an expert or know all about Ballet, but some of the parts involving them were turned me off. I know the gravitation force is irrelevant in animation since they're not real world to comply with science, but maybe I'm being an adult and knowing that stuff might have influenced me to think that way. It reminds me I'm really an adult, though this film should be watched as a kid despite whatever you are. However, nothing affected me from enjoying it.
It sets in the 80s of the 19th century France. At the time when Eiffel Tower and Statue of Libery were on the construction, a poor orphan girl named Felicie escapes orphanage with another boy to pursue her dream to be a ballerina. Then they arrive in Paris, and very soon they find their separate ways to achieve the goals. Not all smooth sail, especially for her. So she takes the opportunity that comes her way, even after knowing it was wrong to do.
❝You have something that she can only dream of: passion!❞
From there, with all the complications tailing her, how far she could go to make her dream come true. Which also includes the amount of dedication put on her undertaking to meet the expectations of her trainer, rivals and many others. And to show the world the interest is not simply based on enthusiasm, but willingness to sacrifice anything for it. Her journey from nothing to the edge of something new to define her life is the film that briefs for just short of 90 minutes.
This is not another 'Billy Elliot'. Animations are usually comedy, fantasy and musical, but recently the adventures and science fictions are surging. I don't remember I ever have seen an animated dance flick. Not the classical dance, not in the modern 3D animation format. The closest one was a decade old 'Happy Feet'. So that makes it is a unique product and comes under a must see for all the animation fans. But the storyline is predictable and many sequences were intentionally dragged to be cliché. Because it works, particularly if they're aiming for the younger generation who haven't seen many films in their lives. Only we the grownups whine.
Most of the voice-over artists are well known Americans actors which boosted the film. The character combinations are good. It brought the variety, especially slightly to ride off the main theme in a few occasions. Like the boy's interest in inventing things which were other major parts of the twist and turns in the narration. It is not a great animation if it was from Hollywood, but coming from France and the theme it focused on, the effort must be appreciated. Overall a much better film than what the average reviews and ratings around the internet says. It is a ballet film means not those who love it should watch it, but those target audience should not miss it. That means generally worth a watch, but not for everyone.
7/10
Le saviez-vous
- AnecdotesThe Statue of Liberty is shown light green in its current oxidized state. During construction and for a few years after, it would have been a shiny copperish bronze color.
- GaffesThe Statue of Liberty is shown as being already green when it should be brown. The bronze didn't deteriorate to green until around 1900.
- Citations
Victor: [watching Felicie dance around the Irish bar] Wow!
[Love-struck, he tosses her a rose. Felicie reaches up to catch it, but loses her balance and falls onto a table. Merante, who was seated nearby, stands up and removes his hat. Felicie gasps in fear]
Mérante: [sternly] I hope that tomorrow you act with a little more dignity.
[starts to walk out]
Mérante: Anyway, tonight was...
[puts his hat back on and smiles]
Mérante: A GOOD performance.
Felicie: [flattered] Thank you, sir.
- Crédits fousThe title doesn't appear until the end of the film.
- Versions alternativesThe United States version of the film, released by The Weinstein Company, has Nat Wolff, Mel Brooks and Kate McKinnon replace Dane DeHaan, Jamie Watson, Julie Khaner and Bronwen Mantel as Victor, M. Luteau, Régine Le Haut and Mother Superior. McKinnon also does the voice of Félicie's Mother, a character who was mute in the French and original English versions. Terrence Scammell and Ricardo Sanchez also re-dub the roles of the Janitor and Postman in this version. There are also a few different lines in the United States version in contrast to the French and original English versions.
- ConnexionsFeatured in CTV National News: Épisode datant du 17 février 2017 (2017)
- Bandes originalesYou Know It's About You
Written by Chris Braide and Wrabel (as Stephen Wrabel)
Performed by Chris Braide (as Magical Thinker) featuring Wrabel (as Stephen Wrabel)
String arrangement by Klaus Badelt and Christopher Carmichael
Produced and mixed by Chris Braide (as Christopher Braide)
Meilleurs choix
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Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 24 702 560 $US
- Week-end de sortie aux États-Unis et au Canada
- 181 091 $US
- 26 févr. 2017
- Montant brut mondial
- 109 573 511 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1