Hate Crime

When it comes to extreme films, there aren't many films out there that are more extreme than Hate Crime. This is filled with anti Semitic material from start to finish, as a Jewish family is brutalized by a rampaging trio of Neo Nazi home invaders.

We don't get much character insight at all before the carnage begins, which is the exact problem with the movie. Here we are supposed to sympathize for the characters, which the director succeeds in doing, but only because of the level of violence inflicted upon them, as opposed to generating some characters with any depth in them. Cardboard cutouts who have no name, no personality, just the capability of screaming to let the viewer know that they are in pain and remind everybody of how bad the situation is. Its like the horrible acts of violence that we hear on the news every night. We sympathize with the victims because of the situation, but we forget about it days later, because we didn't know them. That is the best way I can sum up Hate Crime. Yes, the victims are going through some very bad things, but we don't know these people. We don't know their interests. We don't know their names.

Hate Crime will appeal to those who like shocking acts of violence on screen for the sake of being rebellious, but if you want something with depth, then you are better off looking elsewhere!

Poorly simulated choke / hitting / r*pe scenes. Super fake violence in general. Almost no actual blood or torture throughout the entire movie, if you pay attention it's nothing more than * we walked in on this scene with a bit of blood *.

If your going to attempt making a shock torture porn movie at least do it right. The plot and reasoning behind the film was so believable it truly was a wasted film / plot.

This is just soft core Atroz.

Also, what a lame attempt to end the movie on some wholistic "80,000 hAtE cRiMeS" like this had anything to do with your movie.

I found this movie to be interesting at first, but now i'm disappointed with myself. I don't know what i found so interestimg in this movie, it definetly had potential but... yeah.

Hate crimes are a real problem and the movie is not the worst thing i have ever seen, it focuses on something important but does that really matter when the movie only scares you by showing some nazi's brutal fantasies? That's all you will get from this movie, it's not going to educate you and show you what is actually happening. I don't know why this movie was made, i didn't like it at all but i also don't really hate it because i have seen worse movies.

I found it on the 'banned movies in the UK' list that I'm trying to get through lately, as I'm consistently not shocked or excited by new movies of this genre.

It's filmed in a 'home movie' way; shaky cameras, cameras out of shot and not a great quality. But once I got used to this I found that it added to the tension.

There are some uneasy scenes. The family are made to do things unimaginable. But overall I wasn't hooked the whole time. It isn't very gory or violent, it's more of a mind thing as you're imagining what they're doing (because you can't clearly see where the cameras are placed).

It is watchable but to me not really shocking enough to be on the banned list.

Before I get into this one, I must admit, without any intention of comparing a film to another one that if there is something that gets me interested every damn time about film, are subjects such as the one in HATE CRIME. Racism, discrimination, human rights are all things exploited in movies such as the great SHINDLER'S LIST, A TIME TO KILL, and the extraordinary American HISTORY X. These films, for a reason or another all got me to my stomach and I haven't forgotten any of them since. And James Cullen Bressack's HATE CRIME qualifies as one of them. But, nope, scratch that part. Should it be different, HATE CRIME's far closer to a pure horror film than a Drama. Call me a pussy, call me too sensitive, at first I wasn't too sure if I should test myself with this film, but something inside me felt like I had to. So I took the red pill and watched it.

HATE CRIME is the story of a Jewish family. New to their neighborhood, they're about to celebrate their son's birthday. They want to immortalize the event on camera but soon after the party begins, a bunch of crazy, stoned neo Nazi lunatics storm in the house.

This is all I need to give away if you haven't seen the film yet and maybe intend to test yourself. The nightmare that follows starts within about the first 5 minutes of the film and it doesn't let go until the very end. Turning that film into a survival experience, in which a desperate family becomes hostage of a group of people that obviously hate them.

Most of the time, the visual style of HATE CRIME, which involves letting an actor run with the camera surprisingly serves the overall film pretty well with allowing the filmmaker to get as close as the action as he wants you to be and instead of making you feel for the sympathetic characters, just simply making you resent the fear, the anger, the cries and all the emotions storming inside the protagonists. HATE CRIME manages at times to challenge the viewer. I must admit that I've been tested on more than one occasion as this night which started as a quiet, birthday evening became such a fierce and crazy night of crimes beyond what I could have imagined. And that is why I won't spoil you in this review with much about the disaster that occurs but rest assure that pushing beyond the limits isn't something that this film shies away from, as I thought that only animal cruelty and abuse on child and women could happen to make me uncomfortable in horror films anymore.

There are very few weaknesses for this one that don't really bother the entire work. For instance, one of the masked assailants, the biggest one's voice will appear incredibly hard to hear clearly through his mask, making his dialogues hard to understand for the first minutes of the ordeal. But one can thank the need to take himself into such a horrific ride, or the will to see the protagonists' triumph, the film builds strength for itself that far exceed the little flaws. I felt like I must see this film and I did. This one is a rewarding piece of indie film overall. And I'm really looking forward into James Cullen Bressack's future in film as I'm looking to have the chance to see more of his past work. Including the intriguing: TO JENNIFER.