Il suit une femme qui part à la recherche d'une solution à un meurtre dont elle a été témoin dans une propriété désaffectée.Il suit une femme qui part à la recherche d'une solution à un meurtre dont elle a été témoin dans une propriété désaffectée.Il suit une femme qui part à la recherche d'une solution à un meurtre dont elle a été témoin dans une propriété désaffectée.
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Ok, it's pretty implausible but still I found it fun to watch! I like the main character: Hannah. I have watched 2 episodes so far; hope that her back story is told at some point. Why is her hair gone in episode 2? I like the fact that her work buddy is a fantasy nerd. But also seems like he could be her best friend.
Her voyeuristic life behind the CC is not a new idea; seen "Rear Window"? But it works for me as the spunky woman who can't stop. Or is she really a "stupid" girl which seems to be everyone's adjective for her.
Both parents dead? Was she in an accident? Why did Zoe's father speak to her in such a terrible way?
One thing: twice they called Hannah "Ruby" and once Amber's mother called her "Emma". What the heck????
Her voyeuristic life behind the CC is not a new idea; seen "Rear Window"? But it works for me as the spunky woman who can't stop. Or is she really a "stupid" girl which seems to be everyone's adjective for her.
Both parents dead? Was she in an accident? Why did Zoe's father speak to her in such a terrible way?
One thing: twice they called Hannah "Ruby" and once Amber's mother called her "Emma". What the heck????
It is quite clear that Ross Kemp has the presence to be in a hard-hitting police drama of quality. It is not difficult to imagine him as a short-tempered, rough-handed detective, and, unlike many actors who play such roles, he would actually be plausible as a character who can hold his own when it comes to dealing with violent criminals.
This makes it all the more disappointing then that he is wasted in this amateurish attempt at a drama. The dialogue is bad and riddled with cliché to the point of being insulting, and sounds like it was written by school kids, and not particularly well-read ones.
The show looks cheap, and a tree could act the cast off the screen. So wooden are the actors, they could be used to make the coffins their acting careers are surely to be buried in.
The main character is a box-ticking irritant who garners no empathy from the viewer, due to her obnoxious personality and because of the narcissistic and heartless way she treats her friends. That she is motivated only by self-interest, is epitomised by her threatening to kill an innocent dog in order to extract information from a terrified woman. How are we supposed to like this person? Were the writers banking solely on the fact that she is a wheelchair user for the audience to warm to her?
This of course removes any potential tension, because you really don't care whether or not she survives
A character needs to be likeable in order for the audience to care about their plight. Instead they go with an insufferable busy-body who makes you wish the killer had done us all a favour while he had the chance, and spared us everything that followed.
Of course, it is 2023, so Ross Kemp, on the rare occasions he appears on-screen (despite him being the reason most of us bothered to tune in in the first place) portrays an incompetent man, who has to be told how to do his job by a woman - a wheelchair-using one at that.
Incidentally, it is rather telling that the only positive reviews here mention superficial things about the showcasing of disabilities, which are irrelevant as to whether or not this is a compelling and worthy story.
The 10 star reviews are very suspicious, almost as though they were written by Beth Alsbury's friends, or by those more interested in virtue-signalling than the quality so blatantly lacking in this show - and of course we get the obligatory accusations of bigotry for daring to point out how poor Beth Alsbury's acting was in this show - She would fit perfectly into Hollyoaks.
But then she was not helped by just how insufferable her character was, or by the appallingly bad dialogue, and perhaps she would fare better with a likeable character and with a script written by adults.
This makes it all the more disappointing then that he is wasted in this amateurish attempt at a drama. The dialogue is bad and riddled with cliché to the point of being insulting, and sounds like it was written by school kids, and not particularly well-read ones.
The show looks cheap, and a tree could act the cast off the screen. So wooden are the actors, they could be used to make the coffins their acting careers are surely to be buried in.
The main character is a box-ticking irritant who garners no empathy from the viewer, due to her obnoxious personality and because of the narcissistic and heartless way she treats her friends. That she is motivated only by self-interest, is epitomised by her threatening to kill an innocent dog in order to extract information from a terrified woman. How are we supposed to like this person? Were the writers banking solely on the fact that she is a wheelchair user for the audience to warm to her?
This of course removes any potential tension, because you really don't care whether or not she survives
A character needs to be likeable in order for the audience to care about their plight. Instead they go with an insufferable busy-body who makes you wish the killer had done us all a favour while he had the chance, and spared us everything that followed.
Of course, it is 2023, so Ross Kemp, on the rare occasions he appears on-screen (despite him being the reason most of us bothered to tune in in the first place) portrays an incompetent man, who has to be told how to do his job by a woman - a wheelchair-using one at that.
Incidentally, it is rather telling that the only positive reviews here mention superficial things about the showcasing of disabilities, which are irrelevant as to whether or not this is a compelling and worthy story.
The 10 star reviews are very suspicious, almost as though they were written by Beth Alsbury's friends, or by those more interested in virtue-signalling than the quality so blatantly lacking in this show - and of course we get the obligatory accusations of bigotry for daring to point out how poor Beth Alsbury's acting was in this show - She would fit perfectly into Hollyoaks.
But then she was not helped by just how insufferable her character was, or by the appallingly bad dialogue, and perhaps she would fare better with a likeable character and with a script written by adults.
Can't believe somebody at Channel 5 say through this and still thought "yeah that's great let's air that"
It was full of plot holes and the acting was like GCSE drama, the lead character being the worst culprit. Like when she wheeled away from a man on foot shes supposed to be faster than him? It was actually embarrassing to watch at some points. Acting aside the character was not likeable in any way, and there seemed to be hardly anyone in the whole show?
I like Ross Kemps documentaries so to see him in this was sad to see. Not sure what tempted to go back to acting
Not impressed at all don't bother watching.
I like Ross Kemps documentaries so to see him in this was sad to see. Not sure what tempted to go back to acting
Not impressed at all don't bother watching.
Some of the worse Tv your likely to see. Made of a budget of about 20 quid. Awful acting. Terrible writing and it honestly takes itself so seriously that it becomes a comedy. How this was ok to transmit to the public I don't know.
Shot in Hungary doubling from a no named British town, even though nothing looks English.
Phoning it in from Kemp would be a complement. You can tell he doesn't wanna be there.
The girl in the chairs real disability is her acting. She's horrible.
The writing feels like one of those week day afternoon BBC dramas. They ones no one watches. Please. Just don't waste 4 hours of your life.
Shot in Hungary doubling from a no named British town, even though nothing looks English.
Phoning it in from Kemp would be a complement. You can tell he doesn't wanna be there.
The girl in the chairs real disability is her acting. She's horrible.
The writing feels like one of those week day afternoon BBC dramas. They ones no one watches. Please. Just don't waste 4 hours of your life.
This is so horrendously bad - I'm addicted to it. If this was Ross Kemp doing a documentary on bad acting, I'd give it a 10/10.
The acting is bad, the script is bad, the story could be good if it had been better produced.
For a thriller, there are few thrills and little in the way of tension or apprehension. It has literally stirred no emotion in me - apart from disbelief.
The CCTV was installed post-murder to make the estate safer. But no CCTV installed to cover the dark bin area which was the scene of the murder 🤷
If I could be bothered, I'd play cliché bingo - every sad cliché has been used. The over-acting would be considered good if this was an end of term school play, but as a prime time drama it lacks any quality.
Having said that - I will continue watching on the off chance it gets better.
The acting is bad, the script is bad, the story could be good if it had been better produced.
For a thriller, there are few thrills and little in the way of tension or apprehension. It has literally stirred no emotion in me - apart from disbelief.
The CCTV was installed post-murder to make the estate safer. But no CCTV installed to cover the dark bin area which was the scene of the murder 🤷
If I could be bothered, I'd play cliché bingo - every sad cliché has been used. The over-acting would be considered good if this was an end of term school play, but as a prime time drama it lacks any quality.
Having said that - I will continue watching on the off chance it gets better.
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