NOTE IMDb
5,6/10
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MA NOTE
Alors qu'ils pensent vivre leurs dernières heures, les pilotes, l'équipage et les passagers d'un avion à destination de Mexico cherchent à oublier l'angoisse du moment et affrontent le plus ... Tout lireAlors qu'ils pensent vivre leurs dernières heures, les pilotes, l'équipage et les passagers d'un avion à destination de Mexico cherchent à oublier l'angoisse du moment et affrontent le plus grand des dangers, celui que nous portons en nous.Alors qu'ils pensent vivre leurs dernières heures, les pilotes, l'équipage et les passagers d'un avion à destination de Mexico cherchent à oublier l'angoisse du moment et affrontent le plus grand des dangers, celui que nous portons en nous.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 10 nominations au total
Coté Soler
- Operario 2
- (as Cote Soler)
José María Yazpik
- Infante
- (as José Mª Yazpik)
Avis à la une
A plane has problems with the landing gear and so it is circling around waiting for a landing path. And while waiting for the landing the crew and the passengers do and tell a lot.
I read the movie is also supposed to be a farce of Spanish politics. Since I know absolutely nothing about Spanish politics I have missed it all. Maybe if I was familiar I would have liked the movie even more.
But it was still entertaining. My favorites of the movie are the flamboyant flight attendance. They have a great comedic presence and timing. I think one of my favorite parts of the movie is when they perform "I'm so excited" for the passengers.
At the same time it didn't bring as much humor with the passengers. They were all outrageous characters but it didn't go too far and we didn't get to connect too much with them. Of course this is a farce comedy and one shouldn't expect too much depth but I feel a little more could have been done.
Still it is a pretty entertaining and unique comedy. I would recommend it for people who aren't too offended by sexual humor and enjoy some lighthearted comedy.
I read the movie is also supposed to be a farce of Spanish politics. Since I know absolutely nothing about Spanish politics I have missed it all. Maybe if I was familiar I would have liked the movie even more.
But it was still entertaining. My favorites of the movie are the flamboyant flight attendance. They have a great comedic presence and timing. I think one of my favorite parts of the movie is when they perform "I'm so excited" for the passengers.
At the same time it didn't bring as much humor with the passengers. They were all outrageous characters but it didn't go too far and we didn't get to connect too much with them. Of course this is a farce comedy and one shouldn't expect too much depth but I feel a little more could have been done.
Still it is a pretty entertaining and unique comedy. I would recommend it for people who aren't too offended by sexual humor and enjoy some lighthearted comedy.
A plane malfunctions and faced with possible imminent death, pilots, crew and passengers reveal their innermost secrets.
After having tranquilised the passengers of the economy class, crew members only have to deal with the few business class passengers and their eccentricities but it is the very gay cabin crew that are called to the rescue.
Unusual due to it s overly camp overtones, this one is a little gem. It is not often we face the inevitable with such fresh humour and intelligent satire. When close to dying it seems we do not care about having our innermost secrets revealed and Almodovar infuses humour with realism, in a masterly way as we have come to expect from him.
Much as I can see why some have rushed to label this as too overdone, I would disagree and it clearly showed that a heterosexual viewer can both enjoy and appreciate a mucho camp romp.
After having tranquilised the passengers of the economy class, crew members only have to deal with the few business class passengers and their eccentricities but it is the very gay cabin crew that are called to the rescue.
Unusual due to it s overly camp overtones, this one is a little gem. It is not often we face the inevitable with such fresh humour and intelligent satire. When close to dying it seems we do not care about having our innermost secrets revealed and Almodovar infuses humour with realism, in a masterly way as we have come to expect from him.
Much as I can see why some have rushed to label this as too overdone, I would disagree and it clearly showed that a heterosexual viewer can both enjoy and appreciate a mucho camp romp.
This movie is very funny, and yes, very light. Therefore, if you go to theater expecting another "Todo sobre mi madre", please be aware that you will be for sure highly disappointed - so maybe you should do something else. This is an "Airport" disaster movie, set in Almodovar's world and populated by his trademark characters. You can easily imagine the final outcome, don't you?
I found the result of this crossover wildly entertaining, and refreshing. But not silly: a couple of themes thrown in the story – the ones related to the supposed financial crimes of one of the characters - gave me the feeling that Almodovar is trying to say something even about the current situation of Spain and Europe (and the setting of the last scene, with all those empty interiors, that shameful waste of money, looks like a clear statement from the author about what should be actually called a "disaster" in nowadays world).
I am not Spanish: so maybe what I think about the relevance of Pedro Almodovar's work for Spanish culture could easily be wrong. Still, I am under the impression that you can hardly find in the whole world another artist that has so single-handedly influenced and changed the mindset of a country like this man has done for Spain in the last thirty years (and it's a long way, from "Marcelino pan y vino" to Agrado and his sisters). In my opinion, Spain has been made a better place, by the Almodovar revolution. God bless him.
I found the result of this crossover wildly entertaining, and refreshing. But not silly: a couple of themes thrown in the story – the ones related to the supposed financial crimes of one of the characters - gave me the feeling that Almodovar is trying to say something even about the current situation of Spain and Europe (and the setting of the last scene, with all those empty interiors, that shameful waste of money, looks like a clear statement from the author about what should be actually called a "disaster" in nowadays world).
I am not Spanish: so maybe what I think about the relevance of Pedro Almodovar's work for Spanish culture could easily be wrong. Still, I am under the impression that you can hardly find in the whole world another artist that has so single-handedly influenced and changed the mindset of a country like this man has done for Spain in the last thirty years (and it's a long way, from "Marcelino pan y vino" to Agrado and his sisters). In my opinion, Spain has been made a better place, by the Almodovar revolution. God bless him.
This film is about the pilots, business class crew and business class passengers on a fateful flight to Mexico City.
"Los Amantes Pasajeros" tells a really funny story about eleven clichéd characters on a transatlantic flight. There is much alcohol, drugs, camp characters and of course lots of sex (both gay and straight). The plot is so hilarious that no one can take it seriously! Every business class passenger has a story, and a distinct personality. When they are trapped in the flight, literally hell breaks loose. I really like the three flight attendants, they are just so funny! When the plane was going to land, I could not believe it was already 90 minutes into the film - I thought it was just 30 minutes in! The journey was so hilarious that time just flew by at sonic speed.
"Los Amantes Pasajeros" is very unlike other Pedro Almodóvar films, in fact I don't even remember him making such a camp and fluffy comedy before! I really loved every minute of it.
"Los Amantes Pasajeros" tells a really funny story about eleven clichéd characters on a transatlantic flight. There is much alcohol, drugs, camp characters and of course lots of sex (both gay and straight). The plot is so hilarious that no one can take it seriously! Every business class passenger has a story, and a distinct personality. When they are trapped in the flight, literally hell breaks loose. I really like the three flight attendants, they are just so funny! When the plane was going to land, I could not believe it was already 90 minutes into the film - I thought it was just 30 minutes in! The journey was so hilarious that time just flew by at sonic speed.
"Los Amantes Pasajeros" is very unlike other Pedro Almodóvar films, in fact I don't even remember him making such a camp and fluffy comedy before! I really loved every minute of it.
The cine-goer attends this movie in order to "laugh" and "have fun". He/she ends up confused and disappointed. That's because he/she is missing the point: this is not a comedy, it's much more than that. Don't stay on surface, it's a political allegory in many ways. If the cine-goer could "get it" we'd probably be living in a different political order.
Spain and the crisis in the EU: the passengers (and viewers/cine-goers) in the second class are sleeping during the flight and cannot understand what is really happening. They have no right to the truth. The same applies to the viewer and critic, this movie is so clever that proves that the viewer/critic is also asleep since he/she can't get what's behind the "comedy".
It is only the A-Class passengers that are free of manipulation and have the right to know the truth. The crew could represent in a way, the "technocrats". However, they all have their own problems and ethics - it is criticized the way they came up to "A-Class".
Now, take a moment to think: why did we watch the first scene with Penelope Cruz? Just that the director lets his friends do a small guest part? It's a world where nobody is doing his/her job properly. Instead of that, everybody cares about his/her "personal world" which becomes that hilarious like when tweeting messages while bleeding. Further more, it's a world full of political corruption and economic scandals. When do they all come from? It's a world of a meaningless individualism. And, under pressure, it's all about sex. Hallelujah Sigmund Freud.
Spain and the crisis in the EU: the passengers (and viewers/cine-goers) in the second class are sleeping during the flight and cannot understand what is really happening. They have no right to the truth. The same applies to the viewer and critic, this movie is so clever that proves that the viewer/critic is also asleep since he/she can't get what's behind the "comedy".
It is only the A-Class passengers that are free of manipulation and have the right to know the truth. The crew could represent in a way, the "technocrats". However, they all have their own problems and ethics - it is criticized the way they came up to "A-Class".
Now, take a moment to think: why did we watch the first scene with Penelope Cruz? Just that the director lets his friends do a small guest part? It's a world where nobody is doing his/her job properly. Instead of that, everybody cares about his/her "personal world" which becomes that hilarious like when tweeting messages while bleeding. Further more, it's a world full of political corruption and economic scandals. When do they all come from? It's a world of a meaningless individualism. And, under pressure, it's all about sex. Hallelujah Sigmund Freud.
Le saviez-vous
- AnecdotesThere are many references to Pedro Almodóvar's universe throughout the film. The name of the plane is Chavela Blanca, in clear reference to Pedro's beloved singer and friend Chavela Vargas and to another of his most cherished friends, the late Blanca Sánchez. The air company Peninsula is shortened in the plane top wing as Pe, Penélope Cruz's renowned nickname.
- GaffesThe pilots state that one of the landing gear can't retract. The landing gear indicator - shown in excellent close-up - has three green lights and one red - this means three gear are down and fully locked and one is retracted. A proper combination would be three red and one flickering light.
- Crédits fousat approx 6 minutes, the words UNA HORA Y MEDIA DESPUÉS seem to come out of the airplane's exhaust, as the plane flies across the screen.
- ConnexionsFeatured in Projector: I'm So Excited! (2013)
- Bandes originalesI'm So Excited
Written by Anita Pointer, Ruth Pointer, June Pointer, and Trevor Lawrence
Performed by The Pointer Sisters
(p) 1982 by Anita Pointer Publishing / Leggs Four Publishing / Ruth Pointer Publishing / EMI BLACKWOOD MUSIC INC.
Autorizada para España a EMI MUSIC Publishing Spain S.A.
All rights reserved. International Copyright secured.
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- How long is I'm So Excited!?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- I'm So Excited!
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 1 368 119 $US
- Week-end de sortie aux États-Unis et au Canada
- 97 328 $US
- 30 juin 2013
- Montant brut mondial
- 21 259 853 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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