Money Monster
- 2016
- Tous publics
- 1h 38min
NOTE IMDb
6,5/10
110 k
MA NOTE
L'animateur de télévision Lee Gates et son producteur Patty se retrouvent dans une situation extrême lorsqu'un investisseur en colère les prend en otage.L'animateur de télévision Lee Gates et son producteur Patty se retrouvent dans une situation extrême lorsqu'un investisseur en colère les prend en otage.L'animateur de télévision Lee Gates et son producteur Patty se retrouvent dans une situation extrême lorsqu'un investisseur en colère les prend en otage.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Caitríona Balfe
- Diane Lester
- (as Caitriona Balfe)
Dola Rashad
- Bree (The Assistant)
- (as Condola Rashad)
Avis à la une
In Money Monster, George Clooney plays a TV presenter who is taken hostage live on camera by a desperate young man played by the brilliant Jack O'Connell. I really enjoyed this film; finding it thrilling and well paced throughout. However, it falls short of being completely satisfying.
Six months ago, The Big Short - a far superior film - attempted to tackle the full complexity of the 2008 financial crisis and its causes and did so in a way that was both enlightening and entertaining. Money Monster is more like Phone Booth. In this movie the credit crunch is merely the setting for a tense thrill ride; which is OK except it feels like it's aiming to be more substantial.
I've heard Jodie Foster, the director, say that the seventies will always be her favourite era because movies took such risks back then. Her key influences here are clearly Network and Dog Day Afternoon. Perhaps this is the problem. It feels like a 1970s style take on a 21st Century issue. Thanks in part to other recent movies we already have a more sophisticated appreciation of the reality of the financial sector.
But I still really enjoyed Money Monster. George Clooney strikes the right balance as the likable scoundrel who just needs a gun to the head in order to realise how far down the wrong path he has travelled. And Jack O'Connell is probably my favourite actor of this decade. Just as he did in Starred Up or Eden Lake, this young man threatens to break though the screen and grab hold of you. Electrifying.
In the end I see this film as a fable and a romp. It is lots of fun. The ending just seemed a bit Hollywood. If you want to see a film that explores the impact that the financial crisis had on regular people I highly recommend the underrated 99 Homes.
Six months ago, The Big Short - a far superior film - attempted to tackle the full complexity of the 2008 financial crisis and its causes and did so in a way that was both enlightening and entertaining. Money Monster is more like Phone Booth. In this movie the credit crunch is merely the setting for a tense thrill ride; which is OK except it feels like it's aiming to be more substantial.
I've heard Jodie Foster, the director, say that the seventies will always be her favourite era because movies took such risks back then. Her key influences here are clearly Network and Dog Day Afternoon. Perhaps this is the problem. It feels like a 1970s style take on a 21st Century issue. Thanks in part to other recent movies we already have a more sophisticated appreciation of the reality of the financial sector.
But I still really enjoyed Money Monster. George Clooney strikes the right balance as the likable scoundrel who just needs a gun to the head in order to realise how far down the wrong path he has travelled. And Jack O'Connell is probably my favourite actor of this decade. Just as he did in Starred Up or Eden Lake, this young man threatens to break though the screen and grab hold of you. Electrifying.
In the end I see this film as a fable and a romp. It is lots of fun. The ending just seemed a bit Hollywood. If you want to see a film that explores the impact that the financial crisis had on regular people I highly recommend the underrated 99 Homes.
Money Monster (2016)
** 1/2 (out of 4)
Lee Gates (George Clooney) is a hot shot financial TV personality who offers up advice on what stocks to buy and which ones to sell. His director (Julia Roberts) is on her last show when they've scored an interview with a big CEO but when he backs out they don't realize how worst the day is going to get. Soon Kyle Budwell (Jack O'Connell) bursts into their studio and on live television he takes over the show carrying a gun and a bomb.
MONEY MONSTER comes from director Jodie Foster and I must admit that I went into it with incredibly high expectations. Whether people like it or not Clooney had done many great movies and delivered many great performances over the past decade so I thought with him and Foster together we'd get a hard-hitting drama that would take down the ugly side of Wall Street. Well, the movie was entertaining while you watched it but afterwards I couldn't help but feel extremely disappointed because when you get down to it the film was pretty shallow.
There's a great film hidden somewhere in here but it seems that they had to simple everything down so that your average viewer wouldn't get lost. I can only imagine what this could have been if someone like the late Sidney Lumet had been able to make it and the screenplay was allowed to be much more hard hitting and really go after the bad guys. This film starts off on a highly unlikely plot device (getting into the studio so easily) and by the final act it completely falls apart with its rather stupid plot twists.
With that said, the movie is still slightly entertaining to a point. Foster does a good job in her directing duties but there's no question that a new screenplay was needed. Both Clooney and Roberts work extremely well together and both give fine performances. Clooney does a good job at playing the charm but as the drama builds he also manages to sell that. O'Connell is also very good in his role of the man who finds himself in a desperate place so he reaches for a rather dumb idea.
MONEY MONSTER has its heart in the right place but it just seems like one of those movies that doesn't want to be too serious or too finger pointing and instead of any hard hitting drama and questions we're just left with a rather mindless action film with an unlikely plot. It's really too bad because with the talent involved this should have been so much better.
** 1/2 (out of 4)
Lee Gates (George Clooney) is a hot shot financial TV personality who offers up advice on what stocks to buy and which ones to sell. His director (Julia Roberts) is on her last show when they've scored an interview with a big CEO but when he backs out they don't realize how worst the day is going to get. Soon Kyle Budwell (Jack O'Connell) bursts into their studio and on live television he takes over the show carrying a gun and a bomb.
MONEY MONSTER comes from director Jodie Foster and I must admit that I went into it with incredibly high expectations. Whether people like it or not Clooney had done many great movies and delivered many great performances over the past decade so I thought with him and Foster together we'd get a hard-hitting drama that would take down the ugly side of Wall Street. Well, the movie was entertaining while you watched it but afterwards I couldn't help but feel extremely disappointed because when you get down to it the film was pretty shallow.
There's a great film hidden somewhere in here but it seems that they had to simple everything down so that your average viewer wouldn't get lost. I can only imagine what this could have been if someone like the late Sidney Lumet had been able to make it and the screenplay was allowed to be much more hard hitting and really go after the bad guys. This film starts off on a highly unlikely plot device (getting into the studio so easily) and by the final act it completely falls apart with its rather stupid plot twists.
With that said, the movie is still slightly entertaining to a point. Foster does a good job in her directing duties but there's no question that a new screenplay was needed. Both Clooney and Roberts work extremely well together and both give fine performances. Clooney does a good job at playing the charm but as the drama builds he also manages to sell that. O'Connell is also very good in his role of the man who finds himself in a desperate place so he reaches for a rather dumb idea.
MONEY MONSTER has its heart in the right place but it just seems like one of those movies that doesn't want to be too serious or too finger pointing and instead of any hard hitting drama and questions we're just left with a rather mindless action film with an unlikely plot. It's really too bad because with the talent involved this should have been so much better.
If someone were to enter your home and steal from you, naturally, you'd be angry. You'd want to see that person caught and to pay for the crime and, if possible, to get your money back. When someone commits financial crimes, it's a little harder to accomplish all that, but the first step after the crime (or unethical behavior) comes to light is to assign blame. It also happens to be cathartic. As cathartic as movies can be, they've been a useful tool over the years for venting our collective rage over such misuse of our money and/or showing us how these things happen. Some of the better and/or more notable examples include "Trading Places" (1983), "Wall Street" (1987), "Barbarians at the Gate" (1993), "Boiler Room" (2000), "Enron: The Smartest Guys in the Room" (2005), "Capitalism: A Love Story" (2009), "Margin Call" (2011), "Arbitrage" (2012), "The Wolf of Wall Street" (2013) and, in 2015 alone, "99 Homes" and the Best Picture Oscar nominee "The Big Short". 2016 brings us "Money Monster" (R, 1:38), starring Oscar winners George Clooney and Julia Roberts and directed by 2-time winner Jodie Foster.
Clooney is Lee Gates, the cocky and flamboyant host of a financially-themed NYC-based TV show called "Money Monster". It's high finance meets entertainment (similar to CNBC's "Mad Money", hosted by Jim Cramer) and it features Lee and his oversized personality both advising and amusing investors. Lee's long-time producer, Patty Fenn (Julia Roberts), keeps things stock-ticking along but is suddenly forced to become a hostage negotiator, crisis manager and investigative journalist when a man with a gun and a bomb takes over the studio (during a live broadcast!) and takes Lee hostage. Viewers first think that this is just another one of Lee's on-air stunts, but it's all too real (even though it's just a movie, of course).
The desperate, well-armed man is Kyle Budwell (Jack O'Connell, from Angelina Jolie's 2014 WWII epic "Unbroken"), an ordinary working man who lost his nest egg of $60,000 after investing in a stock that Lee recommended on the air, with his usual showmanship and a little hyperbole. The day after the company loses $800,000,000, Kyle holds his gun to Lee's head and demands answers. The company's public relations COO, Diane Lester (Caitriona Balfe) does a live interview with Lee, but simply spouts corporate rhetoric about a mysterious computer glitch, while CEO Walt Camby (Dominic West) is MIA.
As Lee wears an explosive vest which Kyle threatens to detonate, Lee and Patty use their professional talents to satisfy Kyle's demands that he be able to air his grievances publicly and try to diffuse the situation by getting him some real answers. Outside the studio, Patty has help from staffers Ron and Bree (Christopher Denham and Condola Rashad) and the police, under Captain Powell (Giancarlo Esposito from TV's "Breaking Bad" and "Revolution"), strategize. While Ron is (literally) running around town, Bree keeps an eye on the police. The NYPD bring in Kyle's girlfriend (Emily Meade) to try to talk her boyfriend down, which doesn't exactly go well, and then they hatch a risky plan, to which Lee would certainly object, if he knew about it. Diane does her level best to get Lee and Kyle the answers they seek, but is stymied by CFO Avery Goodloe (Dennis Boutsikaris) and with their mutual boss traveling and being incommunicado. The characters (and Movie Fans) eventually get some answers, but only after scenes in South Korea, Iceland and South Africa and back in the Big Apple after Camby's plane finally lands.
"Money Monster" is a taut and entertaining thriller. Within the film's economical running time, Foster keeps things moving and injects several lighter moments, while also managing excellent character development, which her perfectly-cast and very talented actors sell with aplomb. The script, which was developed by three different writers over the course of more than three years, features dialog that feels true, but packs an unrealistic amount of investigative success into a very narrow time frame. All this results in an indictment of some financial practices which doesn't simply trash capitalism, and a message movie which never forgets that is must entertain in order to deliver its timely message effectively. "B+"
Clooney is Lee Gates, the cocky and flamboyant host of a financially-themed NYC-based TV show called "Money Monster". It's high finance meets entertainment (similar to CNBC's "Mad Money", hosted by Jim Cramer) and it features Lee and his oversized personality both advising and amusing investors. Lee's long-time producer, Patty Fenn (Julia Roberts), keeps things stock-ticking along but is suddenly forced to become a hostage negotiator, crisis manager and investigative journalist when a man with a gun and a bomb takes over the studio (during a live broadcast!) and takes Lee hostage. Viewers first think that this is just another one of Lee's on-air stunts, but it's all too real (even though it's just a movie, of course).
The desperate, well-armed man is Kyle Budwell (Jack O'Connell, from Angelina Jolie's 2014 WWII epic "Unbroken"), an ordinary working man who lost his nest egg of $60,000 after investing in a stock that Lee recommended on the air, with his usual showmanship and a little hyperbole. The day after the company loses $800,000,000, Kyle holds his gun to Lee's head and demands answers. The company's public relations COO, Diane Lester (Caitriona Balfe) does a live interview with Lee, but simply spouts corporate rhetoric about a mysterious computer glitch, while CEO Walt Camby (Dominic West) is MIA.
As Lee wears an explosive vest which Kyle threatens to detonate, Lee and Patty use their professional talents to satisfy Kyle's demands that he be able to air his grievances publicly and try to diffuse the situation by getting him some real answers. Outside the studio, Patty has help from staffers Ron and Bree (Christopher Denham and Condola Rashad) and the police, under Captain Powell (Giancarlo Esposito from TV's "Breaking Bad" and "Revolution"), strategize. While Ron is (literally) running around town, Bree keeps an eye on the police. The NYPD bring in Kyle's girlfriend (Emily Meade) to try to talk her boyfriend down, which doesn't exactly go well, and then they hatch a risky plan, to which Lee would certainly object, if he knew about it. Diane does her level best to get Lee and Kyle the answers they seek, but is stymied by CFO Avery Goodloe (Dennis Boutsikaris) and with their mutual boss traveling and being incommunicado. The characters (and Movie Fans) eventually get some answers, but only after scenes in South Korea, Iceland and South Africa and back in the Big Apple after Camby's plane finally lands.
"Money Monster" is a taut and entertaining thriller. Within the film's economical running time, Foster keeps things moving and injects several lighter moments, while also managing excellent character development, which her perfectly-cast and very talented actors sell with aplomb. The script, which was developed by three different writers over the course of more than three years, features dialog that feels true, but packs an unrealistic amount of investigative success into a very narrow time frame. All this results in an indictment of some financial practices which doesn't simply trash capitalism, and a message movie which never forgets that is must entertain in order to deliver its timely message effectively. "B+"
An interesting movie dealing with extreme critique to TV networks with a great cast giving tour-de-force interpretations. Concerning a successul financial TV host named Lee Gates (George Clooney) and his hard-working producer, Patty (Julia Roberts), are put in a thorny situation when an irate investor (Jack O'Connell) who has lost everything takes them and their crew as hostage . During a tense standoff broadcast to millions on live TV, Lee and Patty must work furiously against the clock to unravel the mystery behind a conspiracy at the heart of today's fast-paced and twisted global economy . The captor soon forces the pair to probe a set-up involving the high-tech international markets. The presenter and his kidnapper at the edge of a mental breakdown turn into a celebrities while the program is TV broadcasting and boosts the ratings to such an extent amplitude . Not every conspiracy is a theory. Answer or die. On the air. Out of time. Who's in control ? . Follow The Money. Anyone who can get out, get out right now.
A scathing indictment of the TV industry and its propensily towards ambition , self-prostitution and real critique to corruption of the high-tech global markets . In the real-time, high stakes thriller Money Monster, George Clooney and Julia Roberts star as successful TV presenter Lee Gates and his producer Patty, who are put in an extreme situation when an irate investor forcefully takes over their studio then resulting in paranoia , violence and some unpredictable results. Black satire taking a savage, cruel bite at the American television , its anchormen, the shares that rule the executives who work in it and the powerful international companies what take advantage of modest shareholders . Thought-provoking and ironical script that takes ideas from the prestigious Paddy Chayefsky' s Network. The individual roles are startling well drawn and the interpretation is magnificent. George Clooney is excellent as an excessive and vociferous Television newcaster , though he gives overacting while announces ups and downs at the stock exchange ratings , providing a strident interpretation that threatens to overbalance the movie , at times . While Julia Roberts displays a sober acting as the ambitious executive who will stop at nothing to triumph . Remaining secondary cast is very good such as Dominic West , Giancarlo Esposito, Christopher Denham , Lenny Venito , Chris Bauer, Dennis Boutsikaris , and special mention for the attractive Caitríona Balfe as Diane Lester.
It contains an adequate and colorful cinematography by Matthew Libatique , as well as atmospheric musical score by composer Dominic Lewis . The motion picture was magnetically directed by Jodie Foster , providing a lavishly mounted vehicle for three great actors George Clooney , Julia Roberts and Jack O'Connell . Actress/director Jodie Foster has a long career that spans over forty years . Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in Accused (1988) and the second one for her performance as Clarice Starling in The silence of the lambs (1991). Jodie has directed some films with success enough , such as : The Beaver , Home for holidays , Little Tate , and some episodes from known TV series : House of Cards , Tales from the Darkside Stephen King's Golden Tales, Black Mirror , Orange Is the New Black and Tales from the Loop. Money Monster (2016) rating : 6.5/10 . Better than average , well worth watching . The flick will appeal to George Clooney and Jodie Foster fans.
A scathing indictment of the TV industry and its propensily towards ambition , self-prostitution and real critique to corruption of the high-tech global markets . In the real-time, high stakes thriller Money Monster, George Clooney and Julia Roberts star as successful TV presenter Lee Gates and his producer Patty, who are put in an extreme situation when an irate investor forcefully takes over their studio then resulting in paranoia , violence and some unpredictable results. Black satire taking a savage, cruel bite at the American television , its anchormen, the shares that rule the executives who work in it and the powerful international companies what take advantage of modest shareholders . Thought-provoking and ironical script that takes ideas from the prestigious Paddy Chayefsky' s Network. The individual roles are startling well drawn and the interpretation is magnificent. George Clooney is excellent as an excessive and vociferous Television newcaster , though he gives overacting while announces ups and downs at the stock exchange ratings , providing a strident interpretation that threatens to overbalance the movie , at times . While Julia Roberts displays a sober acting as the ambitious executive who will stop at nothing to triumph . Remaining secondary cast is very good such as Dominic West , Giancarlo Esposito, Christopher Denham , Lenny Venito , Chris Bauer, Dennis Boutsikaris , and special mention for the attractive Caitríona Balfe as Diane Lester.
It contains an adequate and colorful cinematography by Matthew Libatique , as well as atmospheric musical score by composer Dominic Lewis . The motion picture was magnetically directed by Jodie Foster , providing a lavishly mounted vehicle for three great actors George Clooney , Julia Roberts and Jack O'Connell . Actress/director Jodie Foster has a long career that spans over forty years . Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in Accused (1988) and the second one for her performance as Clarice Starling in The silence of the lambs (1991). Jodie has directed some films with success enough , such as : The Beaver , Home for holidays , Little Tate , and some episodes from known TV series : House of Cards , Tales from the Darkside Stephen King's Golden Tales, Black Mirror , Orange Is the New Black and Tales from the Loop. Money Monster (2016) rating : 6.5/10 . Better than average , well worth watching . The flick will appeal to George Clooney and Jodie Foster fans.
Money Monster features George Clooney as one those loud obnoxious Finance TV hosts. It also features Julia Roberts as the shows director. However, when an angry investor played by Jack O'Connell, breaks into the studio and holds George Clooney hostage till he gets some answers, George Clooney has to do anything he can to stay alive.
I originally went into this movie with relatively low expectations. I thought the plot was going to be predictable and boring, but overall, I found it to be very entertaining.
The Good:
The performances. You can always expect a good performance from George Clooney And you can honestly say the same thing about Julia Roberts. That being said this is the 3rd movie that features Jack O'Connell in a leading role and let me just say that he is quickly becoming one of my favorite actors. At this point, I think he can do no wrong.
The next thing I liked were the clichés in the movie. This movie reminded me a lot of John Q in that it is a normal person standing up for something he knows is right, even though the means might not have been the best. That being said, even though many of the hostage clichés that you get in movies like John Q, the Negotiator, and The Inside Man, are still here the result of the clichés took a completely different turn. So although I thought they were going to be cliché, they actually turned out to be completely unique.
Money Monster was also surprisingly funny. Now don't get me wrong, I wouldn't call it a comedy by any stretch of the imagination because there were moments that were roll-you-eyes obnoxious, most of which came from the TV shows production, but there were definitely moments where I found myself laughing out loud.
The Ehh:
As I said already I liked how the movie would start a plot point with a cliché and then completely turn it on it's head. I only wish the same thing could be said about the ending. I figured out roughly how the movie was going to end by about 5 minutes into the movie. It was pretty obvious where they were going, but it was still refreshing how they ended up getting there.
The Bad:
The dang TV show that George Clooney's character hosted. I can't stand shows like Mad Money, and Money Monster is an extreme version of that. Luckily the main story line started pretty quickly so I didn't have to see too much of it.
Recommendation:
Even though Money Monster is your typical hostage thriller with a predictable ending, the great acting and surprising twists keep you guessing and at the edge of your seat. For those reasons I recommend that this movie should be seen in theaters. Visit Unpopped Review for more movie review from a movie lover, not a movie critic.
I originally went into this movie with relatively low expectations. I thought the plot was going to be predictable and boring, but overall, I found it to be very entertaining.
The Good:
The performances. You can always expect a good performance from George Clooney And you can honestly say the same thing about Julia Roberts. That being said this is the 3rd movie that features Jack O'Connell in a leading role and let me just say that he is quickly becoming one of my favorite actors. At this point, I think he can do no wrong.
The next thing I liked were the clichés in the movie. This movie reminded me a lot of John Q in that it is a normal person standing up for something he knows is right, even though the means might not have been the best. That being said, even though many of the hostage clichés that you get in movies like John Q, the Negotiator, and The Inside Man, are still here the result of the clichés took a completely different turn. So although I thought they were going to be cliché, they actually turned out to be completely unique.
Money Monster was also surprisingly funny. Now don't get me wrong, I wouldn't call it a comedy by any stretch of the imagination because there were moments that were roll-you-eyes obnoxious, most of which came from the TV shows production, but there were definitely moments where I found myself laughing out loud.
The Ehh:
As I said already I liked how the movie would start a plot point with a cliché and then completely turn it on it's head. I only wish the same thing could be said about the ending. I figured out roughly how the movie was going to end by about 5 minutes into the movie. It was pretty obvious where they were going, but it was still refreshing how they ended up getting there.
The Bad:
The dang TV show that George Clooney's character hosted. I can't stand shows like Mad Money, and Money Monster is an extreme version of that. Luckily the main story line started pretty quickly so I didn't have to see too much of it.
Recommendation:
Even though Money Monster is your typical hostage thriller with a predictable ending, the great acting and surprising twists keep you guessing and at the edge of your seat. For those reasons I recommend that this movie should be seen in theaters. Visit Unpopped Review for more movie review from a movie lover, not a movie critic.
Le saviez-vous
- AnecdotesFor scheduling reasons, Julia Roberts and George Clooney worked together very little in this film. All of the 'Money Monster' TV show, within the movie, were shot first, using both broadcast TV cameras and movie cameras. Then the entire TV show and everything that happened in the TV studio and was seen in the control room and broadcast live was edited and synchronized together. Then synchronized playback filling all 140 monitors in a working CBS control room, was played back for each scene with Julia Roberts interacting with the prerecorded George Clooney on the screens. The control room scenes were shot at the CBS Broadcast Center in an actual working control room. Pre-recorded clips of the TV studio were played back on various locations so that actors could react to the 'live' TV show. The 'Money Monster' studio set was built at Kauffman Astoria Studios and all scenes happening on that set were shot several weeks before the control room scenes were shot. George Clooney and Julia Roberts were briefly together for a scene on the TV studio floor set and for the hospital scene at the end of the film.
- GaffesWhen challenged, Walt says that he did nothing illegal and it's "just business". However, in order to run a trading company, he'd have to know that shorting his stock before switching the algorithm off is textbook insider trading, and is highly illegal. Of course he could be deliberately lying because that's what he does, but Gates should also know this. Later when his charges are being read, insider trading is not mentioned.
- Citations
Patty Fenn: [final line] So what the hell kind of show are we going to do next week?
- Bandes originalesWhat Makes The World Go Round? (MONEY!)
Written by Dan The Automator (as Daniel Nakamura) and Del the Funky Homosapien (as Teren Delvon Jones)
Produced by Dan The Automator
Performed by Dan The Automator featuring Del the Funky Homosapien
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- How long is Money Monster?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El maestro del dinero
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 41 012 075 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 788 157 $US
- 15 mai 2016
- Montant brut mondial
- 93 282 604 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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