NOTE IMDb
6,4/10
31 k
MA NOTE
En 1988, la vie d'une adolescente est plongée dans le chaos lorsque sa mère disparaît.En 1988, la vie d'une adolescente est plongée dans le chaos lorsque sa mère disparaît.En 1988, la vie d'une adolescente est plongée dans le chaos lorsque sa mère disparaît.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
Asenshion Amun
- Extreme Goth Club Dancer
- (non crédité)
Molly Berg
- Secretary
- (non crédité)
Avis à la une
White Bird in a Blizzard is one of the more interesting films of 2014, but it fails to pull off what it seemed like it promised it would. Shailene Woodley and Eva Green star as a daughter-mother duo in a mysterious crime drama. I really don't know what to make of this film. It's full of terrific performances by the entire cast, but the direction and execution of this story felt a little off.
But I have to commend Shailene Woodley for taking on different roles though. It seems as though she wants to be seen as something other than a teenage heartthrob in teen angst films. She is fabulous as Kat and once again proves that she is one of the best criers in the business. Eva Green, though not given a whole lot to do, makes the most out of her estranged wife character. I didn't know where her character was going and I definitely questioned the character arc, but she was great in the limited role. Christopher Meloni was also really good. I haven't been too familiar with his work besides Man of Steel so to me, he was pretty much a revelation.
There are a few dream sequences in the film, but really the entire movie felt dream like. The choice of colors, or non colors, really made it unique. The music, although good, was out of place and contributed to the strangeness of the film. Finally the entire last act was poorly directed. The way the events unravel, or lack there of, seemed anticlimactic. There was a moment with about 20 minutes ago where I felt really intrigued as to what would happen, but then it all just fell apart for me.
+Performances across the board
+Colorful
-Direction
-Last act
-What is it trying to say?
5.6/10
But I have to commend Shailene Woodley for taking on different roles though. It seems as though she wants to be seen as something other than a teenage heartthrob in teen angst films. She is fabulous as Kat and once again proves that she is one of the best criers in the business. Eva Green, though not given a whole lot to do, makes the most out of her estranged wife character. I didn't know where her character was going and I definitely questioned the character arc, but she was great in the limited role. Christopher Meloni was also really good. I haven't been too familiar with his work besides Man of Steel so to me, he was pretty much a revelation.
There are a few dream sequences in the film, but really the entire movie felt dream like. The choice of colors, or non colors, really made it unique. The music, although good, was out of place and contributed to the strangeness of the film. Finally the entire last act was poorly directed. The way the events unravel, or lack there of, seemed anticlimactic. There was a moment with about 20 minutes ago where I felt really intrigued as to what would happen, but then it all just fell apart for me.
+Performances across the board
+Colorful
-Direction
-Last act
-What is it trying to say?
5.6/10
"I was 17 when my mother disappeared. Just as I was becoming nothing but my body, she stepped out of hers and left it behind." Kat (Woodley) is about to graduate high school and has great friends, a loving father and a mother (Green) who is very unstable and bitter. One day her mother goes missing and no one knows what happened. Little by little Kat and her father begin to move on. During Kat's return home during a college break the mystery comes up again but this time Kat wants to know what really happened. This is a great movie and I highly recommend this. There are enough aspects to this that keep you guessing and interested the entire time. The only bad thing I can say about this is that it was released a few weeks too late. Had this come out before I saw Gone Girl I think I would have liked it more. The idea is fairly similar but I though Gone Girl was better. That movie had me guessing the entire time and I was wrong every time. I love movies like that. This one had me guessing too but I was able to stay ahead of it just enough to where I wasn't as surprised like I was with Gone Girl. That said though I do highly recommend this movie and is one to check out for sure. Overall, a great movie that is hurt a little by the amazingness of Gone Girl being released the week before. I give this an A-.
Rebellious teenager Kat Connors is only 17 when in 1988 her mother disappears in a blink, leaving her alone with her dull pushover of a father. Initially indifferent to the situation Kat soon has to reflect, and come to terms with her mother's absence while she comes of age and succumbs to her own primal sexual urges. Unorthodox, uneven mix of coming-of-age teen drama and police procedural doesn't mesh cohesively, especially with some fanciful dream sequences thrown in, plus there's a disconnect between the acting styles of Woodley, who brings a real authenticity to her role, and Green, who's unnerving and a bit too over-the-top. There's enough of the family dysfunction, youthful debauchery, and verbal diarrhea to keep a viewer invested, but the ending, which is meant to be shocking, instead just lacks conviction or impact. **
This movie starts off slowly. It is in the perspective of a gorgeous teenager who is solely concerned with her boyfriend. When her mom goes missing, she assumes that her mom kept her promise to leave her dad. As she recaps the relationship between her parents, the viewer is compelled to feel sorry for the wimpy father and agree with the teen's apathy towards her aggressive mother. In utter dismissal of her mom's abandonment, the teenager tries to focus on her boyfriend's reduced sexual interest. However, her intuition about her mother's disappearance keeps alerting her through inexplicable dreams. Then, when the teenager becomes an adult, things get GOOD! At the end, I realized that I really underestimated this movie. I had no idea this movie was going to be this good. I am glad I watched it and I want to see it again in order to catch some clues that I may have missed. The plot twist at the end REALLY caught me off-guard and I am still wondering if there was some hint throughout the movie that I missed. If anyone catches the hints, be sure to post them as spoilers.
Kat is a 17-year-old girl in the suburbs, growing up in the late 1980s and observing her parents' dysfunctional marriage at close hand while trying to cope with first love, relationships, sex and friendships - all the growing pains that being 17 involves. When her mother disappears one day, the police think she's probably run off, perhaps with a boyfriend; Kat thinks her mother just got so fed up with her boring, empty, perfect-housewife life that she finally left it to find something better. Kat herself doesn't know how she feels about that; truly, she doesn't really feel much of anything, especially because her mother had recently been so intrusive in her life. Her father seems meek and lost after her mother leaves, but both of them will eventually have to pick up the pieces and go on. If only Kat would stop having those disturbing dreams about where her mother might be....
This is really far more of a coming-of-age story than it is anything else; aside from some dream images, there's very little that would fit the term "fantastical," even though I saw it at Montreal's Fantasia Festival. There is some very fine acting, from Eva Green as the mother, Shailene Woodley as Kat, Christopher Meloni as Kat's father and Thomas Jane as a police detective, and both writer/director Gregg Araki (from the novel by Laura Kasischke) and the cast do a very good job of capturing that confusing stage of adolescence, where one is not quite fully grown up but is certainly not at all a child anymore either. I very much enjoyed the film, even if Fantasia is an odd place to see it!
This is really far more of a coming-of-age story than it is anything else; aside from some dream images, there's very little that would fit the term "fantastical," even though I saw it at Montreal's Fantasia Festival. There is some very fine acting, from Eva Green as the mother, Shailene Woodley as Kat, Christopher Meloni as Kat's father and Thomas Jane as a police detective, and both writer/director Gregg Araki (from the novel by Laura Kasischke) and the cast do a very good job of capturing that confusing stage of adolescence, where one is not quite fully grown up but is certainly not at all a child anymore either. I very much enjoyed the film, even if Fantasia is an odd place to see it!
Le saviez-vous
- AnecdotesGregg Araki based the look of Kat Connor on Winona Ryder's style from the late 1980s.
- GaffesWhen Kat visits Theo's apartment the first time, Kat's beer bottle jumps between being on the table and being in her hands.
- Citations
Detective Scieziesciez: Once there was this... obese man. Some sick fuck had doused him with gasoline and then lit him on fire. And by the time we got to the body, two days later, he was still burning.
Kat Connor: What?
Detective Scieziesciez: Guy had so much body fat he's like a human candle.
- Bandes originalesSea, Swallow Me
Written by Harold Budd, Elizabeth Fraser, Robin Guthrie (as Robin A. Guthrie) and Simon Raymonde (as Simon Philip Raymonde)
Performed by Cocteau Twins and Harold Budd
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- How long is White Bird in a Blizzard?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Una señal en la tormenta
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 33 821 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 302 $US
- 26 oct. 2014
- Montant brut mondial
- 469 701 $US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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