Une jeune mariée arrive domaine familial imposant de son mari sur la côte anglaise balayée par le vent et se retrouve aux prises avec l'ombre de sa première femme, Rebecca, dont l'héritage p... Tout lireUne jeune mariée arrive domaine familial imposant de son mari sur la côte anglaise balayée par le vent et se retrouve aux prises avec l'ombre de sa première femme, Rebecca, dont l'héritage perdure dans la maison longtemps après sa mort.Une jeune mariée arrive domaine familial imposant de son mari sur la côte anglaise balayée par le vent et se retrouve aux prises avec l'ombre de sa première femme, Rebecca, dont l'héritage perdure dans la maison longtemps après sa mort.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 1 victoire et 3 nominations au total
Avis à la une
I did raise an eyebrow when I heard that Armie Hammer had been cast as Maxim, but I felt he did a decent job, it gives me hope for his upcoming part in Death on the Nile.
The standout for me was Kristin Scott Thomas, she was a fearsome Mrs Danvers, very impressive.
The film itself, very stylish, and had some good moments. If I'm totally honest, I was a tad disappointed, I think the pacing was a bit off, it perhaps felt a bit rushed at the ending.
A few reviewers calling for no remakes, and yes the 1940 adaptation is the ultimate, but come on, many of us love seeing a retelling. However, if you haven't seen the adaptation with Olivier and Fontaine, I urge you to, it captures the atmosphere beautifully.
Overall, it's a good watch, maybe it's the sinister atmosphere that's perhaps lacking. 6/10.
The first half was good, but the second half is when everything started to fall apart for me.
Without revealing too much, in the second half, especially towards the end (like the last half hour), the dialogue turned awkward & inconsistent. The events including significant revelations were RUSHED so much that there was no build up to them nor enough time to let them sink in before moving on to the next scene. The reactions to some news or events within the plot were dull & lacked sincerity and passion.
The editing for those scenes didn't help either. It just kept jumping too fast to the next scene or cut to a different frame in a different location in the middle of a revealing conversation. That's when they lost me. The emotional connection I wanted to feel for the characters kept being interrupted.
Though I still kept an open mind and was hoping I'll be pleasantly surprised that I'll love this movie by the end of it, but unfortunately, it just kept going the same kind of direction till the movie was over.
I've been looking forward to this, and even with my expectations being reasonable and not too high, I still didn't get what I wanted.
And just to be clear, I'm not comparing this to Hitchcock's version. In fact, I've never even seen it. So this is solely based on the execution of the story in this specific movie. It simply didn't do it for me.
Le saviez-vous
- AnecdotesJust as in the book and the previous movie adaptation, Rebecca (1940) by Alfred Hitchcock, the new Mrs De Winter is never given either a first name or maiden name, whilst the late Mrs De Winter is constantly referred to by hers.
- Gaffes(at around 1h 35 mins) Jack Favell blackmails Maxim with a note allegedly containing an invitation from Rebecca to meet up on the night of her death. However, the note is undated, so there is nothing that links it to the events of that particular day.
- Citations
[first lines]
Mrs. de Winter: [narrating] Last night I dreamt I went to Manderley again. I dreamt that where our drive once lay, a dark and tortured jungle grew. Nature had come into her own and yet the house still stood. Manderley. Secretive and silent as it had always been. Risen from the dead. Like all dreamers, I was allowed to pass through my memory. Spanning the years like a bridge. Back to that summer in Monte Carlo when I knew nothing and had no prospects.
- Bandes originalesHungarian Dance No. 6
Written by Johannes Brahms
Arranged by Joseph Joachim
Performed by Henri Marteau
Courtesy of Deutsche Grammophone GmbH
Under licence from Universal Music Operations Ltd
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Rebeca
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1