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Dear White People

  • 2014
  • R
  • 1h 48min
NOTE IMDb
6,2/10
27 k
MA NOTE
Dear White People (2014)
A satire that follows the stories of four black students at an Ivy League college where a riot breaks out over a popular 'African American' themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in 'post-racial' America while weaving a universal story of forging one's unique path in the world.
Lire trailer2:33
12 Videos
99+ photos
ComédieDrameRomanceSatire

La vie de quatre étudiants noirs dans un collège de l'Ivy League.La vie de quatre étudiants noirs dans un collège de l'Ivy League.La vie de quatre étudiants noirs dans un collège de l'Ivy League.

  • Réalisation
    • Justin Simien
  • Scénario
    • Justin Simien
  • Casting principal
    • Tyler James Williams
    • Tessa Thompson
    • Kyle Gallner
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    27 k
    MA NOTE
    • Réalisation
      • Justin Simien
    • Scénario
      • Justin Simien
    • Casting principal
      • Tyler James Williams
      • Tessa Thompson
      • Kyle Gallner
    • 93avis d'utilisateurs
    • 133avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 13 victoires et 28 nominations au total

    Vidéos12

    Trailer #2
    Trailer 2:33
    Trailer #2
    Trailer #1
    Trailer 1:08
    Trailer #1
    Trailer #1
    Trailer 1:08
    Trailer #1
    Breakout Performances Before They Were 2021 Sundance Stars
    Clip 2:32
    Breakout Performances Before They Were 2021 Sundance Stars
    Clip
    Clip 0:53
    Clip
    Clip
    Clip 1:01
    Clip
    Clip
    Clip 1:05
    Clip

    Photos130

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 125
    Voir l'affiche

    Rôles principaux59

    Modifier
    Tyler James Williams
    Tyler James Williams
    • Lionel Higgins
    Tessa Thompson
    Tessa Thompson
    • Samantha White
    Kyle Gallner
    Kyle Gallner
    • Kurt Fletcher
    Teyonah Parris
    Teyonah Parris
    • Colandrea 'Coco' Conners
    Brandon P Bell
    Brandon P Bell
    • Troy Fairbanks
    • (as Brandon Bell)
    Brittany Curran
    Brittany Curran
    • Sofia Fletcher
    Justin Dobies
    Justin Dobies
    • Gabe
    Marque Richardson
    Marque Richardson
    • Reggie
    Malcolm Barrett
    Malcolm Barrett
    • Helmut West
    Dennis Haysbert
    Dennis Haysbert
    • Dean Fairbanks
    Peter Syvertsen
    Peter Syvertsen
    • President Fletcher
    Brandon Alter
    Brandon Alter
    • George
    Kate Gaulke
    Kate Gaulke
    • Annie
    • (as Katie Gaulke)
    Brian James
    • Martin
    Keith Myers
    Keith Myers
    • Mitch
    Bryan Daniel Porter
    Bryan Daniel Porter
    • Gordon
    • (as Bryan Porter)
    Terry Hempleman
    • Professor Bodkin
    Naomi Ko
    • Sungmi
    • Réalisation
      • Justin Simien
    • Scénario
      • Justin Simien
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs93

    6,226.9K
    1
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    10

    Avis à la une

    8clarkekm-61-493805

    Smart, funny, twisted satire

    I give this movie an 8. It is funny, but can be uncomfortable at times. Its a movie I do not expect everybody to get. Like Spike Lee's do the right thing, It will make some feel uncomfortable and immediately go on the defense- which in turn makes them not appreciate the comedy the writing, the cast or the message.

    This movie shows real people, real thoughts, real characters. It not glossed over , sugar coated characters ( nor extremist).

    The movie offers different view points on what it is like to be a black person in this suppose to be "post racial" country that we live in.

    I would give it a look, I thoroughly enjoyed this movie!
    7abcvision

    Fight the Power

    • I think every generation has a film that touches on race and the inequalities of color. Spike Lee, Do the Right Thing comes to mind as do other countless films. In Dear White People (a take off on a character's name that is White) it explores the state of college campus today. Where the halls are segregated and the division is along social economic lines and on the fringes of race. There is the commentary that Obama is half white, so that makes him half right, touches on the degrees of it means to be black today. Not all a series manner, but sometimes you do become the change you want to bring, but often it is much harder to live the talk than to talk the talk. I saw this movie as part of the 2014 Atlanta Film Festival.
    7cherold

    Quite good, but pales in comparison with the TV series

    I saw this movie after watching the first, brilliant season of the TV series it spawned, and that makes it difficult to review. Because the TV series is so brilliant, so funny, so nuanced, and so well structured, I can't help but see the movie as a dress rehearsal for what was to come. Would I have enjoyed this movie more had I seen it first? Very possibly.

    The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.

    The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.

    Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.

    The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.
    5Ketzel

    Doesn't Deliver on Promising Trailer

    I am glad that this film addresses the important issue of racism on college campuses, and I have no disagreement with its political or social justice messages. Any sincere attempt by a filmmaker to make these experiences visible to the broader public is a good thing.

    As a white educator who actually attended and later taught at top- tier colleges, I had been looking forward to experiencing a new sharp creative critique of American racism on college campuses as promised by the film's trailer.

    This film utterly failed in its attempts to entertain or provoke. It did not provide me even with the typical pleasures of cinema, let alone fresh insight into its subject. It was little more than a leaden slow-moving soap opera with a contrived plot, oddly dressed characters and unconvincing dialogue. In my experience of elite campuses, it is the rare Ivy student (of any race) who routinely dresses like a junior business executive and uses this sort of pretentious speech pattern. Watching this film was like watching a Western in which all the characters had British accents and wore kimonos.

    For readers who seek moving and insightful films on racism, I highly recommend Spike Lee "joints" which provide viewers with superior entertainment, dialogue, characters, plot, provocation and insight.
    3charlimopps

    Lame

    The first 20min was OK... I thought it was going to be funny. Then it gets laughably silly, campy and pretentious. The actors are caricatures of real people. At first you think in the next scene you'll suddenly find more depth and things will come into focus, but no... In the end it's got this sad "Stick to your own people, stop trying to pretend to be white/black if you're not" message which really makes me feel sad for whomever wrote this. What a dark little world they live in. The bits about colleges throwing black-face parties all the time are even a bit ridiculous. The movies based in some fictional ivy league school, but the examples they give are all of tiny colleges no-ones ever heard of. I'm not saying there isn't a race problem in this country, there is for sure. But what this movie is portraying is wildly exaggerated. This is the kind of movie the real racists watch and say "That doesn't happen! It's all made up!" and they're right.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sam makes a student film that is critical of what she sees as white people's widespread fear of Barack Obama and titles it "Rebirth of a Nation." This is a reference not only to D.W. Griffith's notoriously racist 1915 Civil War movie Naissance d'une nation (1915) but also to something that filmmaker Spike Lee experienced while he was a first-year student at NYU's graduate film school. After being required to watch Griffith's film and objecting to the fact that his professors taught it only as a milestone in the technical development of cinema with no attention paid to its racism and its legacy of helping to relaunch the KKK, Lee made a student short film titled The Answer (1980) that responded to The Birth of a Nation himself. "The Answer" so offended many of his NYU professors that Lee was nearly expelled from NYU, but was ultimately saved by a faculty vote.
    • Gaffes
      When Sam is in the dining hall and chastises Kurt for eating in their dining hall - just before she stands up; she closes her Macbook twice.
    • Citations

      Professor Bodkin: ...Might I also remind you that I read your entire fifteen-page unsolicited treatise on why the Gremlins is actually about suburban white fear of black culture.

      Sam White: The Gremlins are loud, talk in slang, are addicted to fried chicken and freak out when you get their hair wet.

    • Crédits fous
      The end credits include photographs of the real-life blackface (and brownface) college parties that inspired the film's climax.
    • Connexions
      Featured in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
    • Bandes originales
      45 Drum Break
      Performed by The Co-Stars

      Written by Neely Dinkins Jr. (as Neely Dinkins)

      Vito Colapietro Courtesy of Atom Factory Music Licensing

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    FAQ20

    • How long is Dear White People?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 mars 2015 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Sevgili Beyaz Irk
    • Lieux de tournage
      • University of Minnesota, Minneapolis, Minnesota, États-Unis
    • Sociétés de production
      • Code Red
      • Duly Noted
      • Homegrown Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 4 404 154 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 347 959 $US
      • 19 oct. 2014
    • Montant brut mondial
      • 4 633 961 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 48min(108 min)
    • Couleur
      • Color
    • Mixage
      • Dolby

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