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Dear White People

  • 2014
  • R
  • 1h 48min
NOTE IMDb
6,2/10
27 k
MA NOTE
Dear White People (2014)
A satire that follows the stories of four black students at an Ivy League college where a riot breaks out over a popular 'African American' themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in 'post-racial' America while weaving a universal story of forging one's unique path in the world.
Lire trailer2:33
12 Videos
99+ photos
SatireComedyDramaRomance

La vie de quatre étudiants noirs dans un collège de l'Ivy League.La vie de quatre étudiants noirs dans un collège de l'Ivy League.La vie de quatre étudiants noirs dans un collège de l'Ivy League.

  • Réalisation
    • Justin Simien
  • Scénario
    • Justin Simien
  • Casting principal
    • Tyler James Williams
    • Tessa Thompson
    • Kyle Gallner
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    27 k
    MA NOTE
    • Réalisation
      • Justin Simien
    • Scénario
      • Justin Simien
    • Casting principal
      • Tyler James Williams
      • Tessa Thompson
      • Kyle Gallner
    • 93avis d'utilisateurs
    • 133avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 13 victoires et 28 nominations au total

    Vidéos12

    Trailer #2
    Trailer 2:33
    Trailer #2
    Trailer #1
    Trailer 1:08
    Trailer #1
    Trailer #1
    Trailer 1:08
    Trailer #1
    Breakout Performances Before They Were 2021 Sundance Stars
    Clip 2:32
    Breakout Performances Before They Were 2021 Sundance Stars
    Clip
    Clip 0:53
    Clip
    Clip
    Clip 1:01
    Clip
    Clip
    Clip 1:05
    Clip

    Photos130

    Voir l'affiche
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    + 125
    Voir l'affiche

    Rôles principaux59

    Modifier
    Tyler James Williams
    Tyler James Williams
    • Lionel Higgins
    Tessa Thompson
    Tessa Thompson
    • Samantha White
    Kyle Gallner
    Kyle Gallner
    • Kurt Fletcher
    Teyonah Parris
    Teyonah Parris
    • Colandrea 'Coco' Conners
    Brandon P Bell
    Brandon P Bell
    • Troy Fairbanks
    • (as Brandon Bell)
    Brittany Curran
    Brittany Curran
    • Sofia Fletcher
    Justin Dobies
    Justin Dobies
    • Gabe
    Marque Richardson
    Marque Richardson
    • Reggie
    Malcolm Barrett
    Malcolm Barrett
    • Helmut West
    Dennis Haysbert
    Dennis Haysbert
    • Dean Fairbanks
    Peter Syvertsen
    Peter Syvertsen
    • President Fletcher
    Brandon Alter
    Brandon Alter
    • George
    Kate Gaulke
    Kate Gaulke
    • Annie
    • (as Katie Gaulke)
    Brian James
    • Martin
    Keith Myers
    Keith Myers
    • Mitch
    Bryan Daniel Porter
    Bryan Daniel Porter
    • Gordon
    • (as Bryan Porter)
    Terry Hempleman
    • Professor Bodkin
    Naomi Ko
    • Sungmi
    • Réalisation
      • Justin Simien
    • Scénario
      • Justin Simien
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs93

    6,226.9K
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    10

    Avis à la une

    6MovieSonic

    I wanted to love this but....

    The film is essentially one big soapbox and dropped the ball many times and in many different ways.

    I want to talk about the positives first and the reason(s) the film is definitely worth watching: I was really impressed with the production value, the acting (most of it) and the humour. I think Teyonah Parris deserves special mention because she was the character I most empathised with simply because she was the only one looking at things from both angles. Tyler James Williams also stood out due to his humour and commitment to his role.

    Keeping in mind that a person (or persons) wrote this script with the intention of instigating discussion about the issues raised, I think it's only fair to discuss those issues in reviews especially as some of the commentary affected my enjoyment of the film.

    Obviously the film deals with more substantial issues but those applied (mainly) to the USA so to address a few lesser issues: Hair. This subject grates a little (/a lot) for me because I've never heard white people make comments about black hair. Again, this might be a bigger, more well-known topic in the US but here in the UK, I don't think anyone has ever looked twice at a black person's hair. The obsession appears to lie with black (USA) people, not with white people. What is the problem with someone touching your hair? I had a fringe cut in a few months back and people touched it and made comments. When I have my hair curly, people touch it and make nice comments. It might be annoying for you but hair isn't a race issue, it's a hair issue and anyone who focuses on this 'issue' needs to get over it. When Teyonah's character expressed annoyance with being asked if she 'weaved' her hair, I couldn't help but wonder why that was a problem. First of all, how many people say 'Google it'? We make verbs out of nouns all the time and the fact that her white friend asked if it was her own hair, instead of assuming that it wasn't, actually says a lot. Women discuss hair. White women ask each other if they have extensions, if they've had plastic surgery etc. and so for anyone to be annoyed at being asked if they are wearing a weave actually highlights how insecure they are. Not every question or action by a white person is about race. Sometimes it's genuinely about curiosity and taking interest in another person. If you are so touchy about every subject, white people will not want to talk to you for fear of offending you, not because they are racist.

    There were other bits of commentary that I took issue with but I don't want my review to turn into a soapbox, so I'll move on to the main gripes I had with the film: When Tessa's character stated that it wasn't possible for black people to be racist, the film lost all credibility. The definition of 'racist' is not up for debate. We have dictionaries to clarify and after consulting one, there is absolutely no mention that in addition to holding the belief that one race is superior to another "the race believed to be inferior must also be negatively affected in some way". It is indeed possible for a black person to hold the belief that one race is better than another which would in fact, make them a racist. How their racist beliefs affect the race they believe to be inferior is irrelevant to the fact that they would be considered racist.

    Finally, I disagree that white people dressing up as black people (make-up and all) is (always) the same thing as 'blackface' and I think the more that people focus on these scenarios as opposed to the real blackface which goes on in the industry, the more that film makers will get away with continuing the real tradition of blackface right under everyone's noses.

    It's all about intention. Going to a party and dressing as your idol, make-up and all, is flattering and should be encouraged. There is nothing wrong with wanting to look like someone you idolise and when white people are accused of being racist for donning an afro wig and make-up, all that happens is that white people try to isolate themselves from 'ethnic' people to avoid being accused of racism.

    The party in the film however, was 100% racist and offensive because the invitation was decidedly unflattering and had nothing to do with celebrating black people.

    True blackface is about 'presenting an acceptable image of black people to the world'. Which is interesting when you consider that the main protagonist of this film is mixed-race. It appears that the lead role was written in such a way that allowed the casting of a light skinned woman when it could just as easily have been written in a way that would allow for a dark skinned woman to make all the same points. Casting a light skinned actress to play a dark skinned black woman, is blackface. Especially considering that they will likely apply dark make-up to her skin. Casting a white woman to play a dark skinned Latin-American woman is in the spirit of blackface. Every time a white or light skinned person is given the role of someone who 'should' be darker, that is blackface.

    It's not about the make-up. It's about why you're wearing the make-up and any film which tries to hammer home a point about racism using the controversial theme of blackface, while casting a light skinned woman in the leading role, loses a few stars on IMDb for the sheer hypocrisy.

    6/10 (it's good entertainment but the message is a bit off)
    7nrabond007

    Well made satire but riddled with hateful undertones

    Menippian and Juvenalian satire are at the forefront here. There's no comedy, there's just a message. Unfortunately, today, people have allowed this satirical work to become reality. Set at a prestigious Ivy League school outside of Chicago proper, "Dear White People" takes so much time on the inherent differences between black and white people, that it takes no real time or consideration to realize that it's the American culture that binds everyone together. It's not a bad film, and my opinion of it has grown for the better over time because it must be taken as a satire instead of a message. Obviously the filmmakers have it in mind that one particular group is the enemy, when the reality is that the far left politics are used to brainwash extremely smart and talented minds.
    8clarkekm-61-493805

    Smart, funny, twisted satire

    I give this movie an 8. It is funny, but can be uncomfortable at times. Its a movie I do not expect everybody to get. Like Spike Lee's do the right thing, It will make some feel uncomfortable and immediately go on the defense- which in turn makes them not appreciate the comedy the writing, the cast or the message.

    This movie shows real people, real thoughts, real characters. It not glossed over , sugar coated characters ( nor extremist).

    The movie offers different view points on what it is like to be a black person in this suppose to be "post racial" country that we live in.

    I would give it a look, I thoroughly enjoyed this movie!
    3djderka

    Boring and overdone

    There are plenty of other black films out there that really entertain and sometimes make a point about race perceptions and relations. (see last paragraph)

    The filmmakers scripted a real life situation, A racial Halloween Party in Texas...how boring can you get. Whites in black face... zzzzz..huh, oh I fell asleep. Why make a movie about one incidence of jerky white guys.

    Then the movie turns into a black Dinner with White People where people chat on and on.

    If you are into b/w dialogue just listen to the audio. Nothing to see here except a few very hot sorority girls. The filmmakers must have said, 'let's bring in comments on 'the weave'. Sorry Chris Rock did an entire documentary and it was great.

    Was Dear White People a class project? What was the point. "Hey some fraternity dudes can be assholes." Big surprise.

    Rent Hollywood Shuffle by Robert Townsend and then check out the reset of his film. He is good.
    7abcvision

    Fight the Power

    • I think every generation has a film that touches on race and the inequalities of color. Spike Lee, Do the Right Thing comes to mind as do other countless films. In Dear White People (a take off on a character's name that is White) it explores the state of college campus today. Where the halls are segregated and the division is along social economic lines and on the fringes of race. There is the commentary that Obama is half white, so that makes him half right, touches on the degrees of it means to be black today. Not all a series manner, but sometimes you do become the change you want to bring, but often it is much harder to live the talk than to talk the talk. I saw this movie as part of the 2014 Atlanta Film Festival.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Sam makes a student film that is critical of what she sees as white people's widespread fear of Barack Obama and titles it "Rebirth of a Nation." This is a reference not only to D.W. Griffith's notoriously racist 1915 Civil War movie Naissance d'une nation (1915) but also to something that filmmaker Spike Lee experienced while he was a first-year student at NYU's graduate film school. After being required to watch Griffith's film and objecting to the fact that his professors taught it only as a milestone in the technical development of cinema with no attention paid to its racism and its legacy of helping to relaunch the KKK, Lee made a student short film titled The Answer (1980) that responded to The Birth of a Nation himself. "The Answer" so offended many of his NYU professors that Lee was nearly expelled from NYU, but was ultimately saved by a faculty vote.
    • Gaffes
      When Sam is in the dining hall and chastises Kurt for eating in their dining hall - just before she stands up; she closes her Macbook twice.
    • Citations

      Professor Bodkin: ...Might I also remind you that I read your entire fifteen-page unsolicited treatise on why the Gremlins is actually about suburban white fear of black culture.

      Sam White: The Gremlins are loud, talk in slang, are addicted to fried chicken and freak out when you get their hair wet.

    • Crédits fous
      The end credits include photographs of the real-life blackface (and brownface) college parties that inspired the film's climax.
    • Connexions
      Featured in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
    • Bandes originales
      45 Drum Break
      Performed by The Co-Stars

      Written by Neely Dinkins Jr. (as Neely Dinkins)

      Vito Colapietro Courtesy of Atom Factory Music Licensing

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    FAQ20

    • How long is Dear White People?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 mars 2015 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Sevgili Beyaz Irk
    • Lieux de tournage
      • University of Minnesota, Minneapolis, Minnesota, États-Unis
    • Sociétés de production
      • Code Red
      • Duly Noted
      • Homegrown Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 4 404 154 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 347 959 $US
      • 19 oct. 2014
    • Montant brut mondial
      • 4 633 961 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 48 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby

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