Kelly-Anne devient obsédée par le cas d'un célèbre tueur en série. Alors que la réalité se mêle à ses fantasmes morbides, elle recherche désespérément la vidéo perdue d'une jeune fille assas... Tout lireKelly-Anne devient obsédée par le cas d'un célèbre tueur en série. Alors que la réalité se mêle à ses fantasmes morbides, elle recherche désespérément la vidéo perdue d'une jeune fille assassinée qui lui ressemble étrangement.Kelly-Anne devient obsédée par le cas d'un célèbre tueur en série. Alors que la réalité se mêle à ses fantasmes morbides, elle recherche désespérément la vidéo perdue d'une jeune fille assassinée qui lui ressemble étrangement.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 victoires et 38 nominations au total
Sebastien Beaulac
- Agent de sécurité #2
- (as Sébastien Beaulac)
Le Hoang Vu
- Homme harajuku
- (as Vu Le Hoang)
Avis à la une
Pascal Plante's Red Rooms may well be the definitive satire of the digital age -- with all its true crime podcasts, serial-killer streaming shows (people basing entire fandoms around the loss of others, basically), Dark-Web fascinations, and other things that have irrevocably desensitized us to suffering. That this film came out right when we started seeing as many corpses and eviscerated streets in our social media feeds as we did -- scrolling past them with little reaction -- makes it even more deeply haunting than it already was.
I can't really put it much better than the other critics here; this really is one of the most evil movies of the year -- possibly of all time. And that isn't to say that the director had ill intentions. That's not what they mean at all! Rather, the film captures something truly vile that is going on within mankind, and also includes one of the most cruel non-violent acts I have ever seen on film. When I tell you that the angles, edits, facial expressions, and especially the music from this scene live rent-free in my head, that is no exaggeration.
In general, the movie contains some of my favorite sequences of the year. The meticulously photographed courtroom scene that opens the film; the eerie moments where the protagonist (played by Juliette Gariépy in a powerfully subtle and downright disturbing performance) dives into the Dark Web and first makes contact with the eponymous Red Rooms; the finale that shows a singularly unsettling break-in. The more I think about it, the more I admire it. Absolutely phenomenal film.
I can't really put it much better than the other critics here; this really is one of the most evil movies of the year -- possibly of all time. And that isn't to say that the director had ill intentions. That's not what they mean at all! Rather, the film captures something truly vile that is going on within mankind, and also includes one of the most cruel non-violent acts I have ever seen on film. When I tell you that the angles, edits, facial expressions, and especially the music from this scene live rent-free in my head, that is no exaggeration.
In general, the movie contains some of my favorite sequences of the year. The meticulously photographed courtroom scene that opens the film; the eerie moments where the protagonist (played by Juliette Gariépy in a powerfully subtle and downright disturbing performance) dives into the Dark Web and first makes contact with the eponymous Red Rooms; the finale that shows a singularly unsettling break-in. The more I think about it, the more I admire it. Absolutely phenomenal film.
Elegantly haunting, this film takes a refreshing angle on the serial killer genre and elevates it via subtlety and a sharp, slow knife.
Kelly-Anne is a mysterious lead, as we are taken into her strange and unique world of glamour, gambling, obsession and psychopathy. Accompanied by a fellow, more innocent, 'fan', the two decide to go to the trial of a suspected monster each day out of a morbid sense of curiosity.
There are mesmerising little avenues this film meanders down to keep you gripped, but it's almost impossible to predict the finale. It's a truly refreshing, if gently horrific, take on the dark thriller, as it turns out that it's not just the ones with the blade to look out for, it's also the ones with a keyboard.
This is cerebral, clever, and it is at its scariest when it's at its most direct. This is a film that will stay with you for quite a while. If you want a cheap thrill, don't bother - but if you want something that pushes boundaries in a 'less is more' kind of way - give this a go. Just don't say I didn't warn you ...
Kelly-Anne is a mysterious lead, as we are taken into her strange and unique world of glamour, gambling, obsession and psychopathy. Accompanied by a fellow, more innocent, 'fan', the two decide to go to the trial of a suspected monster each day out of a morbid sense of curiosity.
There are mesmerising little avenues this film meanders down to keep you gripped, but it's almost impossible to predict the finale. It's a truly refreshing, if gently horrific, take on the dark thriller, as it turns out that it's not just the ones with the blade to look out for, it's also the ones with a keyboard.
This is cerebral, clever, and it is at its scariest when it's at its most direct. This is a film that will stay with you for quite a while. If you want a cheap thrill, don't bother - but if you want something that pushes boundaries in a 'less is more' kind of way - give this a go. Just don't say I didn't warn you ...
This was right up my alley as it combined two of my obsessions; serial killers and computers.
A young model with a resemblance to a murdered teenage girl attends the trial of the suspected murderer. She meets a fellow courtroom enthusiast and they a join the maddening crowds at the spectacle.
The suspect is kept in a room within the courtroom and he is kept behind glass.
The model is an internet geek and soon learns of the dark web where supposed snuff films are available at auction for the right price. She hacks her way into that world in order to uncover the missing video of one of the victims.
Red Rooms is a realistic portrayal of the dangers of modern technology.
A young model with a resemblance to a murdered teenage girl attends the trial of the suspected murderer. She meets a fellow courtroom enthusiast and they a join the maddening crowds at the spectacle.
The suspect is kept in a room within the courtroom and he is kept behind glass.
The model is an internet geek and soon learns of the dark web where supposed snuff films are available at auction for the right price. She hacks her way into that world in order to uncover the missing video of one of the victims.
Red Rooms is a realistic portrayal of the dangers of modern technology.
"Red Rooms," the 2023 Canadian thriller, grips you from the first frame and doesn't let go until the final credits roll. The plot weaves a web of suspense and obsession around the high-profile trial of Ludovic Chevalier, a notorious serial killer. What sets this film apart is its brilliant direction, which skillfully navigates the fine line between horror and psychological thriller. The tension builds relentlessly, leaving you on the edge of your seat, eager to uncover the dark secrets that lie beneath the surface. The cinematography is hauntingly beautiful, capturing the eerie atmosphere of the story while maintaining a visceral connection to the characters' emotions.
At the heart of "Red Rooms" lies a captivating exploration into the psyche of Kelly-Anne, a character whose obsession with the case blurs the boundaries between reality and her own morbid fantasies. This journey delves deep into the mind of a serial killer groupie, a character study that is as disturbing as it is engrossing. The film doesn't shy away from the uncomfortable truths of human fascination with the macabre, painting a raw and unflinching portrait of a woman who becomes entangled in a sinister quest for the missing video of a murdered 13-year-old girl. The performances are nothing short of exceptional, with the lead actress delivering a tour de force performance that brings Kelly-Anne's complex character to life with haunting authenticity. "Red Rooms" is a fantastic entry in psychological thrillers genre, offering a chilling yet thought-provoking experience that will linger long after the credits have rolled.
At the heart of "Red Rooms" lies a captivating exploration into the psyche of Kelly-Anne, a character whose obsession with the case blurs the boundaries between reality and her own morbid fantasies. This journey delves deep into the mind of a serial killer groupie, a character study that is as disturbing as it is engrossing. The film doesn't shy away from the uncomfortable truths of human fascination with the macabre, painting a raw and unflinching portrait of a woman who becomes entangled in a sinister quest for the missing video of a murdered 13-year-old girl. The performances are nothing short of exceptional, with the lead actress delivering a tour de force performance that brings Kelly-Anne's complex character to life with haunting authenticity. "Red Rooms" is a fantastic entry in psychological thrillers genre, offering a chilling yet thought-provoking experience that will linger long after the credits have rolled.
Les chambres rouges.
A model becomes obsessed with a high-profile murder trial.
Red rooms is a psychological horror and thriller that gets darker in twisted way, the story is interesting and I love courtdrama films but this one felt unique and different a little with an up-to-date case about the dark web, so it really was a very interesting experience.
This movie excelled to picture the dark story of Kelly-Anne especially the atmosphere, most of the scenes were at night and it really served the movie.
This one shouldn't fly under the radar, it's one of the year's best, unfortunately it was released late in the year and it just didn't get the amount of appreciation it deserves.
A model becomes obsessed with a high-profile murder trial.
Red rooms is a psychological horror and thriller that gets darker in twisted way, the story is interesting and I love courtdrama films but this one felt unique and different a little with an up-to-date case about the dark web, so it really was a very interesting experience.
This movie excelled to picture the dark story of Kelly-Anne especially the atmosphere, most of the scenes were at night and it really served the movie.
This one shouldn't fly under the radar, it's one of the year's best, unfortunately it was released late in the year and it just didn't get the amount of appreciation it deserves.
Le saviez-vous
- AnecdotesThe movie was shot in Montréal, Québec, Canada in the fall of 2022.
- Citations
Kelly-Anne: That's what I love, seeing them lose everything.
- ConnexionsReferenced in Film Junk Podcast: Episode 957: Alien Romulus (2024)
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- How long is Red Rooms?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Las habitaciones rojas
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 83 081 $US
- Week-end de sortie aux États-Unis et au Canada
- 36 441 $US
- 8 sept. 2024
- Montant brut mondial
- 146 016 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Rapport de forme
- 1.50:1
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