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Ajouter une intrigue dans votre langueThe adventures of Noel and his friends Smooth, Andy Warhol, and Dolly.The adventures of Noel and his friends Smooth, Andy Warhol, and Dolly.The adventures of Noel and his friends Smooth, Andy Warhol, and Dolly.
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10gspilot
This is either total rubbish or a work of genius.This reviewer reckons it's the latter.On first viewing I thought "What? Can I have some of what he's been smoking please?" but as the series progressed I started to warm to it.I watched it again on Catch Up (Virgin cable...) and it started to click into place. It actually frightens me that I'm starting to "get it",as a shrink would probably have Noel sectioned after a rummage inside THAT brain. Some of the sketches are hit'n'miss,but most of Python was utter mince and it's supposedly a classic of comedy. The characters are seriously strange as you'd expect (it IS Noel after all) but some,such as Dondylion,are deeper than you'd think. There's no middle ground,you'll either love it or loath it,but at least give it a chance. Now,when's the DVD coming out?
Luxury Comedy is definitely the work of Noel Fielding. It's overflowing with much of the same surrealism we've seen in The Mighty Boosh, as well as his stand-up. We've heard him talk about himself in absurd terms. We've seen his wistful creations. Every time we've seen his works, we've seen flashes of a bubbling caldera of surreal, outlandish creativity, but always somewhat suppressed, somewhat mired in the interests of making his humour palatable. Luxury Comedy is what happens when the caldera explodes. This is Noel unchained. The show is a sea of glam, paint, and insane creations. This is not just Noel talking about how is unique mind works, this is him showing you, and it's... it's weird.
It's very weird. It's definitely the weirdest show I've ever watched. It subverts, deliberately, just about every convention it can get its finger paint-stained hands on. These conventions, of course, are comforting and are usually there for a reason, and when all of them are stripped so unceremoniously from the show, it can feel genuinely uncomfortable. The humour billed in the show's title is inexpressibly bizarre, typically staying well clear of punchlines, or anything else to make you laugh out loud. Instead, there's generally a haze of amusement that pervades the show. Some sketches in the show, such as the incomparable Jelly Fox sketch, hold our attention for their sheer hypnotic brilliance, even if they're not particularly humorous.
Naturally, it doesn't always work, on the level of art or entertainment, but it never feels forced. It is hypnotic, addictive, and surprisingly more-ish once you give it a generous chance. If you have an above-average tolerance for surrealism, I recommend you give it a go.
It's very weird. It's definitely the weirdest show I've ever watched. It subverts, deliberately, just about every convention it can get its finger paint-stained hands on. These conventions, of course, are comforting and are usually there for a reason, and when all of them are stripped so unceremoniously from the show, it can feel genuinely uncomfortable. The humour billed in the show's title is inexpressibly bizarre, typically staying well clear of punchlines, or anything else to make you laugh out loud. Instead, there's generally a haze of amusement that pervades the show. Some sketches in the show, such as the incomparable Jelly Fox sketch, hold our attention for their sheer hypnotic brilliance, even if they're not particularly humorous.
Naturally, it doesn't always work, on the level of art or entertainment, but it never feels forced. It is hypnotic, addictive, and surprisingly more-ish once you give it a generous chance. If you have an above-average tolerance for surrealism, I recommend you give it a go.
To be honest, i'm not sure you can compare this show to The Boosh...to me they are so different in every way. The Mighty boosh has more of a storyline, with crazy characters injected where they need to be injected, Whereas Luxury Comedy is a show about crazy characters with no specific storyline. Like the man himself has described it, it is like a children's show for adults. Of course this style of show isn't for everyone, and if i tried to show this to any of my friends, they would probably throw me into a mental asylum. I believe this programme is for the select few who can deal with the extreme ridiculousness of Noel's imagination. To some it's a strange place where the freaks of the world hang out, but to others (the awesome ones) IT'S A STRANGE PLACE WHERE THE FREAKS OF THE WORLD HAND OUT!!! :') "Got to go now, it's the end of the show"
This is not The Mighty Boosh. Analogously quoting Andy Warhol in episode 2: "I'm not The Mighty Boosh, I'm Noel Fielding's Luxury Comedy". Don't expect punchline humour here. Prepare for an experience instead. This one is not about punchlines and neither about funny skits, instead it's about psychic as well as physical hardship (i.e. pain) as well as pain in general. plus it's surrealist comedy dealing with everyday (media) stereotypes and other phenomena (where the hell does Daddy Push come from?). The cultural references in their abundance (blatant clues all over the place) aren't always easy to catch for someone continental, but they're just the icing on a psychedelic fruit cake. Everything is so garish, so absurd and at the same time so painful and intimate (yes, intimate!). Imagine Ren and Stimpy combined with Flying Circuses's awkwardest moments. I can do without further comparison here. Watch and behold, suffer and rejoice, and don't be ashamed of any of your reactions. Especially when watching the Dondylion sketches you may as well cry a little bit. It's appropriate. Appreciate what you got. It's the work of one crafty Noel Fielding, the Offshore European Surrealist. Why just 8/10? Well, Dolly Wells might be the gorgeousest version of herself ever (I mean it, ever. Cigar!) in this cock-and-bull (watch the pinnacle of kinkiness in the "alien sketch" in episode 4) and Mike Fielding is as always the relieable bone dry sidekick, but some of the sketches are quite naff, like fillers that don't really tie the show together.
tl;dr It's new, it's unique, but it tends to wear off.
PS: E1 has one of the worst Michael Caine impersonations ever.
tl;dr It's new, it's unique, but it tends to wear off.
PS: E1 has one of the worst Michael Caine impersonations ever.
A big surprise, Luxury Comedy hits you in the face like a fantasy pancake thrown by a big blue blob and sticks there, dripping.
What a riot of invention, surrealism and humor. Occasionally erratic and incomprehensible, but that's all part of the fun. Anyway, you can watch it again and again if you don't get it first time.
Nothing could be more innovative and fresh than this cornucopia of strangeness. Kaleidoscopic and multicoloured, not for those of a conventional disposition. Only lovers of the truly weird need apply for this feast of freshness.
"We're off to see the Jelly Fox, the Jelly Fox, the Jelly Fox. He gives you what you need."
What a riot of invention, surrealism and humor. Occasionally erratic and incomprehensible, but that's all part of the fun. Anyway, you can watch it again and again if you don't get it first time.
Nothing could be more innovative and fresh than this cornucopia of strangeness. Kaleidoscopic and multicoloured, not for those of a conventional disposition. Only lovers of the truly weird need apply for this feast of freshness.
"We're off to see the Jelly Fox, the Jelly Fox, the Jelly Fox. He gives you what you need."
Le saviez-vous
- AnecdotesNoel Fieldings first mainstream solo series after the Mighty Boosh
- GaffesThe Ghost of a Flea is wearing a Diving Watch.
- ConnexionsReferenced in The Big Lez Show (2012)
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- How many seasons does Noel Fielding's Luxury Comedy have?Alimenté par Alexa
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- Luxury Comedy 2: Tales from Painted Hawaii
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